I got the feeling that a lot of skaters looked exhausted after a long season.
Judges definitely LOVE the team from Japan — of all places, a country where the discipline's significance is close to zero. She didn't even try to land those throws. But apparently this is not a disruption of the program's flow and cohesion.
Apart from the last lift, Hase and Volodin did very well in the free, but I didn't get much emotion from it. They weren't quite as musical as usual and seemed tired in the end, or maybe the program has grown stale. So them planning to change it is probably a good thing.
Minerva said that she was very nervous before the skate: "I felt like I was hyperventilating".
"Once I landed the jump combination, though, I felt like a huge weight had been lifted."
"That element had been stressing me out so much these past two weeks because it just wasn’t working in practice."
Minerva also shared some plans in the interview to the DEU:
"On Monday, we’ll fly to Toronto for four to five days and start building our new short program with Mark Pillay and Paul Boll. The music will be composed by a French composer. After that, we’ll have two weeks of training in Berlin, where we’ll work on new lifts, spins, and elements. Then we won’t train together for three to four weeks — Nikita will fly home for vacation, and I will too. We’ll also be breaking in our new skates during that time. At the end of May or the beginning of June, we’ll fully resume training and start working on our new free skate. For the free skate, we’ll collaborate with the world-renowned choreographer Benoît Richaud. He’s an expert in the free skate style we want for the Olympic season. With these two programs, we’ll have a strong combination and be well-prepared for the Olympics."
Volodin mentioned in another interview that in the short program, "we’ll be focusing on expressing emotions — like in this year's short program".
P.S. Efimova and Mitrofanov deserved a small bronze in the FS.
Judges definitely LOVE the team from Japan — of all places, a country where the discipline's significance is close to zero. She didn't even try to land those throws. But apparently this is not a disruption of the program's flow and cohesion.
Apart from the last lift, Hase and Volodin did very well in the free, but I didn't get much emotion from it. They weren't quite as musical as usual and seemed tired in the end, or maybe the program has grown stale. So them planning to change it is probably a good thing.
Minerva said that she was very nervous before the skate: "I felt like I was hyperventilating".
"Once I landed the jump combination, though, I felt like a huge weight had been lifted."
"That element had been stressing me out so much these past two weeks because it just wasn’t working in practice."
Minerva also shared some plans in the interview to the DEU:
"On Monday, we’ll fly to Toronto for four to five days and start building our new short program with Mark Pillay and Paul Boll. The music will be composed by a French composer. After that, we’ll have two weeks of training in Berlin, where we’ll work on new lifts, spins, and elements. Then we won’t train together for three to four weeks — Nikita will fly home for vacation, and I will too. We’ll also be breaking in our new skates during that time. At the end of May or the beginning of June, we’ll fully resume training and start working on our new free skate. For the free skate, we’ll collaborate with the world-renowned choreographer Benoît Richaud. He’s an expert in the free skate style we want for the Olympic season. With these two programs, we’ll have a strong combination and be well-prepared for the Olympics."
Volodin mentioned in another interview that in the short program, "we’ll be focusing on expressing emotions — like in this year's short program".
P.S. Efimova and Mitrofanov deserved a small bronze in the FS.

