I am going to submit Andrei Makarevich’s song to show that Russians also do the whole smile when you are down or smile to show social engagement.
exhibit A: She drifts through life laughing (ona id’et po zhizni smeyas’) is a song about a girl who presents a smiling/laughing facade of a social butterfly, while she cries all night long.
I have no trouble with Usacheva not smiling during the skate, and to be honest, it is hard to judge anyway, because there is no close-ups on the face, the way they do when they try to dramatize a skate.
I, however, have a weird feeling that just like Valieva is a direct replacement for Zagitova, which I see even in a similar make-up they apply to Valieva to make her look like Zagitova and the aim to put her into Olympics at 15, it seems that Usacheva is a replica of Kostornaya.
While Valieva is interesting in her own right, Usacheva has some of Kostornaya’s cleanliness and godliness, but I don’t see soul in her performance, that Kostornaya once in a while flashed at me.
Usacheva is skating to the song about a girl dying of consumptions who wants to fly away. She skates with measured, controlled movements, trained and polished. What TAT used to call ‘she is well-taught’.
Do I see a girl dying of consumption who wants to fly away? I don’t.
Do I see what Usacheva is like as a person in this skate? I also don’t.
If you do, awesome!
She doesn’t just skate to music, and I can see that. It always makes me raise a brow when they talk about skaters being not-musical or not artistic—I am pretty sure only musical and artistic kids go into figure skating. Je Suis Malade was the most emotion-punch-packing song she skated to, and she needed it. So far I don’t see a source of drama and performance inside, smile or no smile. Maybe as season progresses, she will project better. Maybe not...
and, yes, good luck to her.