2018-19 Russian Ladies' figure skating | Page 201 | Golden Skate

2018-19 Russian Ladies' figure skating

yes, agree
personally, I don't see a problem to place a weakest jump „hidden in corners“.
IMO after what Orser has already said that "they are not going to hide it". There will be a lot of negative comments if she is not going to change a place for her Lz. :laugh: and tbh I will be one of these people who will think negatively about it.
I don't care where a jump perform in centre or in the corner. But after what Orser promised... I will have a problem with that :laugh:
Don't promise anything before doing so):biggrin:

I don‘t know whether he meant it that literally, though. „To hide something in the corners“ could mean to generally hide it as well, not directly related to the skating rink. Personally, I don‘t care where a jump is placed as it doesn‘t make much of a difference to me but let‘s wait and see what they‘ll do. :)
 
"It's not uncommon for skaters to place their worst jump in the corner..." - being a newcomer to NA FS i find hard to judge it.

"Evgenia always jumped her lz in a corner, as far as possible from the judges..." - there are - https://vk.com/pages?oid=-97272391&p=%D0%95%D0%92%D0%93%D0%95%D0%9D%D0%98%D0%AF_%D0%9C%D0%95%D0%94%D0%92%D0%95%D0%94%D0%95%D0%92%D0%90 - all her 17/18 SP/FS. You are welcome.

There are certain ethical standards in the evaluation of competitors' coaches&their pupils. Orser twice made statements which do not decorate him. It would be appropriate to apologize to ET in person... Like real men do.

What? Not everything needs to micro analyzed for hidden meanings. No apologies necessary. Let’s see how many will get this reference “No one puts Baby in a corner!” Go Brian and Zhenya...
 
About Anna. She skates 30% of her ability, carefully. The area of the rink is smaller.
Short approaches to the jumps, smaller steps, 3F+3T in original 4T+3T.
 
"the way Eteri yells at her for falling on a quad..." - Have you ever been to the rink where up to 20 athletes skate at the same time? Within 5 meters you don't hear each other because of the steel on the ice screams. There are various music in different sectors for separate skating groops performing their coaches' exercises. Moreover, if you waste time to come & talk to the coach it will take up 40% of your training time. Have you been at the ice rink, have not you?

I saw this picture of training in NA clubs. It is convenient when the coach gets money for the ice time not for the result.
Hi Truman...

I'm having a hard time understanding when you are quoting vs speaking in your posts...suggest you use the reply-to-post to quote instead..

It sounds as though your comments are based on how Russian training centres organize the ice vs North American practice.

I think that it's really valuable for you to provide a reality check about Russian ice protocols and training situations for those of us who are trying to assess the situation from North American eyes...

I don't think we can criticize Eteri for following Russian ice protocols...

So, a couple of points of information about the differences ... hoping I'm not going too off-topic ...

First, when skaters in NA are in a private lesson, they are constantly monitored by the coach and are expected to return to the coach for feedback after each element, or sequence or run through. Coaches who bellow across the ice disturb others and are increasingly less common. But skaters spend a large portion of each session working independently while their coaches are working with others.

Second, in NA, only one central sound system plays on a rink...so there is only one skater's music playing at once. There is often a board with a wait list for turns with the music.

During practice, the skater, team or group that "has the music" has absolute right of way on the entire rink. Others who are training on the same ice are expected to give way or "make a hole" so skaters with the music can do their programs.

Clearing space is really critical for elements that require a lot of speed on entry. Sometimes during a critical run through, the other skaters will just move back to the boards and wait until it's done.

Third, there are not usually large groups working in different sectors except in the lowest entry levels coming out of basic skating.

Coaches may work with very small groups in semi-private lessons of 2-3 skaters, rarely more unless it is a designated spins or skills session where jumps are not allowed.

There are also regularly scheduled stroking classes with only one large group.

Lastly, I'd like to point out that the Russian way of organizing the ice and NA probably both have pros and cons. But the two approaches can't really be combined.

As a matter of ice safety, skaters and coaches need to all share the same approach to organizing the ice.

I am aware of at least one situation in NA where a coach who had come from Russia tried to have large groups working in a sector of the ice, or run a stroking class for only that coach's students while other coaches were working with their students and waiting for the music for run throughs. This led to concerns from other coaches and skaters about safety and concerns about fair access to the full rink for run throughs.

Bottom line, getting back on topic, I agree with you that taking one aspect of Eteri's coaching style out of the context of how Russian rinks are organized, and comparing it to Brian's who works with skaters in under a very different set of ice management rules, is unfair.
 
First off, Anna's dress is gorgeous:love:
I watched her performance late last night and just didn't connect with it. I was hoping it was because I was tired and it would look better in the morning. I definitely think you guys are right in saying she was nervous, as she seemed a bit stiff. But overall I felt like she just went from jump to jump, with little in between, and normally I feel like she just glides across the ice with perfect transitions. I assume it will be a bit different when she competes, obviously she needs an extra jump, but I hope she grows into the music and becomes comfortable with it. The music is beautiful, but I am surprised to see Anna with it, imho I think the more delicate pieces she used in the past season fit her better. Anyways best of luck to her, I can't wait to see the program improve!
 
First off, Anna's dress is gorgeous:love:
I watched her performance late last night and just didn't connect with it. I was hoping it was because I was tired and it would look better in the morning. I definitely think you guys are right in saying she was nervous, as she seemed a bit stiff. But overall I felt like she just went from jump to jump, with little in between, and normally I feel like she just glides across the ice with perfect transitions.
If I understood properly, the Japanese tweets seemed to indicate that she was better in this regard during the evening performance. So perhaps she was nervous due to it being televised or the early morning start(Would have been only around 8 in the morning in Russia) didn't work for her as well.

Still, I remember the first time I saw the 16-17 program and it really evolved with her so hopefully it'll be at its best in the spring.
 
I don‘t know whether he meant it that literally, though. „To hide something in the corners“ could mean to generally hide it as well, not directly related to the skating rink. Personally, I don‘t care where a jump is placed as it doesn‘t make much of a difference to me but let‘s wait and see what they‘ll do. :)
I agree...

Placing a jump in a corner is often about building up speed for an entry, and not about hiding anything.

And the Lutz is a jump that benefits from speed on entry to get a clean vault.

When we did an analysis a year or so ago of the fastest skaters in the ISU, we looked at speed built up before 3Lz and 4Lz.

Gabby Daleman and Alaine Chartrand had the highest speed, accelerating across the full length of the ice and vaulting into a corner. This was also Mikhail Kolyada's approach.

Kaetlyn Osmond had a more complex entry with slightly less speed and did the jump mid ice, and her technique appeared to be adjusted to compensate for her leg injury.

So, I really can't get behind the idea that lutzes in corners are about hiding things.

By the way, Zhenya did not have close to the same speed at that time.

Going forward, it will be interesting to see if Brian has Zhenya focusing of a clean Lutz with a both a good outside edge entry on the skating foot and a clean vault without excessive rotation on the pick.

Location on the ice is less important...
 
First off, Anna's dress is gorgeous:love:
I watched her performance late last night and just didn't connect with it. I was hoping it was because I was tired and it would look better in the morning. I definitely think you guys are right in saying she was nervous, as she seemed a bit stiff. But overall I felt like she just went from jump to jump, with little in between, and normally I feel like she just glides across the ice with perfect transitions. I assume it will be a bit different when she competes, obviously she needs an extra jump, but I hope she grows into the music and becomes comfortable with it. The music is beautiful, but I am surprised to see Anna with it, imho I think the more delicate pieces she used in the past season fit her better. Anyways best of luck to her, I can't wait to see the program improve!

Finally someone wrote almost exactly my feelings from her performance, thank you... :)
 
I agree with your post.
but
Orser himself have said that "they are not going to hide Lz in the corner as she used to".
I wish he didn't say anything.

Well if they actually don't hide it then it's a good thing, because he's keeping his promise. I guess if they do end up hiding it then it would have been better if he hadn't said it, like you say.
 
The music is beautiful, but I am surprised to see Anna with it, imho I think the more delicate pieces she used in the past season fit her better. Anyways best of luck to her, I can't wait to see the program improve!

Yes maybe doesn't fit her yet, but she has to try something new as well. She cannot skate all the time to dreamcatcher like music. The development will never happen that way. And she is not like in an Olympic cycle or under huge peressure for results to say it's risky choice. It's just a junior year, the perfect time.
 
I personally can't stand skaters who compete using the same kind or similar kind of music all the time (not naming anybody), so to see that her coaching team is willing to take different directions with her this early in her career is great and a good sign for the future. I too found that her musics for last season were just a perfect match for her because she is so soft and fluid on the ice but it is good to see something else. Also we haven't seen her SP yet (or maybe we did but i missed the information).

I do not want to judge this program already because it was obviously not performed at its perfect form (this being her first show, first public performance of the program, non-competitive ice rink...) but i like it and i'm excited to see what it looks like when it is perfectly polished.
 
Hi Truman...
I'm having a hard time understanding when you are quoting vs speaking in your posts...suggest you use the reply-to-post to quote instead..
It sounds as though your comments are based on how Russian training centres organize the ice vs North American practice.
I think that it's really valuable for you to provide a reality check about Russian ice protocols and training situations for those of us who are trying to assess the situation from North American eyes...
I don't think we can criticize Eteri for following Russian ice protocols...

So, a couple of points of information about the differences ... hoping I'm not going too off-topic ..
First, when skaters in NA are in a private lesson, they are constantly monitored by the coach and are expected to return to the coach for feedback after each element, or sequence or run through. Coaches who bellow across the ice disturb others and are increasingly less common. But skaters spend a large portion of each session working independently while their coaches are working with others.

Second, in NA, only one central sound system plays on a rink...so there is only one skater's music playing at once. There is often a board with a wait list for turns with the music.
During practice, the skater, team or group that "has the music" has absolute right of way on the entire rink. Others who are training on the same ice are expected to give way or "make a hole" so skaters with the music can do their programs.

Clearing space is really critical for elements that require a lot of speed on entry. Sometimes during a critical run through, the other skaters will just move back to the boards and wait until it's done.

Third, there are not usually large groups working in different sectors except in the lowest entry levels coming out of basic skating.

Coaches may work with very small groups in semi-private lessons of 2-3 skaters, rarely more unless it is a designated spins or skills session where jumps are not allowed. . There are also regularly scheduled stroking classes with only one large group.Lastly, I'd like to point out that the Russian way of organizing the ice and NA probably both have pros and cons. But the two approaches can't really be combined. As a matter of ice safety, skaters and coaches need to all share the same approach to organizing the ice.

I am aware of at least one situation in NA where a coach who had come from Russia tried to have large groups working in a sector of the ice, or run a stroking class for only that coach's students while other coaches were working with their students and waiting for the music for run throughs. This led to concerns from other coaches and skaters about safety and concerns about fair access to the full rink for run throughs.
Bottom line, getting back on topic, I agree with you that taking one aspect of Eteri's coaching style out of the context of how Russian rinks are organized, and comparing it to Brian's who works with skaters in under a very different set of ice management rules, is unfair.

Thank you,

"Russian ice protocols and training situations" - Russian coaches do not prepare selective units. Groups of athletes with approximately the same closer to the maximum result is their task. On the way to each victory, it is desirable to have faithful companions. None of ET athletes leave her without the highest (according to the level of competition) achievements.

"one skater's music playing at once" - waste of time for others. No coach/apprentice intensity.
"Others who are training on the same ice are expected to give way" - the hockey field is easily divided into four sectors. There is enough space for any jumps and choreography.
"Coaches may work with small groups of 2-3 skaters" - Everything is relative. In Russia individual work means to teach ONE athlet, collective work - with a groop of 5/10/15. Teamwork means achieving an equal technical level for ALL.
"a matter of ice, skaters and coaches safety" - after 6-10 years of FS practise with 30-50 at the same time on the ice is it's not a problem.

After OG EM demanded the special conditions of training. She was denied. Coach should have a hare. The pursuing group of hounds together with a hare goes to the set point. Someone will shout - you inflict mental damage to the athletes. The winner takes it all! This is the sport of the highest achievements. Millions practice FS - units climb to the top.

The ambitions of the coach is to create a masterpiece. Such Tutberidze Team masterpieces were Lipnitskaya(OG SP/FS 2014), Tsurskaya (JOG 2016), Medvedeva(WC 2017), Zagitova(OG 2018), Trusova/Kostornaya(JWC SP/FS 2018).
Since 2015 Tutberidze Team has won all FS Ladies J/S Gold except WC 2018. EM refused to participate WC 2018 equalizing herself with Konstantinova.

You decide which system is more effective. The gap is of 10-15 years. Tennell, Chan, Osmond are not eternal. I dare say Kaetlyn will go for a third Olympic cycle and will be carrying Canada Lady' FS like Patrick Chan with Men'.

What to do? Reward a coach for the result, not for spent hours on the ice.
 
Yes maybe doesn't fit her yet, but she has to try something new as well. She cannot skate all the time to dreamcatcher like music. The development will never happen that way. And she is not like in an Olympic cycle or under huge peressure for results to say it's risky choice. It's just a junior year, the perfect time.
I agree with this. And I think that sticking to the same style would be very restrictive for her. This will be something a little different for her and a good stepping stone towards more mature, senior programs. I'm not really into the idea of her just having that one "fairy-like" image defining her.
 
Well, I already expressed my opinion on Anna's new long program - that the choreo doesn't really look finished to me, but that said I am actually very pleased with her performance. She did well for such an event, skating and jumping in the darkness. I liked her skating the most from what was shown on youtube. At times she might have seemed to be a little bit disconnected from the music but I noticed a few moments where she actually expressed some hidden fieriness and this surprised me a lot (positively), since we have been used to seeing her as a more delicate skater. She definitely has more layers and I am sure she actually could develop herself in various styles. All she need is time....and the opportunity to do so. Also, I don't know if it was just me - but that fast part near the end with the transitions - man, people normally struggle with such steps and she actually performed it so lightly and even better than the slow parts of the program. Amazing body control :luv17:


PS I slowly get the feeling there's one user with different names who keeps posting the same...nonsense. Let's not ruin our thread again. :otopic:
 
Please can you not overlook Tarakanova. Yes she has been ill but she did beat Trusova last year in one of the qualifiers but then was forced to drop out of the cup of Russia final because of her illness. This girl out of all of Eteri’s is far more deserving then both Sherbakova and Kostornaia of the high GOEs as most of her jumps should reach 4/5. Yes she can be slightly inconsistent but her only bad cimpetition this season was in Zagreb I think where she slipped on her first jump and hit her head and was forced to skate the rest of her skate at least shocked if not with slight concussion which excuses her falls imo and Gubanova was clean at least mostly at her events other than her one international assignment.

Her main problem is the fact that at Russian nationals she got massively underscored. Kostornaia’s score went up by seven points from junior Grand Prix final to Russian junior nats for a clean performance at both. Tarakanova was scored 1.3 points lower than her junior grand prix final performance at Russian junior nats where she was clean at both. If her score had gone up by just over seven points like Kostornaia’s she would have come third at Russian Junior nats.

Yes she is ill and possibly injured but even with a nightmare performance with concussion after literally hitting her head
she beat Young You. Furthermore she was competing the same content as when she had been 12-13 and she without the excessive backloading has the fifth highest junior score ever. If she can just maintain her content Tarakanova will easily able to beat most competitors except from Kostornaia, Trusova and possibly Sherbakova (if she has quads otherwise Tarakanova should easily beat her as she has better skating skill, more powerful spins and higher jumps)

Tarakanova's jumps, aside from the lutz, are all scary. She has a crazy axis and her air position is pretty loose. I'd say of all the Eteri girls, she has technique that is most likely to be affected by growth... I'd say her strength is her skating skills (edges and speed) but she doesn't have the refinement of Kostornaia, and I don't think she deserves jump GOE of a more controlled Sasha or height/flow of Alena. Her spins, while nice, don't come close to Alena's. I don't see how she deserves more GOEs in any elements...
 
Tarakanova's jumps, aside from the lutz, are all scary. She has a crazy axis and her air position is pretty loose. I'd say of all the Eteri girls, she has technique that is most likely to be affected by growth... I'd say her strength is her skating skills (edges and speed) but she doesn't have the refinement of Kostornaia, and I don't think she deserves jump GOE of a more controlled Sasha or height/flow of Alena. Her spins, while nice, don't come close to Alena's. I don't see how she deserves more GOEs in any elements...

Hmm....I actually think Tarakanova has a nice axel and especially that secure flow with her free leg out. Very nice tano too and she isn’t a tano spammer. They are very thoughtfully places throughout her FS and SP and not on the same jumps.

Watch this:
https://youtu.be/F8yMfx6yEAo?t=2m9s

Honestly the whole sequence here is great and I’d argue one of the top spin sequences we saw from any of the ladies last season both junior and senior. The timing is second to none with nice extensions and creativity. The final spin is like a metronome in terms of accuracy with each change fitting the music and beat ridiculously well.

As an aside: She said she looks forward to creating new spins so I’m hoping to see even more from her.
 
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