Hey, try this:
https://www.youtube.com/watch?v=tdzxpAGprHQ
No miming - No triples, not even a 2A. 10 and half years old. Yet this should tell you everything. I don't think I've ever managed to get through that step sequence without tearing up.
I love this much more than the other program!:luv17:
It reminds me a little of Alina but without the maturity, but that natural expressiveness that comes from all movements emanating from a really strong, stable core down to the finger tips is there, and a rare quality among dancers or skaters.
They both have that same body language consciousness that feels, reacts and interpretes spontaneously to the music - tempo, nuances, rhythm, emotions.
This is why I prefer this type of performances more than miming or acting with the face and dramatic gestures. Eg. One of the themes in DQ pas de deux is the flirtation between Kitri and Basilio. Alina flirts outrageously in DQ but not in the same way as those who convey it with "sexy" looks and hands caressing cheeks or necks..., which is perfectly great for real life but not so much as a performance "language".
Say, moving your arms down from the 5th position to 2nd position - some will drop their arms, but others will visibly use their muscles to lower the arms. There is a difference.
It is difficult to explain, I think only certain types of sensibility, exposure or training (eg. dance) will bring that understanding.
So if we have a spectrum of this interpretation ability, with eg. Max Aaron (he is a great guy and a powerful skater, I like him but...) and Jin Boyang towards one end, and Jason Brown or John Curry at the other, we can see where skaters fall along this spectrum, eg Nathan would be in the middle. Kostner, Alina and Shcherbakova would be closer to one extreme, Midori Ito and Osmond at the other, Satoko and Sotskova in the middle.
It makes it mesmerizing to watch, like Anna's skate here, even without the maturity. I hope she will try a similar skate when she is older!
Of course Interpretation is only one aspect of PCS, there's SS, Ch, etc.
However, I think this quality is key to the overall impression of the program and is almost a natural signature.