1986
WORLD CHAMPIONSHIPS
THE LOGIC OF ICE DRAMATURGY
(the article published in russian 'Sovetskiy Sport' on March 19, 1986)
Our special correspondent reports from Switzerland
THREE SOVIET DUOS ARE LEADING
A day when a short program is performed—skaters call it the "Hamlet day"—because the main question is decided: "to be or not to be" in the eyes of the judges, at the top, or to face a long path to the podium.
On the ice of the "Vernets" rink, everyone's attention was drawn to the charmingly coquettish 15-year-old Katrin Kanitz. Slipping out for the warm-up, she literally fluttered like a butterfly in her crimson dress and captivated the audience with her execution of the lift and the twist (by the way, her partner Tobias Schröter is also very confident and elegant).
— "They are trying too hard, overdoing it. Don't they want to win too much?" — I heard a remark from one of the coaches of our team, I. Ksenofontov, who knows a thing or two about the psychology of sports. And his observation turned out to be prophetic.
The hall follows the stormy finale of the GDR figure skaters' program with bated breath. Only the last element remains — the death spiral. And suddenly, the skaters' fingers unclasp, and the athletes fall onto the ice. All the advantage gained with such hard work melted away. Ratings — 5.0–5.1 for technique.
The Champions of the USA, Jill Watson and Peter Oppegard, perform a flawless step sequence, but then, at the moment of the lift, the female partner loses her orientation, flies straight into the boards, and the stunned Peter falls too. For such a clear mistake, they receive 5.1–5.3 for technique.
Perhaps never before had so many dramatic moments fallen upon the share of sports duos. The favorite of our national team, 14-year-old Katya Gordeeva, also made everyone worry. During the warm-up, she lost her balance while performing that same death spiral. Her partner Sergei Grinkov’s eyes grew large with worry. Both, frightened, rushed to the boards where coach Stanislav Zhuk was standing. "Repeat it!" — came the command.
Once again, a swift approach, and this time the death spiral goes perfectly. As it turned out, the entire emphasis in the battle shifted to the psychological aspect. Larisa Selezneva and Oleg Makarov, who returned to the team after a three-month break caused by an injury, knew no peace. Only world and European champions Elena Valova and Oleg Vasiliev walked into the hall where the press center was located, and under the flashes of camera strobes, calmly repeated their lifts, while even nodding their heads in response to greetings from acquaintances. What kind of nerves are needed to maintain such composure!
Yes, and on the ice, the champions were magnificent and made the judges be generous. What a subtle feeling of the rhythm of Raimonds Pauls' music, what a sense of style and line, what brilliant execution of all elements! "Championship inspiration," remarked Tatyana Tarasova, who was sitting with us.
Perhaps all of us had the feeling that Valova and Vasiliev, with scores of 5.7–5.9, would remain the leaders. But Elena Valova herself, having come up to the press box, reacted differently: "Oh, I'm afraid these are not ultimate scores."
Selezneva and Makarov lost slightly in lightness of skating to their teammates and, in the opinion of the majority of judges, conceded 0.1 points. A logic of ice dramaturgy required a culmination. Everyone anticipated it, waited for it. It struck when the last four pairs were called to the start. Among them were Gordeeva and Grinkov. About their original 'Charleston,' which combines both lyricism and humorous Chaplin-esque notes, specialists say: 'A rarely danceable composition.' Gordeeva and Grinkov had already performed it several times, but now, at the end of the season, it was as if they had caught a second wind.
Then followed a long ovation. And, as the final touch, the first bouquet of velvet roses on this world championship went to Katya Gordeeva. On the scoreboard, digits flared up — ten times - 5.8, three times - 5.9. First place went to Gordeeva and Grinkov. Now all three duos — the Moscow one and two Leningrad ones — closed the upper lines of the protocol. Which is to say, highest craftsmanship.
However, let's save our epithets for the final. It promises to be, oh, so difficult. In the next theatrical 'act,' there will be many new heroes. Much is expected from the strong Canadian duo of D. Benning (18 years old) and L. Johnston (25 years old). The Canadians possess a full arsenal of the most complex combinations, and their coach, Kerry Leitch, who specially came to Moscow to study the 'secrets of the Russians,' has succeeded greatly in this. His protégés could present a surprise. And, finally, two more 'tough nuts to crack' — the American duos.
The sharpest situations are developing in men's single skating. In the center of attention is the duel between A. Fadeev and J. Sabovčík. Both came to this meeting in their best form. After the execution of the "school," which was won by Fadeev, European Champion Sabovčík said: "As I expected, the competition in Geneva became much more interesting. The elite has gathered here, capable of showing miracles of complexity. And we will continue our duel in the short program."
Yesterday, another small gold medal was won by Kira Ivanova. She won the compulsory figures, ahead of D. Thomas (USA) and K. Witt (GDR). Anna Kondrashova is in sixth place.
A. SHELUKHIN.
GENEVA, March 18.
TECHNICAL RESULTS
World Figure Skating Championships. Geneva. March 17. Palais des Sports "Vernets".
Pairs. Short program. 1. E. Gordeeva — S. Grinkov — 0.4; 2. E. Valova — O. Vasiliev — 0.8; 3. L. Selezneva — O. Makarov (all USSR) — 1.2; 4. C. Coull — M. Rowsom (Canada) — 1.6; 5. G. Wachsman — T. Waggoner (USA) — 2.0; 6. D. Benning — L. Johnston (Canada) — 2.4; 7. K. Kanitz — T. Schröter (GDR) — 3.2; 8. N. Seybold — W. Seybold (USA) — 3.6.
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