All right, since I opened the discussion, I’ll write my list of great moments/people/programs etc
Joannie Rochette: For her grace and passion, for her strength and courage. I spontaneously teared up the day after her short program several times just thinking about it (crying on the bus for no apparent reason doesn’t make people want to sit beside you). But she put so much of herself into her skate. And my heart melted when she smiled after her long program. Love the “Samson and Delilah” long program and I’m glad she skated it well.
Quad vs Quality: What a ridiculous debate this became. Fans of complete skating were forced to root for Lysacek (egads) over Plushenko (egads) not because Lysacek exemplifies what we want to see (outside of competitive readiness and work ethic), but because he actually makes an attempt to improve all areas and has had some success. Seeing great skaters like Jeremy Abbott and Tomas Verner flame out was devastating (Verner will go down as the biggest, most talented headcase ever, I think), and seeing flawed performances from my favourites (Lambiel, Takahashi, Chan) just made this debate all the worse. The instant demonization of Plushenko was irritating (though I disagree with people who argue it’s a return of cold war rhetoric – I think that’s too reductive and is particularly dismissive of the reasonably complicated relationships between nations, like Canada and the USA), but the retaliatory knee-jerk lionization bugged me just as much. That said, COP reminds us that it’s not one element. Its things like quality. There’s no denying that Lysacek laid it down when it counted, and for that he has my respect.
Pang/Tong: Oh goodness, this was unexpected. The pairs night was filled with great programs (The Way We Were, Out of Africa, Grand Canyon Suite) skated poorly, so when Pang and Tong came out there and nailed element after element, I was elated. Amazing program, skated to the best of their abilities. The Olympics crystallize things so perfectly, and seeing P/T, who’d been ignored in Torino, who’s World Champion title isn’t held up, who’ve improved their skating skills (no URs!!!) and performance/emotional connection and just delivering when it mattered… thrilling. I cheered
Ladwig/Evora: I hate John Baldwin. I don’t care for the team of Inoue/Baldwin, and his comments and poor attitude really pissed me off. So I was inclined to root for this team based solely on that. But those beautiful lifts made me a fan regardless, and that breathtaking smile from Evora… Goodness me, I think I have a little crush. A top ten at their first major international competition? Hell yes, I’ll take that.
Akiko Suzuki: If they could bottle and sell the joy she shares on the ice, there would be no more depression. And appealing performances from Flatt, Lepisto, Korpi, with some nice short programs from Gedevanishivili made it one of the best ladies nights I’ve seen.
The conclusion of many narratives: The pairs narrative gets a kick in the with the return of Shen/Zhao. Ice dancing is North American and European now, and it’ll be that way for a while. I look forward to the inclusion of Asian ice dancers in the medal ranks in the future. Four golds to four countries (Canada, USA, South Korea, China). The one narrative that collapsed was Joubert – medaling at every worlds preceding the Olympics, than a disappointing result. And the future narratives? That of Nagasu and Brezina, Amodio and D. Ten, Samuelson/Bates and Crone/Poirier, of Dube/Davison and Bobroba/Soloviev, of those that didn’t make the Olympics (Murakami, Gao, Rippon)…. Well – I can’t wait for those to get underway either (and let’s not neglect that some more skaters will very likely be around in 2014, like Chan, Asada etc)
Davis/White: Their original dance remains the OD of the season – perfectly constructed, wonderfully executed. And while I won’t ever love their FD the way I love their OD, it was so thrilling to watch. Dazzling, challenging execution. A great performance.
Mao Asada: History made. New heights to scale, new worlds to conquer, and I cannot wait.
Shen/Zhao: Anything more to be said? Nope. Ending the Russian domination was good enough. Giving us the climax of Yao Bin’s story? A beautiful moment. Xue Shen’s absolutey joy at discovering that she and her husband are the Olympic Gold Medalists? A fist pumping moment for me.
Belbin/Agosto, Domnina/Shabalin, Delobel/Schoenfelder: I wish they were at their best. They weren’t, but I admire DelSchoes for coming and changing the ending to their story, even though they didn’t get the ending they deserved. I appreciate B/A’s class in recognizing the achievements they’ve made over the past five years, even if I hate the conclusion. Four world championship medals and an Olympic silver medal is nothing to sneeze at, and great teams have done worse (Drobiazko/Vanagas, Dubreuil/Lauzon are just two that come to mind). And DomShabs…. Whatever we want to say, let’s recognize the greatness this team once had, and the struggles they’ve been through. Ignore the weird programs and whatever you feel about Linichuk.
Tessa Virtue, Scott Moir, and Yu Na Kim (WARNING: I enter gush mode here): These guys won world juniors in 2006. They made the leap to seniors the same year and their rises have been damn near legendary. How many ladies medal their first senior year? How many programs are as deeply memorable as “El Tango de Roxanne” or “Lark Ascending?” How many ice dance teams come sixth in their first senior season? With expression and lightness as beautifully displayed in “Valse Triste” and “Assassination Waltz.” It was clear that the next four years would be theirs for the taking, with rivalries and growth.
And oh, what growth. Watching Kim from crappy you-tube videos, it was clear she was something special. Watching her on TV simply magnifies that. I can’t imagine the power you get live. “Dance Macabre” and “Bond” will likely be the greatest one-two short program punch COP will ever see, and her domination this season climaxed beautifully despite early chinks in the armor. As amazing an Olympic Champion as the sport will see. She laid it down when it counted.
Ever since I saw a mediocre cellphone cam recording of Mahler Symphony No 5 on youtube, I knew Virtue and Moir were gonna deliver something special. I felt it in my bones. I had an entire fantasy constructed around it (seriously: it involved a tie between V/M and D/W after the OD and V/M skating last and making everyone cry. I even have point totals somewhere in this rat-trap I call a brain). I’m a fanbot when it comes to these two, unfortunately. Whenever I see criticism, I have to remember not to get angry). So to see it fulfilled was glorious.
Virtue and Moir are the reason I adore COP. They’re the reason I started learning about figure skating again. I watched them on youtube, and their youth and beauty, their artistry and athleticism appealed to me in ways that make language seem trite. If you asked me to list my favourite COP FDs, at least three of theirs would be on the list. I was worried with the OD, honestly. I didn’t think the flamenco suited them, and I didn’t quite buy it, especially not in comparison to Anissina/Peizarat’s legendary interpretation. I was wrong. Scott Moir was so in character that it blew my mind away. The control of the blade was staggering. When he let out that full throttled yell at the end, I was agog with delight and exhilaration. So full bodied and electrifying. It was then I knew they’d win the gold, not because of politicking or hometown bonuses, but because they were in the zone and they were delivering. And Mahler? There’s a reason people are mentioning Torvil and Dean. Regardless of whether or not they’ve earned that, those four minutes remain in my mind as the pinnacle of what this sport can and will achieve. I’ve been giddy ever since they won (also, I love Scott for joking with Tessa that they got silver. NBC footage gave me that, so I don’t entirely hate NBC) and that alone makes this Olympics one of my favourites.