Was Yuzuru Hanyu's 2018 Olympic FS his ultimate "clutch" performance? | Page 5 | Golden Skate

Was Yuzuru Hanyu's 2018 Olympic FS his ultimate "clutch" performance?

:confused2: Nathan didn't have amazing glide nor particularly noteworthy way of transferring weight. He was also never the fastest - it's pretty obvious at 2017 worlds where he was the slowest of the top 6 (of course, he was also the youngest of the top 6). To say he didn't have transitions and had "flat" skating is silly. Right in the PyeongChang LP you can see him do a spread eagle into a 4T, lol.

In the aforementioned 2019 GPF LP, one of the few times I thought he deserved to beat Hanyu on PCS, he does running threes, power pull into a 3A, as another example.

You can see in his Nemesis and Mao's Last Dancer and Philip Glass programs that he can do steps with great body movement and flow and depth of edge.

Chen's weakest component, btw, was interpretation. He never showcased a personal point of view in his skating (nor particularly interesting points of view, in my book). He also had problems with projecting to the audience when he was younger, but this was fixed as he grew older and more confident.

He used to go to IAM to get his coaching...

As for discussions about "contempt" for artistry - I have to wonder how people reach the conclusion that Chen had contempt but all the others who don't skate well - in fact skate with worse line and skating skill and jump technique and spin technique than him - are somehow "only delivering what the TES and PCS require NOW" (aka Sato, Shaidorov; Malinin for everything apart from jump technique, and for that matter when it comes to jumps/spins Siao Him Fa, and when it comes to jumps solely, Kagiyama). Try not to let your own contempt for a skater cloud your judgment too much.
There we're completely off-topic so I'm putting a spoiler.
He may have been slow in 2017 but as you say, he was very young and he progressed on this topic, though as you say, he never had the best glide (nor the worst, particularly if we take some Russian Women in the panel, his was more visible because he wouldn't shape his Crossovers to fit the program, he'd do them as if he was doing some speed skating attempt). I'm not saying that he had no Transition at all, I'm saying that he had less than the rest of the top skaters, that's the meaning of my "lacked". And that's, it's true, because the previous Olympic cycles had seen a spectacular progression in Transitions, both in quantity, difficulty and quality of execution. Shoma Uno, who couldn't follow more than Nathan Chen in their quantity, managed to have quality of execution, be it in Steps or in Crossovers, and more one-foot skating, edges, better Spins of course...
He did work on it and it's very deserving because he was probably not encouraged in this direction, but when he would, they would look awkward, laboured, I disagree with you in that flow was lacking, as to his body movements they wouldn't endanger his balance, certainly he knew that it was his weaker point. I don't know completely about projecting to the audience because I've never seen him skating live, but in his earlier program he was able of some Interpretation, I thought that it was thanks to Marina Zueva, maybe IAM was in the loop too. In any case, it would all come to (nearly!) nothing when five Quadruples were jumped, sorry. If you have in mind an inflated "regular" scoring for his Rocketman and an underscored "regular" scoring for Origin, then of course the graphs may cross. But if you compare (glps!) both skates with the same grid, they don't get anywhere close.
He did express a contempt for artistry in this interview, which I don't think was his real thought, rather some imparted reflexion, maybe told him in contempt by someone else when he would try to gain part of his Components, which went out at that moment, maybe because he felt defensive?
As to myself, please don't accuse me of contempt. I know that a French author once said that one ought to gift one's contempt only parsimoniously, because of the great number of those in need of it. But in terms of contempt, I'm worse than parsimonious, I may be the worst miser. Even for someone like Ari Zakarian I don't have any contempt, in spite of all his exertions to get some. So, please, don't imagine that I might have even the slightest idea of considering any particle of contempt for someone with apparently an usual share of merits and faults (most of which I don't even know) like Nathan Chen!
I won't go further on other skaters because this was already sooo off-topic.

As GPF 2019 Origin has been put forth, also off-topic, by people who may not know that Yuzuru Hanyu had spoken of it (being asked) in his latest Menship Radio two days ago, so here we are...
 
Just a reminder that this is not about other skaters nor comparing skaters. It's about whether or not (in your personal opinion), Hanyu's FS in the 2018 Olympics was a "clutch" performance.

Just to clarify: “clutch” in English usually refers to performing well under pressure—not necessarily delivering a flawless or highest-scoring skate.

So, the question isn’t “Was this his best performance ever?” but rather “Did he deliver when the pressure was highest?”

Anything else regarding other figure skaters (how they did or what they said, etc.) is moot and shouldn't be discussed here.
 
“Did he deliver when the pressure was highest?”
And he's had far more than his share of wildly loaded moments that would send your average sportsman into screaming meemies. But yeah, Helsinki '17 and even moreso Pyeongchang '18 - as has been said over and over and over, the Olys are a different pressure cooker and his unique status, his condition and what he was trying to achieve racked it up - were the most pressure cooker of his competitive career (I would also place GIFT as their equal in his career as a whole).

And he did what he set out to do. In Helsinki he took back the WC with a now officially historic record and the 'greatest free skate of all time' (not my words, many other people's). In Pyeongchang he took the back-to-back for the first time in half a century (oh, and the 1000th gold medal of the Winter Olympics. You couldn't make it up, folks). That's delivery with legendary might and main.
 
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Just to clarify: “clutch” in English usually refers to performing well under pressure—not necessarily delivering a flawless or highest-scoring skate.
Clutch can mean any number of things in English. Most common usage IME is whether someone's able to deliver when the stakes are high. Often times (and mostly) it is used in the context of team sports, and clutch performances end up changing the game. They're also usually late game.

So yeah. Hope and Legacy. 5th to 1st. Especially with Fernandez getting overscored to high heavens in the SP (to the point I thought he'd get bronze over Jin at those worlds, even though Fernandez simply didn't deliver in his LP). Hanyu leapfrogged over all four skaters who beat him.

In comparison after the SP, nobody would have doubted that Hanyu was going to win at PyeongChang. He already showed he had a good bit of fitness. Yeah, sure, unpredictable things can happen, but they didn't. It wasn't clutch. It didn't change the game in any way - he was first after the SP and he was first after the LP.
 
Clutch performances in team sports do not necessarily "change" the result of the game, but "decide" it, and that's an important difference. It may mean scoring a goal in the last five minutes of the match, but it also may mean saving a penalty in the same final minutes, or in the decisive penalty round of the game, giving a clutch to the goalkeeper. Defending your Olympic title in the first successful attempt to do so in 66 years in your sport discipline surely is comparable to the latter :)

TBH I don't really understand why some people object to it so fiercely. :scratch2:

Was Yuzuru under pressure in PyeongChang? Of course, he was. All commentators were talking about it in live broadcasts from the Olympics all over the world, numerous media claim he was, his team mates claim he was, his coaches confirmed he was, he himself agreed he was. I do not think there may be any justified doubt about it, really.
Did Yuzu perform well then? But of course. Again, most of arguments were already quoted, with the result of his performance being the historic win of back-to-back OGM titles, no less.
And the result so historic makes it the "ultimate clutch" as it gave him not just this one title but secured his unique place in the history of the sport like no other win.
 
And he's had far more than his share of wildly loaded moments that would send your average sportsman into screaming meemies. But yeah, Helsinki '17 and even moreso Pyeongchang '18 - as has been said over and over and over, the Olys are a different pressure cooker and his unique status, his condition and what he was trying to achieve racked it up - were the most pressure cooker of his competitive career (I would also place GIFT as their equal in his career as a whole).

And he did what he set out to do. In Helsinki he took back the WC with a now officially historic record and the 'greatest free skate of all time' (not my words, many other people's). In Pyeongchang he took the back-to-back for the first time in half a century (oh, and the 1000th gold medal of the Winter Olympics. You couldn't make it up, folks). That's delivery with legendary might and main.
After reading this, I've searched for hours a quote by Mr Kikuchi, then his Physical Preparator, as I didn' find it I had renounced, and I've just stumbled on it this morning... It's about the state of his ankle during both programs:
https://x.com/machiday13/status/1758462669533950306

Automated translation:
"Under normal circumstances, he'd barely be able to stand. It absolutely must have been excruciating. The taping doesn't suppress the pain. The ligaments are in tatters; it merely immobilises them rigidly to physically prevent movement. And yet, he delivered that performance in that state."
 
After reading this, I've searched for hours a quote by Mr Kikuchi, then his Physical Preparator, as I didn' find it I had renounced, and I've just stumbled on it this morning... It's about the state of his ankle during both programs:
https://x.com/machiday13/status/1758462669533950306

Automated translation:
"Under normal circumstances, he'd barely be able to stand. It absolutely must have been excruciating. The taping doesn't suppress the pain. The ligaments are in tatters; it merely immobilises them rigidly to physically prevent movement. And yet, he delivered that performance in that state."

Thank you, DizzieFrenchie! I also remembered this quote from his Physio and could not find it. I don't really understand why some people feel a need to deny that his injury and the resulting physical condition was really career threatening, way worse than any of his rivals in this competition and cannot really be compared to "discomforts", earlier boot problems and minor everyday injuries. It was all over the news at the time.

That's a photo taken right after FS, the cameras moved away from the Kiss&Cry.

 
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Another observation which comes to me from this thread is that there are several performances that people would point to as Yuzuru's ultimate clutch performance, or "the" clutch performance, the only one that mattered to them personally as such.

Among those listed were:
1. 2018 Olympic FS Seimei, of course, selected by OP as the topic of this thread
2. 2018 Olympic SP Chopin's Ballade, a perfect performance, the first one after the long break caused by a still unhealed injury, with stakes of course incredibly high, and taking place before Yuzuru's main rival got himself basically out of medal contention by a disastrous SP, so the pressure must have been enormous too
3. 2017 World's FS Hope and Legacy - the flawless, record-breaking performance, bringing Yuzu from the 5th place after SP to the World Gold medal and his second world champion title
4. 2014 Olympic Sochi SP Parisienne Walkways - which was the highest scoring SP in history at that time, the first ever breaking 100 points barrier in the SP score, put him comfortably ahead of all his main rivals for the Olympic title and was instrumental in his winning his first OGM (although he won FS too), and all this in his Olympic debut when he was just 19, with only one international title under his belt, namely, this same season's GPF title, won just 2 months earlier.
5. 2015 GPF FS Seimei - the record breaking performance thought by many "the" most perfect FS program of all time which he himself pointed to as the first one when he felt so much pressure that it made him literally feel scared to go on ice.

Researchers and serious writers on the subject note that the term "clutch performance" covers "clutch episodes" i.e. separate individual outstanding instances of clutch, and "clutch ability" pointing to athletes known for many clutch episodes, a special ability to perform under pressure or when it matters most. I wonder whether the fact that they were these several different performances brought up by different posters as Yuzuru's "clutch" would justify stating that his "clutch" is in fact the case of many clutch performances throughout his career. Leading us to the conclusion that he was, in fact, particularly gifted to perform well under an enormous pressure, a true "clutch performing" athlete. This would also explain a bit his unique position in the sport and incredible fame and popularity, as in fact it is clutch performances that often go viral and are perceived as iconic in other sports.

Just like in the question this CBC Sport's journalist chose to start his interview with Yuzuru:
"People have said, Yuzu, and I can attest because I've seen it, that you are the most complete figure skater of all time. Technical ability, artistry, but above all, above all, the ability to perform when it counts the most".

Here's time stamped for you: :)
 
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