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I wonder what provoked you to come out of lurkdomPeople lurk threads without posting, sometimes. I just saw somebody saying she'd gone 10 years without making a single tweet but got provoked, finally.
I don't come by all this grumpiness just because I've been reading bold demands for 'LutzDance pleasing' unconventional cerebral music.
ETA I agree his choices in 2018 were for the ages. They deserve to be well-remembered.
someone ambushed my inbox... to ask my opinion on this... those who read my posts know I love Nathan and am a musician.
I would advocate to use only the first movement https://youtu.be/OfR8d3aJKEsThis has been on my wish list for Nathan for two years! The jazzy first movement and lyrical second movement are just the sweetest combination. I also like Jerome Robbin’s choreography for the second movement.2) Ravel concerto : here i would even be okay for a mismatch of the 3 movements : https://youtu.be/vlvWfP-iFmY?t=70
it starts with a bang, goes into jazzy piano, has a gorgeous slow movement in the middle with lots of instruments ( https://youtu.be/vlvWfP-iFmY?t=571 ) and finishes with a whirlwind of fast virtuoso piano ( https://youtu.be/vlvWfP-iFmY?t=1125 )
Oh no I thought I did it single handedly! Now my self-esteem is goneI don't come by all this grumpiness just because I've been reading bold demands for 'LutzDance pleasing' unconventional cerebral music.

hi guyssomeone ambushed my inbox... to ask my opinion on this... those who read my posts know I love Nathan and am a musician.
I believe Nathan can skate on pretty much anything but will give a few options i believe would be interesting... i doubt they will ever happen.. if they do, give me credit for it LOL
1) glorious Schumann's third symphony.... i doubt many skaters can manage this... so heroic yet needing a lot of polish... Perfect for Nathan's powerful jumping and elegant lines. Of course, lots of editing would be required but some people do that for a living, though many aren't that good at itI would advocate to use only the first movement https://youtu.be/OfR8d3aJKEs
2) Ravel concerto : here i would even be okay for a mismatch of the 3 movements : https://youtu.be/vlvWfP-iFmY?t=70
it starts with a bang, goes into jazzy piano, has a gorgeous slow movement in the middle with lots of instruments ( https://youtu.be/vlvWfP-iFmY?t=571 ) and finishes with a whirlwind of fast virtuoso piano ( https://youtu.be/vlvWfP-iFmY?t=1125 )
3) poulenc's two piano concerto... https://youtu.be/2-VSj7bSsfo
4) chopin (just because everyone does it) andante spianato (and not the polonaise that follows) https://youtu.be/jJ130s7BiSM
enjoy imagining nathan's gorgeous skating on this.

Oh no I thought I did it single handedly! Now my self-esteem is gone![]()

Yeah! Two votes for Poulenc3) poulenc's two piano concerto... https://youtu.be/2-VSj7bSsfo

Stravinsky and Prokofiev are perfect in that regard. Listening to Prokofiev’s Cello Sonata, the sombre bass lines, the disquieting dissonance, and the occasional burst of pure lyricism encapsulate what I want for him (same reason for my recommendation of his violin sonatas).but there is a two piano sonatas as well.. .it's gorgeousYeah! Two votes for Poulenc
And sorry, somehow I wrote sonata above when it clearly isn't![]()
Um Nathan hello?? What’s happening??Nathan showing off more fancy jewelry. I was more interested in the suit!
I do worry if he’s getting 2 or 3 programs from Shae that they’ll all look the same...
Absolutely agree with LutzDance here. If you put all of his Shae programs next to each other (or alternate between them), none looks like the other one in terms of choreo, style, overall body language, arm movements etc. (you can even include his Le Corsaire SP as well, just to underline the variety)Hmm it’s something I’m not concerned about. To me, Nemesis, Caravan, La Bohème, Desperado and the Glass program (and No Good) couldn’t be further apart from each other.
Huh?? At no point did Nemesis and La Boheme have the 'exact same' ending pose.One reason I may like the idea of Bezic is because I am still disappointed that Shae didn't change the ending pose of La Boheme until long after its debut. For a while Shae let Nathan keep an ending pose that was the exact one from Nemesis, not appropriate to the mood of La Boheme at all.
How so? Especially the revised (final) version with the raised arms, open palms and relaxed fingers was perfect to convey the wistful theme of the song and the idea of lost, fleeting youth and intangible old memories.Yet the end of La Boheme, the culmination of the program and its lingering impression... is a throwaway...
Huh?? At no point did Nemesis and La Boheme have the 'exact same' ending pose.
Nemesis has hands to fists with arms stretched away to the back, which creates very specific lines in combo with the foot position: https://i.imgur.com/zdRE26o.png
La Boheme first had arms down to the sides with open palms and spread fingers, done with an energetic gesture, standing on his toes a little, looking a little restless/like he could start running any moment: https://i.imgur.com/14DmPpF.png
Which was then changed to soft arms and hands in front, done in a more appropriate, delicate motion and introduced as early as Carnival on Ice at Japan Open (so not 'long after its debut' at Sun Valley, and certainly in time for competition season): https://i.imgur.com/bQpsvBj.png
How so? Especially the revised (final) version with the raised arms, open palms and relaxed fingers was perfect to convey the wistful theme of the song and the idea of lost, fleeting youth and intangible old memories.
This is the LutzDance comment that made me say 'throwaway' jokingly.of La Boheme, I feel the relentlessness and futility of chasing a time bygone were so well captured in the step sequence that I don't care what they ended the program with haha. TLDR: Shae has original music choices, and Shae (mostly) does justice to the music, ergo I have faith in Shae
I think the best La Boheme was the version at the The Ice... Later on Nathan totally killed it with that stupid costume.![]()
Yeah, it would be more accurate to say "overall" than "preceding" though, as my point was the sensible and original construction of the whole program overwrote any imperfection brought by a single pose (not that I had problem with the original ending pose).To LutzDance, the preceding material was far more important than the ending pose, at least that’s how I read LutzDance’s comment here
Me too!i wonder if he got a manicure before that![]()
