iS THAT YOU FROM PARIS vEN> OR JUST ANOTHER RARE POSTER. CALLING ALL BOTS. I DOUBT YOU READ ANY THREADS AT ALL, AND SIGN IN WHEN ASKED, UNDER ONE OF YOUR SCREEN NAMES. 7 YEARS 37 POSTS? Let US SEE YOUR CONTRIBUTIONS? I WAS ATTACKED, BUT THEN AS A STUFFED ANIMAL, I GUESS YOU CAN'T READ. AND 6 POSTS AVERAGE A YEAR? I'd GUESS THEY MITE BE ABOUT? YUNA? nOT WORTH CHECKING AS YOU are CLEARLY ANOTHER BOT
Skateluvr you are way out of control even for you... lol predictable though. Way nice to attack a lurker for speaking out what many may have felt for a very long time. At least it was for me.
If however this thread's intention is to pose a genuine question with no ulterior motives (consider who started it... pfwahhaahaa say no more!) As someone who has seen them live many times, I'd say both Patrick and Yuna are incredible and mesmerizing LIVE EVEN MORE than on screen - which is a point why I always try to watch competitions live. Let me preface this post to say the following is my personal opinion only. There's no need to lump me with any particular category, stereotype or generalization thank you very much. I have only paid attention to the sport prior to 2002 for a few years due to Michelle Kwan who inspired me to take up skating for 2 years (I was crap + heartbroken for Michelle + the judging scandal disgusted me so much it felt pretty pointless to continue) and it is only Vancouver who brought my interest right back not knowing ANY of the major players (except obviously Plushy). I initially liked all final flight of ladies (except Miki Ando, that vegas costume and program has got to go.. just mehhh!) and definitely was impressed with the manner which Kim Yu-na of S.Korea laid it out right there and then but along with it the usual healthy dosage of London cynicism (okay my first thought was how the hell did Korea produced such a brilliant genetic modified baby... surreal!). However the more I watched, the more I grew to appreciate the new dynamism of the sport, understand the strength/weakness of the IJS, got to know the rule changes and reason given as well as scavenged though all the youtube old footage of the leading ladies backwards to their beginnings. My interest and appreciation in Yuna Kim's work completely peaked and thrived, while others pretty much waned.
(Advise to haterz...avert your gaze from the rest of this post now. This doomed love fest of gushiness can cause indigestion, faintness, heart palpitations, yunadose intolerant, depression and other cases of bipolar gibberish self defensive victim symptoms as displayed on these board. Just avoid avoid!!)
I saw Patrick live a few times, first time at ATS LA show 2010 for over two days before he became a world champion and then at the world championships in Moscow 2011 when I gave him a standing ovation. My first impression even before he received all the accolades was that his skating skill is immediately apparent even among the more illustrious cast members he was with at the time. I am reminded of watching a young Taichi master on ice, smooth, fast, smart, controlled, strength not brawn at work, speed and turn from nowhere, apparent effortless like butter as if is second nature to him. (Though he seems independent to his surroundings with little awareness of the context of what he is performing to, it is hard to describe.) The edge work, how he carries his body, posture around the rink as if he is sliding on a cloud with very little friction in the sounds he makes with the blade. He might not be artistic back then as now, and he might have even fell a few times during his gala (but he got up awfully fast too!). If this is a sport without music and no jumps, he deserve the crown - falls and all (it is only fair, the world is made of ying and yang). I am lucky to have seen Daisuke in comparison as well at WC 2011, who lived up to the billing as the biggest flirt and charismatic Elvis on ice (AND off), but if I was to be completely honest, skating skill wise, he pales to Patrick. To compare expression, musicality, interpretation, charisma, emotion and intelligence on ice, Patrick has no chance against Dai. Although I admit I have also completely changed my opinion regard to Patrick since his Elegy, I thought Patrick's skating has matured and shaped brilliantly and arguably finally deserve his crazy high PCS and maybe some more. If this is art on ice, Dai wins, if this is pure skating, Patrick wins. Although I do think the smart viewer should always look at the work and what is performed on ice on the day more than who is skating, and what are they skating to. For me, Patrick has the better programs this Olympic season, as I am sad to admit for Dai. I dream of see Hanyu live one day just to see how he fairs with the others or maybe something else more surprising. He seems to skate fast but with much effort; to a point of recklessness during his Romeo and Juliet season that made him terribly exciting to watch. This season however, a lot less, having adapted Kostner's strategy of slowing down and pace himself due to his Asthma.
I was lucky to have seen Yuna many times in shows and in competitions over these last few years including most recently at Golden Spin. She has similar fluidity and effortless as Patrick Chan, the sort of surreal speed and flow out of nowhere that is immediately apparent when compare with most of the ladies especially during warm ups right next to each other. Yuna has something even more attractive than Patrick, it is the clarity of her movements to the music and the ease she moves about with precision but also lyrical freedom that made her appealing to me massively. Yuna has an innate elegance that is only matched by her athleticism that I just don't see from any of the current competitive ladies except may be Mao on the rare occasion where her package fit her. The difference is one that naturally breathed and poured out of her every pores that draws you in vs one that is put upon and packaged and simply do as told with little thought processing. My first surprising impression of Yuna live was that she was surprisingly far more delicate, soft and supple than I ever expected despite her reputation on these boards. There is emotional transparency, poignancy and vulnerability on display seeing her skate live - surprising.
Yuna has an incredible presence on ice, and an intrinsic ability to absorb music nuances like second nature. This can be seen in her numerous rehearsal videos with other people's music playing on the background, and even when the choreographed movement may not necessarily been designed to fit the other piece of music. With her, the music options are great, she doesn't have to match or follow any suitable predetermined style. I find her in competition and during exhibition completely different. There's appears some sort of a switch on and off button that made massive difference in her peak performance. I actually find her Garboesque aloofness during the power OFF mode absolutely beguiling and intriguing only because at power ON mode - the transformation is utterly stunning, staggering and gobsmackingly brilliant! Her physical vocabulary is truly extraordinary, versatile, eloquent, dynamic, fresh yet poetically sensitive and effective in various shades of subtlety when done just right (Physical and emotional state need to be aligned, that is why her Gershwin at Olympics was amazing, while at WC 2010 she was clearly out of it. ). I am convinced her FS is going to be another master work in the making, similar to her Gershwin at last winter Olympic games in challenging her musicality and nuances. I am looking forward to see her elite reading and interpretation of an familiar genre and a well known piece for her final parting program.
People like to disregard her consistency and even take it for granted to the point of slandering her skating liking to a robot, but frankly the amount of effort, focus and pressure to get to that point of human limitations at the biggest competitions is beyond impressive. I do want to add, I have always felt Yuna's spin has been unfairly criticised and distinctively remember being totally wowed by her layback spin at Giselle WC. The speed, centering how it seamlessly integrated with the music to highlight a particular passage, punctuation is even more effective and poignantly expressed than even Alissa's layback, which seems to be slower and smaller than I expected, though still impressive her own way. I also disagree Yuna skating skills are any lesser than Kostner, I'd say they are comparable depends on what they are doing. Kostner definitely has her own presence on ice that is appealing due to her statuesque figure and speed, but holistically, I find Yuna to be more well rounded than all the ladies I have ever seen, but Yuna does it on a bigger scale in terms of 21st century athleticism and dynamism which I suspect the judges appreciate too.
Some thoughts on Asada, which left me a bit befuddled at WC 2011, but I will give her a pass given she seems to be physically fragile and fatigued that particular season (My impression in 2011: She skated girly... like REALLY girly! A shadow of her Vancouver self.) Kostner's speed come with a price of clumsiness in how she moves between from one element that seems rushed and rusty. It is in the detailing, the between elements, the long set up telegraphing her jumps frankly drives me nuts (you can visibly see her thinking, calculating, hoping for the best etc. She looks nervous, it is distracting.) Her jumps are powerful but the entry and the landing are not comparable with Yuna's apparent effortless, power, speed, precision and arguably flow out of it especially they are usually proceed or finish by some transitional movements with little set up time. I remember distinctively when they announced Kostner's Bronze at WC 2011, the entire row where I sat with (many N. Americans?) went 'huh?!' due to the mistake ridden performance in her short and that there's no 3/3s, no lutz in her FS. Where once again, she get the special 'European Royal with Cheese' treatment. Surprising, I thought Alena came across great and likable and more enjoyable live at that world championship (or maybe it was just the audiences reception which surely have helped, so I can understand a little bit behind judge's psychology to rewarding home favs. It does make the sport a bit unfair to those who has no or hardly any home events) and though the reason she came back so strong next season was the judges way of compensate for her close Bronze at WC Championships. It is similar to the treatment they gave to Mirai before she let that momentum go post vancouver and USFA/Frank seems to have given up on her (saddest story this quad for me, I hope she has a great redeeming skate at nationals).