- Joined
- Jun 21, 2003
I think even the ISU acknowledges that they have their work cut out for them in achieving consistency and objectivity in the program component scores. The same was true in the 6.0 era, but at least then a judge could say, well, I thought skater X skated the prettiest overall, so I gave her a 5.8.
Now we see high scores in "transitions" for programs that have none, and the same for "choreography" (a challenging category to interpret in any case because the choreography is done by someone else, not by the skater who is being judged).
I do, however, cut the judges some slack in terms of having "expectations" that well-established champions will demonstrate outstanding skating skills such as edging and cognizance of the music. Call it pre-judging if you must, but I have never seen a Dorothy Hamill performance that did not feature clean edges, exquisite carriage and well-centered spins, giving her a 5.9 on the second mark going in.
It's the same in every sport. Michael Jordan travelled evey time he touched the ball. But the referees never called it because he was Michael Jordan. Not fair to the rookies who are trying to be the next Michael, but there you are. He's Michael, you're not (yet).
Now we see high scores in "transitions" for programs that have none, and the same for "choreography" (a challenging category to interpret in any case because the choreography is done by someone else, not by the skater who is being judged).
I do, however, cut the judges some slack in terms of having "expectations" that well-established champions will demonstrate outstanding skating skills such as edging and cognizance of the music. Call it pre-judging if you must, but I have never seen a Dorothy Hamill performance that did not feature clean edges, exquisite carriage and well-centered spins, giving her a 5.9 on the second mark going in.
It's the same in every sport. Michael Jordan travelled evey time he touched the ball. But the referees never called it because he was Michael Jordan. Not fair to the rookies who are trying to be the next Michael, but there you are. He's Michael, you're not (yet).
Art imitates life. Not saying it's right, but that's how it is in every setting. The big fish get all the breaks, the little fish struggle to become big fish. John Baldwin was quoted recently as saying what a relief it is that now it's "our turn" to get the benefit of the scoring in U.S. competitions, having been held down for years in favor of Ina and Zimmerman.