Yuzuru Hanyu: 2019-2021 | Page 121 | Golden Skate

Yuzuru Hanyu: 2019-2021

CBC Canadian interview with Hanyu on being the world's best skater. Very emotional and well done commentaries in the documentary parts too. It's cute he counts Pooh as one of his coaches now. But most importantly, it is 10 min long - like rainwater for our current drought!

http://www.cbc.ca/sports/figure-skating-star-yuzuru-hanyu-shares-his-emotional-journey-to-becoming-world-s-best-1.5499431?utm_content=buffer5526b&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

The part about his feelings after nationals 🥺
I’m glad he was able to rediscover himself with Chopin and Seimei. With the absence of Worlds (and probably cancellations of many ice shows), I hope Yuzuru will be able to use this time to select the music pieces that truly resonate with his heart and his skating for next season.
 
CBC Canadian interview with Hanyu on being the world's best skater. Very emotional and well done commentaries in the documentary parts too. It's cute he counts Pooh as one of his coaches now. But most importantly, it is 10 min long - like rainwater for our current drought!

http://www.cbc.ca/sports/figure-skating-star-yuzuru-hanyu-shares-his-emotional-journey-to-becoming-world-s-best-1.5499431?utm_content=buffer5526b&utm_medium=social&utm_source=twitter.com&utm_campaign=buffer

I was impressed when Scott mentioned that Yuzuru received People's honor award as the youngest person and also as the first figure skater, good research :)
 
I was impressed when Scott mentioned that Yuzuru received People's honor award as the youngest person and also as the first figure skater, good research :)

Also that acknowledgement of how much Yuzuru in himself means to the Japanese people as a whole, something I think the Western media and skating community find difficult to really comprehend as it's never happened in quite the same way to even the greatest stars here, but Scott treats it with respect.
 
I didn't know this story, this shop made the banner of "挑戦 羽生結弦", Yuzuru's relatives in Wakayama ordered it to give him as a gift when Yuzuru was entering Senior stage. The relatives asked the shop to use Yuzuru's favorite word "挑戦 (challenge)" and the color of blue. Every time I found this banner on the screen, I have always thought this banner stands out with its big Kanji and the colors :)

https://twitter.com/i8OVDW6wic81EnU/status/1240409559904092160
 
Is there a list of which FoI 2019 performances Yuzu performed in and which program, Masquerade or Crystal Memories? I want to binge watch them all again in chronological order, I love seeing how he changes and grows a program over time :luv17:
 
This is Brian's interview by a magazine "AERA" published this week, it seems it was given after 4CC. There are only two pages on line but the actual magazine had more, but I couldn't find it at the store in my neighborhood. I heard Brian also talked about Yuzuru's 4Lz and 4A, I hope we're able to see whole translation somewhere.

https://dot.asahi.com/aera/2020031800017.html?page=1

── By winning in 4CC, Yuzuru Hanyu (25) has achieved Super Slam which owns the titles of all major competitions in both Senior and Junior stage including the Olympics and WC.

 I'm happy for him. It was the title Yuzuru had always wanted. This season, he won the first competition of the season, won SC for the first time, and he had the first victory in 4CC while being on a roll. I think Japanese nationals became a turning point. The moment he returned to the rink side after his free program, Yuzuru said "I am tired". I felt that it was not that he was tired from four minutes program, but that he was tired from the days he had been running for the last eight years. His spirit of fighting while retaining the title of two Olympic champions, two world champions and many more game is immeasurable. He missed the title at Japanese nationals, but I was rather relieved and finally felt that we could settle down and get a fresh start.
 
──NHK, Grand Prix Final, Japanese nationals, did these continuous competitions become a burden for him?

 If typical Yuzuru in continuous competitions, his adrenaline gradually comes out and picking up the momentum. However, this time, there were many trips to Japan, Canada, Italy and Japan again, and the coach who was scheduled to be at the GPF was not able to arrive in time due to the accident, and that unexpected drama called the absence of the coach was added, which made him tired mentally. What Yuzuru needed was to calm down and return to the usual environment, more than recovering physically.

──What was the process of returning to Pyeongchang Olympics season programs? 

 At the beginning of new year, the coaches heard from Yuzuru that he would bring back old programs and we all agreed. Immediately we called the choreographer, Shae-Lynn Bourne, and asked her to renew the program from 4 and a half minutes length to 4 minutes (since performance time was shortened in the last season). Since she had a work to brush up the program of his team mate, JunHwan Cha, she made the time and came to the rink very soon for us.

──What was your impression of seeing Ballad No. 1 and SEIMEI for the first time in two years?

In a word, I felt, "This is true Yuzuru Hanyu." Of course, it is not that I didn't like the programs he had used since last season, but it was tribute after all. Sometimes the respect for someone can lead to less self-assertion. I was thrilled to see programs in which Yuzu could talk about himself and express his heart. Soon after bringing back the programs, I was relieved to see him happily skating, and after a week, the dignity began to seep out and I was impressed.

──The fans were also looking forward to the programs again.

In the official practice in Seoul, when Yuzuru made a pose without playing music, the audience knew which pose it was and they applauded. It expands the imagination of the viewer and makes the invisible parts even visible. That is how it is with masterpieces.
 
This is Brian's interview by a magazine "AERA" published this week......

Thank you for this! Yuzu's stamina and strength under pressure is amazing but I get the feeling he was just stretched so thin at that time.... he is human, people forget that.
 
Now we have the rest of AERA interview of Brian :)

https://dot.asahi.com/aera/2020031900017.html?page=1

──Yuzuru's jump layout of free program at 4CC consisted of 4 quads in 3 types.

Originally, the plan was to not include 4Lo. Of course, I don't think this jump configuration is his technical limit. The strategy was to consider that finishing without injury was more important than anything else. Nathan Chen (20) from the United States also reduced the number of quad to 4 in free program at 4CC.

──Yuzuru's 4Lz was revived this season.

He was injured in 2017, but since he has resumed training 4Lz this season, I can say that it has improved technically because he does it at higher quality than he did two years ago. I think he was scared when he restarted it, but he got over that stage. In the past, he could only do it on good days, but now he is on the stage that he can adjust to do it in any condition.

──How about 4A?

Yuzuru did it in front of everyone for the first time in the practice at GPF. Moreover, he watched for a chance that the coach was not there (laughs). When I heard the news, I was not surprised at all. That was possible if I thought about Yuzuru's character. He often holds “theater”, he tries new things even when his feelings are rising at the finale of the ice shows. But at that time, it was not a very good jump and it was a fall. I have an impression that 4A in the practice in Toronto is closer (to success).

──What does he need technically a little more (for 4A)?

The biggest task for him is that his 3A and 4A have to be slightly different in terms of the way he jumps. In other words, he has to learn and find tips as a different jump. His 3A has a large amount of floating time from jumping up to the start of rotation. An incredibly beautiful jump. But to make four and a half rotations, he has to start rotating as soon as he jumps up.

──How about him jumping bigger and extend the floating time?

It doesn't work like that. Yuzuru's 3A is a type of large jump, so he doesn't need any more height. If he attempts to raise the height depending on the muscle strength, the rotation will be delayed. All he needs to do is to start rotating quicker after jumping up. It is difficult due to slight difference in sense at take-off. If you start rotating early, you will not be able to keep the height or your posture will be distorted. He has been adjusting it little by little. Yuzuru already knows that "the answer is around here". There is the answer in his body, so we are at the stage that I don't need to speak out anymore.

──What is the strategy for his future games?

For Yuzuru, perfect performance with five quads is one goal, and he also wants to land 4A. However, what I stick to as a coach is the quality. Skaters want to play a "game" which they compete for the number of jumps. Especially when the rival, Chen, appears in front of you, you will want to do a lot of jumps. But the essence of figure skating is "quality, not number." Yuzuru has the ultimate beauty of "powerful but effortless skating," so taking advantage of himself is the strongest strategy. My mission is to keep saying, "Quality is more important" to the extent that he gets fed up with me.

──This is the 8th season in a team. What evolution has Hanyu achieved?

For me, Yuzuru remains the same as a 17-year-old boy who came to Toronto eight years ago. But in the last eight years, the eyes of outside have changed. He became a celebrity, has obligations to fulfill, and always wants to keep his fans happy. In other words, the sense of responsibility has changed. That's why we, as a home, value "same as usual" so that he doesn't forget the love for skating and he can enjoy it. Yuzuru turned 25 and became a skater everyone respects. There is the intrinsic beauty of skating, not just jumping. I want him to keep telling, "My skate is beautiful."
 
Stitched together a video of the perfect Origin: https://youtu.be/ntIIDcZp2fQ

We didn't get to see the program live up to its full potential, the way Yuzu had wanted to skate it, so I pulled together clips from all the performances of Origin this past season and put together what would've been the perfect FS, with the elements that Yuzu had planned for GPF. Curved the GOE's on the jumps and some other elements, and of course gave him a whopping PCS, which results in a FS score 10+ points higher than the current WR. I can dream :luv17:
 
Stitched together a video of the perfect Origin: https://youtu.be/ntIIDcZp2fQ

We didn't get to see the program live up to its full potential, the way Yuzu had wanted to skate it, so I pulled together clips from all the performances of Origin this past season and put together what would've been the perfect FS, with the elements that Yuzu had planned for GPF. Curved the GOE's on the jumps and some other elements, and of course gave him a whopping PCS, which results in a FS score 10+ points higher than the current WR. I can dream :luv17:

Thank you! We can all dream... I still love Origin, I see it metaphorically as a wounded warrior, but a perfect one would have been amazing.
 
Thank you! We can all dream... I still love Origin, I see it metaphorically as a wounded warrior, but a perfect one would have been amazing.

Then if we add that dream FS score of 235.34 I concocted to his existing season's best of 109.60 for Otoñal at SC 2019, his combined total would be 344.94, another nearly 10 points higher than the current WR.

And now I am just delusional hahaha
 
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