Thanks again, gkelly. I'm glad you find this interesting.
Essentially, removing subjective judgment from the scoring would mean that pretty much nothing that is currently evaluated under Performance/Execution, Choreography, or Interpretation would have any value in determining the results.
True, but do they really have a value today? Thus far, it looks like this part only fuels the controversy rather than helps development of figure skating.
I don't think upper body sensors would be able to determine the beauty or "clarity" of a position, and certainly not whether there is any emotional connection, or whether the skating matches the music, etc.
Sensors can detect timing, i.e., if the movement goes synchronically with the music. They only can’t tell if the picture is pleasant to human eye and if it gives us emotions. The first mainly depends on choreography. The second can’t be judged objectively no matter. That’s why I thought about judging routines in general and giving them “yes” or “no” and not points. Choreography either is nice or is not.
So there would be no reason for skaters to work on those areas.
Unless they’re judged severely before even admitted to international competition! Today, there is the rule of minimal technical points. Why not a rule of artistic quality instead?
The results would be much more objective and indisputable, as long as we trust the technology. But would audiences be interested in the kinds of skating that would result?
I think my subconscious got it right and it would be rather exciting to watch the points getting collected. That’s what sports are about. However, would it be the same audience that adores figure skating today? That’s a good question.
This is not feasible. Even just looking at junior and senior level, there are thousands of skaters around the world. They compete locally, and the best ones in larger countries move on to national events (in smaller countries these are the same thing), and then the best of those compete internationally. There are different sets of judges. A skater who has never competed internationally before might not be on the radar to have a routine pre-approved by international judges, but then if she does well at her nationals, she's on her way to ISU an championship later in the season.
Why not feasible? There are probably millions of students but they all pass exams in their schools according their level. I don’t see any problem if the skaters do their artistic exams according their level with the judges they have locally and then for the next level with international judges. How many world class skaters we have, really?
Skaters have always had the right to change their programs over the course of a season, or even to make changes on the fly during a performance. They're evaluated on what they actually do during the competition. Skaters have never been judged on how closely they stick to a preapproved plan.
They are evaluated on how well they fulfill the requirements/rules/restrictions for that kind of program. The potential danger in deviating from a plan is in violating rules -- the short program requirements and Zayak rule under 6.0, and in IJS also the requirements/limits on types of spins, number of jump attempts, etc. Determining what does or doesn't get credit is currently a job for the tech panel, not the judges.
There, I rather meant emotional and aesthetic integrity with the plan than technical changes. Machine can to the later. However, if often happens that skaters lose their spirit after a mistake and skate the less of program uninspired. That might be given deductions by aesthetic judge; also deductions might be given for other other things, like, wardrobe malfunctions.
I'm not sure what you're suggesting the judges would do at all? If they're not going to evaluate the quality of performance on the actual day of performance, then quality doesn't matter and judges are not needed at all.
They should work on the artistic level in general not giving particular pluses for actual day performance.