- Joined
- Dec 8, 2020
7. Tatsuya TSUBOI JPN 
FS: "Vesti la giubba" by Ruggero Leoncavallo, BBC Concert Orchestra, Barry Wordsworth; "Preludio" by Ruggero Leoncavallo, Philadelphia Orchestra Ricerdo Muti; "Vesti la giubba" by Ruggero Leoncavallo- Philadelphia Orchestra Ricerdo Muti; "Vesti la giubba" by Ruggero Leoncavallo, BBC Concert Orchestra, Barry Wordsworth; "No! Pagliaccio non son" by Ruggero Leoncavallo, National Philharmonic Orchestra; "Suvvia, Coserribile" by Ruggero Leoncavallo, Philadelphia Orchestra Ricerdo Muti; choreo by Massimo Scali
2T
4Sq+3T (hangs on slightly)
4S< (falls)
FSSp3
StSq3
3A+1Eu+3S
3A (holds on)
3Lz!+2A+SEQ
CCoSp4
ChSq1
3Lo
FCCoSp3
SP: 77.68 (6th)
FS: 150.35 (3rd)
TOT: 228.03 (3rd)
Welp, at least this Pagliacci didn't break the scoring system, the 3 quad layout just isn't working for Tatsuya. I think going easier-but-cleaner would allow him to show off his performance ability more and give him more time to develop this program artistically; right now he's so focused on all of the technical content that the first half falls flat. I do really like the choreo sequence and the 3Lo at the end of the program, it's very effective with the build of the music
FS: "Vesti la giubba" by Ruggero Leoncavallo, BBC Concert Orchestra, Barry Wordsworth; "Preludio" by Ruggero Leoncavallo, Philadelphia Orchestra Ricerdo Muti; "Vesti la giubba" by Ruggero Leoncavallo- Philadelphia Orchestra Ricerdo Muti; "Vesti la giubba" by Ruggero Leoncavallo, BBC Concert Orchestra, Barry Wordsworth; "No! Pagliaccio non son" by Ruggero Leoncavallo, National Philharmonic Orchestra; "Suvvia, Coserribile" by Ruggero Leoncavallo, Philadelphia Orchestra Ricerdo Muti; choreo by Massimo Scali
2T
4Sq+3T (hangs on slightly)
4S< (falls)
FSSp3
StSq3
3A+1Eu+3S
3A (holds on)
3Lz!+2A+SEQ
CCoSp4
ChSq1
3Lo
FCCoSp3
SP: 77.68 (6th)
FS: 150.35 (3rd)
TOT: 228.03 (3rd)
Welp, at least this Pagliacci didn't break the scoring system, the 3 quad layout just isn't working for Tatsuya. I think going easier-but-cleaner would allow him to show off his performance ability more and give him more time to develop this program artistically; right now he's so focused on all of the technical content that the first half falls flat. I do really like the choreo sequence and the 3Lo at the end of the program, it's very effective with the build of the music
