I am a big Jamie Sale fan. Like Linny, I especially think her career has taken off as a professional. She could be the next Kurt Browning ( = Canadian ham on ice).
But what I really am is a Lori Nichol

fan. In the Salt Lake City post mortems a lot of attention was focused on the choreography. Sale and Pelletier were criticized for presenting a more simply constructed program. But I thought that Berezhnaya and Sikharudlize did not especially distinguish themselves in that category, either. It seemed like their program was a fairly generic, albeit suitably elegant, Gordeeva/Grinkov sort of thing, to an old warhouse, Thais.
I wish the roles had been reversed, with Jamie and David doing Orchid and Elena and Anton doing their all-time masterpiece, Charlie Chaplin.
Lori Nichol created some of her strongest programs for Sale and Pelletier. She was especially in her element with the short programs, many of which had a humorous undercurrent. Come Rain or Come Shine and Tango were both super. (Lori’s short programs for Michelle Kwan were outstanding, too -- as a body of work, maybe better that the LPs -- sometimes the necessity of working in as many highlight elements as possible can detract from the choreography.)
Love Story was the program that put this pair on the map. I was completely spellbound the first time I saw it, at Skate America. Tristan and Isolde was even more compelling (why doesn’t everyone use Wagner?)
But in the 2001-2002 season, Orchid seemed to push the team out of their comfort zone. It seemed like they never really mastered the piece. In the Grand Prix final they had to do two LPs, so they did Orchid and Love Story. Their performance of Orchid was only so-so, and their Love Story was great. Plus, Love Story was very well received by the North American audience. So that pushed them to do Love Story instead of the more richly constructed Orchid at Salt lake City.
OT -- Kwanford Wife, you will be cheered to know that in the last couple of years Ferndale, along with Huntington Woods, has suddenly become hip! It's the new happening place.
Mathman