So, finally commenting on the PCS, now that I watched all the programs.
Kaori Sakamoto: This program is an utter joke. Only the steps make some lick of sense. She deserves MUCH better, and I hope she goes back to Piano or Amelie. I don't think she even understands what she's supposed to be doing, and Richaud would do well to change his process and actually take his skater's input before giving them something like this. And maybe don't cram the step sequences and two spins after all the jumps are done in a blatant attempt to score backloading bonuses and improving consistency, if you want to go all high concept artiste~~~~~~~~~.
Satoko Miyahara: So I don't even think this is a great program, but you can already see how much more purpose the jump layout has, and how much more attention Satoko pays to each position and movement compared to Kaori. Which isn't even a knock against Kaori because she's actually done that before with a program that isn't crap. But because the choreographer actually cared, the impression is much better. I appreciate the steps a lot here, because she really explodes at times, instead of giving the careful, precise, practiced Miyahara she does best, but the choreography of it could still be better and dampens that impression. And comparing it to Kwan's E Lucevan le Stelle, it becomes obvious that section has so many unnecessary moves. Don't think she really managed to show here just how far beyond her SS are to the rest of the field, but that's okay, she will. And I do think this, when she's on, will take the top slot of the Japanese ladies LPs.
Rino Matsuike: Amazing skater, with good skating skills, nice spins... jumps are nice enough, with good landing positions and so much flow. Actually, I thought the woman crooning in the background and her moving to the cadence of the music so well made it somewhat of a hypnotizing performance. She really completes a lot of her moves, like that arm movement in that slide she did. Good skater. Program made no sense (though some nice moments), but she performed the heck out of it.
Mana Kawabe: I didn't get the program, although it picks up a bit with the chanting. She has nice skating skills and jumps, but I think she can use a bit more work with the performance aspects (definitely not bad by any means, just could work a bit more). Something very energetic, engaging, and natural about her at times that I really appreciate.
Wakaba Higuchi: This seems like such an outdated program for her. I don't need this "Olympic moment" "victorious music" nonsense. This isn't the early 00s when Yagudin did Man in the Iron Mask (and he's cancelled anyway) or late 80s where I don't even have a snarky comment to make (except about Brian Orser's shirt in the 1988 technical program)(also, never watch his 1987 LP), because no one cares about the late 80s, the 90s are really where it's at for skating, anyway... speaking of late 80s, though. Wakaba should steal Midori's 1988 programs. They are perfect for her strength, the energy, the joy, her footwork in the SP would be amazing. They even had transitions, and are probably two of very the few programs from the 80s that don't make me want to drown myself (Katarina Witt had some too)(Lu Chen was a baby still though).