She didn't express zero depth, but yeah. I've read that Roxanne was conceived for 6.0 and tweaked for CoP. So maybe that's the sweet spot for development. But moments like those impress me most, and what I do look for. Growth will come.
Even though, that's still interesting. Some also point out that her Les Miserables feels complete because it's like a 6.0 program.
Still for me: IMO
LP Ranking:
1. Homage to Korea
2. Lark Ascending
3. Adios Nonino
the rest? OK
SP:
1. Danse Macabre
2. El Tango de Roxanne
3. Bond
the rest? Ok.
I actually think one of Yuna's goal was to bring best of 6.0 back to create balance in all her programs... you can see it in the programs she chose to put together have qualities that are worth more under 6.0 but worth less consider the amount of effort. Why else would she bother otherwise. And there's the themes to do with nostalgia, reminiscence and rebirth/transformation.
Tbh my fan dream is for Yuna to become a coach and train all those new up and rising musical girls with superb skills to artistic and technical perfection. After seeing Alysa Liu's Les Mis I really wish Yuna could become like, her mentor or something. I feel like Yuna can inspire and lead young girls to not just great skating, but belief in themselves and mental toughness. Anyone else have a dream like this??
Tbh my fan dream is for Yuna to become a coach and train all those new up and rising musical girls with superb skills to artistic and technical perfection. After seeing Alysa Liu's Les Mis I really wish Yuna could become like, her mentor or something. I feel like Yuna can inspire and lead young girls to not just great skating, but belief in themselves and mental toughness. Anyone else have a dream like this??
I don't know if it is true, but it is was my reading of the program based on the choreography, the context and the period it was conceived. Tom Dickson is is a student of legendary 6.0 coach Carlo Fassi. Tom played the oboe since age 10, is therefore a product of 6.0, where lyricism (e.g Lu Chen), rhythm and of course musicality were prized - all things that seem really undervalued under the COP. Imo El Tango really exemplifies the best of both worlds can work to create a great program/performance beyond any judging standard. Whereas Lu Chen's best programs can get killed in the current judging system, and something like Alina's backloading overstuffed programs would hurt her artistic scores under 6.0.
Nah, I think her work as an ambassador makes more sense to me. I'm not sure how she'd fare as a coach. Her love for FS might return, but IDK if it would be enough to ever coach. And her toughness and mental strength seem to be of a different sort than what I'd expect to see in a coach.
she said she doesn't have the patience to be
Ha! Knew it. It's one thing to like working with people, it's another to mentor them.
Actually, her reactions ARE what clued me in.
Ha! Funny thing happened just now!
I was looking for pics of Yuna to contribute to the “devil wears prada fs edition” thing lol because I’m sure I’ve seen plenty of Yuna “Meryl faces”. Anyway.
I saw a pic of a very young Yuna and much younger looking Brian that caught my attention. Turned out it was a blog post about their split written right when it was happening (very parallel to the whole Medvedeva leaving Eteri thing happening now).
I read through the post and it was interesting and then suddenly there’s a pic of onions that introduces a recipe for some kind of onion sauce or something. Like... what??? lmao
So I’m not sure what is this about but it did talk about Yuna leaving Orser.
http://emswift.blogspot.com.br/2010/08/yuna-kim-fires-orser-and-worlds-best.html?m=1
And in that pic she wasn't even wearing her signature winged eyeliners
This is what we're missing if she's not gonna be a coach https://yujinishuge.files.wordpress.com/2010/08/yuna-brian.jpg
http://i.imgur.com/C9l7l4i.jpg
https://pbs.twimg.com/media/C9mbLAkVYAQr4q0.jpg
(I just now realized that she really has hilarious reactions )