Yet another simplistic and incorrect take.
Valieva's Bolero program is hardly avant-garde. The spins and footwork and transitions are all the same things she does to begin with, and the overall expression and attempt to move her body is not doing things that are highly unusual. She starts the program by just letting the music run and then contorting her arms for a couple seconds, not in time with the music, and without moving her actual body. Her very first arm movement is too soft actually and doesn't make sense with the next movements she does. This doesn't show a full engagement into a theme or an understanding of the music. All it shows is a superficial applied idea. Just putting a brief "showy" movement on top of the music. Not moving TO the music.
Throughout the program it's much of the same thing. Even after the very first movements there's already another faulty instance that can be seen, she does a rocky turning-3 and then randomly juts her arms forward into a position that isn't held and doesn't make sense with the next arm movement she does. It's just this rushed and uncompleted kind of movement that's meant to say "look, I'm moving, somehow, so give me points." This is the problem with so many current programs. It's just constant movement without refinement, without sustainment, without real purpose.
There's far more possibility for even just "moving like a snake" in a figure skating program, regardless of it being in time with the music or not. The concept of Valieva's program is not complete, it doesn't maintain the idea throughout, doesn't try to push boundaries.