Does anyone miss the "old" judging system? | Page 4 | Golden Skate

Does anyone miss the "old" judging system?

But yeah, if Michelle Kwan knocks it out of the park, with six skaters left, I think a judge can safely give her a 5.8, 5.9, secure in the expectation that not all six are going to beat it. (Although if they did, you could give them 5.7, 6.0; 5.9, 5.9; 5.8, 6.0; 6.0, 5.9; 5.9, 6.0; and 6.0, 6.0. :) )

OK, so Michelle missed out on getting a the 6.0 that she would have got if she had skated last to thunderous climactic applause. (Poor baby. ;) )

That's because Michelle did not knock it out of the park, had she done so, she would have gotten 6.0.
For example: Shizuka got 6.0 even though she was the first to skate in the ultimate group.
Midair got loads of 6.0 and she wasn't the last few.
Yes, it's harder to get 6.0 in this scenario, but you have to be knocking it out of the park to get those 6.0s.
 
This. Elena Berezhnaya & Anton Sikharulidze Lady Caliph https://www.youtube.com/watch?v=enegcJGB4NY

I can't imagine more beautiful pair SP. Pure beauty!!! Can anyone convert this for today's scoring?

Someone did a while back. 55. :) Low lift level, low spin level, low steps level. What else, didn't put all the jump/throw in the bonus half.
This is why it's bad for the program as a whole, everything is premeditated. If you put so much constraint on the program, you don't have the freedom to create beautiful & balance program. What do you think of extra choreography that doesn't earn any point in programs today? You don't because they aren't there.

A quick fix would be to make CH half of PCS. This will give plenty of incentive for choreographers to create memorable programs.

K/S should have huge lead in PCS over the field for their magnificent program last year, but they didn't. That genius of a program is a waste because D/R, S/H can just patch something together and get higher CH. This is the problem. Under the new system, Tamara should just make sure the program has the best arrangement of elements so K/S can execute them cleanly. Choreography be damn. If they are clean, their CH will be huge.
 
When I compare "old" to "new" programms I am so glad about the new system. Better choreography. More creativity. Greater and clearer jumps and throws. And no fixed ice dancing ranking anymore.

You must be watching figure skating on another planet :)
 
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Instead of front loading, most programs are now back loading. Is this really better jump layouts?

Sure it is not, but hey with all the jumps in the last 30 seconds of the program and a hand above your head, you are a sure winner, who cares about choreo or balanced program
 
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That is what is wrong with the new system, IMHO. It takes a judged sport and tries to pretend that it is not.

In what way does it pretend that the sport is not judged?

There are judges. Every score the judges give (GOEs and PCS) are based on qualitative judgment. No one ever claimed otherwise.

There are objective aspects to the scoring: the base value parts of the TES. (Even the Scale of Values is somewhat subjective in terms of quantifying how much more difficult one element is than another, which is why we get changes to the SoV every couple of years. But the values remain steady until the next rule change. And yes, there are gray areas where elements are borderline in terms of jump rotation, whether or not a skater achieved a level feature, where individual tech panel members' perceptions and strictness can come into play. But for the vast majority of elements, the base values are indisputable according to the current SoV.)

And all this is very similar to other judged sports such as diving, gymnastics, etc. A basically objective score for difficulty that is modified by some arithmetical processes to reflect the judgments of expert human judges regarding the quality of execution.

Does the fact that these sports do not use ordinal rankings mean that they are not judged?

The differences with figure skating that makes it different from most judged sports are that 1) Skating is not only about the elements but also largely (in some disciplines and some eras primarily) about the process of moving across the ice outside of discrete elements, and 2) aesthetic impact of the performance as a whole is incorporated into the scoring.


To me it's a question of honesty. I think the CoP tries to hoodwink people into thinking that if a performance gets 129.47 points, then by gum this performance is worth 129.47 points. Not, for instance 129.46 points. Thus figure skating is a "real sport" just like horse racing, where your horse ran the route in 1 minute 29.47 seconds.

Do you have a problem with decimal places in diving or gymnastics scores? Do they hoodwink you into believing that those sports are purely objective and not judged?

Or are you just setting up a straw man argument?

Is it just me or half the people that want the 6.0 back just want an easier system to b***h about the scores/placements? 0_0

I don't doubt that a lot of fans just want a system that provides them more fun as viewers, regardless of how it relates to the actual analysis of the skating difficulty and quality.

There are also some coaches, judges, former skaters, and some long-time fans who preferred the old system and would be happy to see it restored for reasons related to actual analysis of the skating.

I have no idea what percentage of those who miss 6.0 each group constitutes.

As someone mentioned earlier, I think there is a strong tendency to feel more warmth for the system one grew up with, that newer skaters/officials/fans are more likely to like the new system and those who had already invested decades of their lives getting to know with the old system inside and out are more likely to miss it.

Look at what ijs has done to pair skating. Hardly watchable anymore with the exception of a few teams.

Speaking for myself, I find pairs much more watchable now than in the past. You speaking for yourself have a different opinion. I guess we have different tastes. Chacun a son gout.

That is what was so great about the good old days. Everyone got to be a judge, and we were all experts.

Now we are cowed into silence. One skater got 125.29 points, the other skater got 126.96 points. Well, you can't argue with math.

You're welcome to score along at home, to call the elements and levels if you like, or to play judge and assign GOEs and PCS. If you like math and computers, you can make a program to add up your scores and see how close you come to the official totals and whether your order of totals matches that of the panels.

The less math-inclined who still like to analyze the actual skating can just give GOEs and PCS, maybe even just rough PCS ("I'd have her averaging in the low 8s for that program") and disagree with specific calls or scores on the protocols.

You have to wait until the protocols are published though, since there's too much information to announce while the skater is in the Kiss-and-Cry and the next skater is ready to start her program.

If you keep up with the rules and have a good sense of the standards across the field, you can score at home with just as much expertise as an off-duty judge.

But for any areas where the scores are based on judgment, if you disagree with the consensus of the panel, that doesn't make you wrong, but you also have no effect on the official results -- same as any off-duty judge following along for fun.

And, for that matter, any individual judge on the panel, whose scores do contribute to the final result, will usually not agree with every official decision. Where there are differences of opinion among the official judges, someone will always be in the minority.

Fans who operate purely on gut feeling without studying the rules, or who watch on video with a very different perspective than in the arena with seats comparable to the panel, will find themselves disagreeing with the panel more often than those (hardcore fans, off-duty judges, etc.) with more skating knowledge and better views.

If it's fun to feel "I'm right, the experts are wrong," it's just as possible to take that attitude with either system.

All of which is just as true with 6.0 as with IJS.

In addition to anonymity, which I believe promotes shady scoring, I think there are more potential ways to manipulate scores under the new system by spreading it out between GOE, PCS and tech calls. For example, over the last two season, there have been some skaters who have been given unprecedented rapid increases in PCS scores which the older and best skaters never even came close to and still don't get. I don't remember seeing this under 6.0.

Not sure exactly what kinds of situations you're referring to. Oksana Baiul springs to mind, if I'm understanding this correctly.

The fact that I knew who gave the low marks in 6.0 also made it obvious when there was preference in scoring, though it wouldn't change the results.

It would be perfectly possible to get rid of anonymity and identify which judges gave which marks. Again, because of the sheer number of marks it wouldn't be feasible to show them all, with judges identified, during the K&C announcement. But if the ISU does ever decide to drop the anonymity and if making it easy to associate judges with scores were a priority, it wouldn't be hard to put little flags or country abbreviations above each judge's column on the protocols.

And we had anonymity with 6.0 during 2003 and 2004, just to reiterate that the scoring system and the anonymity are two separate issues.[/QUOTE]

To me, this is not necessarily a bad thing or a flaw in the system.

Ideally, it ought to go like this. The first skater performs. The judge, relying on his experience of having judged hundreds of contests, says to himself: "compared to all the skates I have seen, I'll give that a 5.7, 5.6. (At this point there is a break while the median mark of all the judges is computed for that skater. I don't know exactly what use the judges were supposed to make of this information, but at least you knew whether you were tending to score on the high side or the low, compared to your fellow judges. Anyway…) Now the next skater goes. His performance is either better or worse than that of the first skater. You score him accordingly, being careful to leave enough room to insert someone else in between if that's how it turns out. If you give the second skater 5.7, 5.8, then on the "protocols" you see that this judge gave skater B a first place ordinal and thought that A and B were about equal in tech, but B was markedly better in presentation.

To me, this is perfectly easy to understand and a model of clarity. More so than saying, in the IJS, skater A deserved a score of 7.75 in choreography -- not 7.5 and not 8.0. But only a 7,50 in musical interpretation (not 7.25 or 7.75).

It's certainly simpler. And usually it made sense. But it could be difficult to understand if a judge marks B higher in presentation when it seemed obvious to you that A clearly presented better than B, or that B was clearly better technically than artistically. If you're familiar with the ins and outs of 6.0 you might make a good guess as to what the judge was rewarding in the second mark that you would have rewarded in the first mark or not at all, or as to why the judge had to manipulate the scores and tiebreakers to give the skaters the ordinals he thought they each deserved -- to avoid getting boxed in, or to wriggle out of a box they'd already created for themselves, depending on skate order.

Probably not, but this has more to do with the poor job most commentators are doing in explaining the system, not with the system itself. This rule is actually very straightforward: it was mandatory for her to do a triple as a solo jump and she didn't.

Since I'm not very familiar with 6.0 technical deductions: would Gracie still have been in medal contention under 6.0 after having an invalid element in the short program? I've always had the impression that these types of mistakes were punished more harshly under 6.0, but I might be wrong.

It wouldn't have been invalid element ;)

The SP rules change from year to year.

In the early 1990s, all the senior ladies had to do a double solo jump. In the late 1990s, they had the choice of double or triple. So doubling that jump would give the skater a hit on the base value for the program as a whole but no deduction. There were no written rules/guidelines that I'm aware of for how to set those base marks in general, or how to reflect the difference between a double or triple solo jump specifically. Each judge probably had his or her own method for deciding. But in a field where the majority of skaters were doing triple solo jumps, even the best skater probably couldn't expect more than 5.5 for required elements when doing a double.

In the early 2000s under 6.0, there was a 0.4 deduction for doubling a required triple jump ("Less than required revolutions"). So if a judge would have otherwise given the skater 5.8/5.8 and that was the only mistake she made, then the score would end up being 5.4/5.8.

The requirements for the solo jump haven't changed under IJS, but the way the scoring system handles them has. A couple years ago, the double jump would have scored full base value for the double, but the GOE was required to be -3. So a double flip would have been worth 1.0, as opposed to 5.3 +/- GOE.

Now the double jump where a triple is required simply gets no point at all.

The difference in the score for that jump by this year's rules vs. 2014 rules was 1 point.
 
yup
In the 6.0 era, I recall ice dance being a complete procession most of the time. The judges obviously had an idea of order and stuck to it. When a couple retired, everyone moved up a place. I hated it. Whilst there are still flaws and there will always be disagreement to an extent because some of it is subjective, I prefer them judging what happens on the ice that competition.
 
Someone did a while back. 55. :) Low lift level, low spin level, low steps level. What else, didn't put all the jump/throw in the bonus half.
This is why it's bad for the program as a whole, everything is premeditated. If you put so much constraint on the program, you don't have the freedom to create beautiful & balance program. What do you think of extra choreography that doesn't earn any point in programs today? You don't because they aren't there.

A quick fix would be to make CH half of PCS. This will give plenty of incentive for choreographers to create memorable programs.

K/S should have huge lead in PCS over the field for their magnificent program last year, but they didn't. That genius of a program is a waste because D/R, S/H can just patch something together and get higher CH. This is the problem. Under the new system, Tamara should just make sure the program has the best arrangement of elements so K/S can execute them cleanly. Choreography be damn. If they are clean, their CH will be huge.

I agree that IJS has largely taken the beauty out of pairs, moreso than the other disciplines. Even amazing pairs who supposedly have great chemistry like V/T do not create much beauty, IMO, because they are so constrained by the elements that there are very few moments of beauty or connection. I might be a V/T fan if their programs actually showcased this, because I'm sure they're capable of it. Also agree that K/S were so underscored for their gorgeous LP...though the beauty and complexity could get lost in some sloppy performances at times. At least S/H are upping the program beauty this year as well. I fully expect them to reach the S/Z pinnacle of athleticism and artistry in a few years.
 
That is what was so great about the good old days. Everyone got to be a judge, and we were all experts.

Now we are cowed into silence. One skater got 125.29 points, the other skater got 126.96 points. Well, you can't argue with math.

Well, I think IJS more closely reflects what the skater did. You might have had Midori Ito skating her best and getting 5.9 and 6.0 for technical merit, and Kristi skating her best and getting 5.8 and 5.9. Certainly when you factor in jump difficulty, jump quality, spin quality, speed, etc, Midori deserves more than a 0.1 edge in technical merit over Kristi. Under IJS, the gap would be more appropriate.
 
I agree that one good thing about the new system is that it creates the possibility for more impressive performances because of skaters challenging more technical elements. However, I don't know how Mao getting 5th place in PCS and 6th place in GOE for a performance that so many thought was the best at Sochi shows that the judges offered any redemption at all. I think it was the power of Mao's performance, comments on forums, youtube, twitter and by many announcers not the stingy score and the far too low placement that gave her redemption.

While some of the best skaters display remarkably beautiful movements under COP, I think that other skaters are awarded points for rapid transitions and arm movements that often seem frantic and disconnected from the natural flow of motion and holding positions for an extended period of time which was more common in 6.0. While there may have been many skaters who showed awkward positions, I also think the elimination of the spiral sequence took away a lot from the best skaters holding beautiful positions for an extended period of time.

I also prefer the old system because there seemed to be more focus on the total impact of a performance as opposed to nitpicking every single detail often in a way that seems to target certain skaters, particularly with the tech crew focusing on instant replay of jumps. This reminds me of focusing on a tiny mole and ignoring the beautiful whole. I am much more impressed with the elements of the jump that can obviously be seen in real time.

I realize that urs and rotation were factored into the scores in 6.0, but in general it seemed to me that a program that had a lot of triples would get an excellent tech score and would not lose huge points based on the evaluation of a tech crew that sometimes contradicts the ruling of the judges. Basically, urs seemed to be more reasonably factored into the score in 6.0. I also find it annoying to have to see the tech counter "quantifying" the performance like some mathematical equation on the screen with the score sometimes mysteriously plummeting at the end sometimes even when the performance looks wonderful. The scoring of artistry also seems to be downplayed in the new system, even though this is one of the most important aspects to me.

In addition to anonymity, which I believe promotes shady scoring, I think there are more potential ways to manipulate scores under the new system by spreading it out between GOE, PCS and tech calls. For example, over the last two season, there have been some skaters who have been given unprecedented rapid increases in PCS scores which the older and best skaters never even came close to and still don't get. I don't remember seeing this under 6.0.

The fact that I knew who gave the low marks in 6.0 also made it obvious when there was preference in scoring, though it wouldn't change the results.

With all these negative points, I do think COP pushes skaters to attempt more athletically dazzling performances and this is a positive thing.

Perhaps Mao is a great example because the judges could have done the right thing and awarded based on what she skated on the day, which would have resulted in points redemption and higher placement, but they didn't use the judging criteria as they should have. I think the answer to your concerns about the whole being greater than the sum of its parts is to take another look at how PCS and GOE are awarded. Reading the criteria and rules of how to award PCS and GOE, the judges should be awarding higher marks for exactly the things you speak of, for QUALITY movements and transitions, but unfortunately that's not happening. Because teams with sub-par quality are getting higher scores than they should, they aren't putting in the effort to do better, and the result is a whole bunch of boring programs, with a few gems. And when there are gems (ie. for Hurtado/Diaz short dance last season, they should have had much higher CH, IN, PE marks than they received throughout the season, even if their SS didn't deserve to be), there is no reward. I don't believe in judging corridors, and I don't believe that just because someone may get a 9 for SS, they should also get the same or almost for CH. There is not enough understanding and differentiation by the judges between the skaters and teams using PCS and GOE. My impression is that the Tech Specialists call the levels setting the baseline for points, and TES is mostly working well (there are bad calls in every sport from soccer to baseball), but the judges are simply using old 6.0 thinking to rank skaters and teams in GOE and PCS, and aren't even looking at the requirements. That's how we get the unprecedented rise in PCS scores you reference. Skaters often refer to PCS as "cheater marks". It's where reputation and politics still reign supreme. And it's why anonymity needs to go ASAP, and why the ISU needs to develop expert judges who embrace the judging system, understand it inside and out, and are not tied to nationalism.

Overall the judging system is much better than the old system. There has to be common criteria in order to have any confidence in the judging. There has to be required elements. How else can it be a sport? If we don't want it to be a sport, than fine, but a lot of skaters will disappear. Not a sport means no Olympics or respect for skating athletes. These skaters are some of the best athletes in the world. Who will want to spend the money and the time over so many years if skating is not sport? All the skaters I know much prefer COP, and it's VERY helpful for young and developing skaters. The skaters understand the system and all its details from a very young age. Every athlete and team has an expectation/goal of where their scores will likely land in a competition, and how that number will grow over the season.

Most complaints I hear about COP can fall into 2 categories: programs are boring and skating has lost its heart, and skaters who fall are not punished enough. The first point is addressed above. Toss anonymity, hire experts in skating and dance who fully embrace COP and understand PCS and GOE criteria inside and out, and make them independent of nationalities so that what was intended to be rewarded is actually rewarded. When skaters and teams start getting rewarded for both technical and quality, programs will get better. Newcomers can rise according to their skill and talent, and long-timers will need to keep themselves sharp and not rely on reputation. The second point is a double-edged sword. I recall that there was a huge controversy when Evan won the Olympics without a quad. As a result, the criteria around awarding points for quads was changed to encourage more skaters to push themselves to include quads. In the next 4 years, we saw the rise of Chan, Hanyu and others who really worked at making their programs match the criteria for success. With a higher degree of difficulty, comes more opportunity for falls, injuries, etc. And the by-product is that people who haven't necessarily skated "clean" can win because of the strength of the technical content. So do we go back to the way it was? Skaters will govern themselves by the criteria. If falls are more harshly punished, the technical content is going to go down, since fewer skaters are going to take risks. COP does a pretty good job of rewarded a complete skater. With better application of PCS and GOE, perhaps we are better rewarding a higher degree of difficulty.

I really don't think COP has anything to do with the level of participation and viewership in the sport. From what I see, there are a few reasons for the demise of skating:
- the rise of women's hockey. In Canada, hockey is king, and with rise of women's hockey, less girls stay in skating.
- skating is not seen as a "manly" sport, which means that there are way too many parents who will not put their sons in skating - ok to learn to skate to play hockey, but there are power skating schools for that. Keep in mind there are still skating boys, straight and gay, who are bullied and beaten up simply because they skate and/or dance and are all assumed to be gay.
- there are many more options to play sports - soccer, baseball, basketball, golf, cycling, track and field, football, badminton, tennis, curling, skiing, swimming etc. - they all get lots of time on TV as well
- because of all the judging scandals, many people believe skating is really just a glorified pre-determined beauty contest and not really a sport - it's reality TV instead of sport - which means fewer people will participate
- it's REALLY expensive to participate in skating once an athlete starts to develop, and because of all the above reasons, there are few sponsorship or cost-reducing measures. Fewer people are willing to make sacrifices like not owning a house or not taking vacations or not going out for dinner in order to allow their kids to train in a serious way. And with the economy being what it is, many are also not even able to do that.
- it's REALLY time consuming, and requires kids to chase an all-consuming passion from an early age, at the expense of other sports and social activities, and often school takes much longer to complete. Some parents are not willing to allow this to happen, and some kids fall out of the system because they do not want to lose out on these things.
- people lead over-scheduled lives. People have lots of different sports they like to watch, and they will choose to watch those they participate in, which means skating doesn't get watched as much as when there were fewer channels and less choice. Even for normal TV many people don't have time to watch. They record and watch later, or look for the shows on YouTube or on the network sites.
- it's way too expensive to watch skating live. Only the true fans will shell out that kind of money. And to travel from province to province is cost prohibitive in the extreme with flights, rental cars, hotels, food, etc.

So to fix the decline in skating, we need a few things:
- promotion of skating as a sport, and what it takes to be an extreme athlete like these skaters
- more opportunities to promote across sports - like Battle of the Blades, which brought together hockey players and skaters
- more grass roots level promotion - curling has a program that teaches school kids about curling, and gets them participating through their phys ed programs
- make sure the sport has the right kind of regular attention from the media - local and national
- leverage the big name skaters and coaches in country to promote the sport to kids and parents
- at the highest levels of the sport, have some integrity and transparency in the judging (see above); in other words, behave like a real sport
- with the above well in place, work on funding initiatives that can support skaters from the bottom to the top of the sport, not just the few at the top; initiatives that build connections into the community and build broader involvement and support for the sport
 
Someone did a while back. 55. :) Low lift level, low spin level, low steps level. What else, didn't put all the jump/throw in the bonus half.
This is why it's bad for the program as a whole, everything is premeditated. If you put so much constraint on the program, you don't have the freedom to create beautiful & balance program. What do you think of extra choreography that doesn't earn any point in programs today? You don't because they aren't there.

A quick fix would be to make CH half of PCS. This will give plenty of incentive for choreographers to create memorable programs.

K/S should have huge lead in PCS over the field for their magnificent program last year, but they didn't. That genius of a program is a waste because D/R, S/H can just patch something together and get higher CH. This is the problem. Under the new system, Tamara should just make sure the program has the best arrangement of elements so K/S can execute them cleanly. Choreography be damn. If they are clean, their CH will be huge.

OMG! so low for that beauty!

The SP rules change from year to year.

In the early 1990s, all the senior ladies had to do a double solo jump. In the late 1990s, they had the choice of double or triple. So doubling that jump would give the skater a hit on the base value for the program as a whole but no deduction. There were no written rules/guidelines that I'm aware of for how to set those base marks in general, or how to reflect the difference between a double or triple solo jump specifically. Each judge probably had his or her own method for deciding. But in a field where the majority of skaters were doing triple solo jumps, even the best skater probably couldn't expect more than 5.5 for required elements when doing a double.

In the early 2000s under 6.0, there was a 0.4 deduction for doubling a required triple jump ("Less than required revolutions"). So if a judge would have otherwise given the skater 5.8/5.8 and that was the only mistake she made, then the score would end up being 5.4/5.8.

The requirements for the solo jump haven't changed under IJS, but the way the scoring system handles them has. A couple years ago, the double jump would have scored full base value for the double, but the GOE was required to be -3. So a double flip would have been worth 1.0, as opposed to 5.3 +/- GOE.

Now the double jump where a triple is required simply gets no point at all.

The difference in the score for that jump by this year's rules vs. 2014 rules was 1 point.



Thank you very much :)
 
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A quick fix would be to make CH half of PCS. This will give plenty of incentive for choreographers to create memorable programs.

K/S should have huge lead in PCS over the field for their magnificent program last year, but they didn't. That genius of a program is a waste because D/R, S/H can just patch something together and get higher CH. This is the problem. Under the new system, Tamara should just make sure the program has the best arrangement of elements so K/S can execute them cleanly. Choreography be damn. If they are clean, their CH will be huge.

It seems like skaters from smaller federations often don't have money or access to the best choreographers, so I wouldn't like to see that hold them back even more than they already are. And is it the skaters' fault when a choreographer does a poor job putting a program together for them? Even many of the top name choreographers do lousy work sometimes (or are just not a good fit for the skater). In theory, everyone wants better choreography - skaters, judges, fans...but I don't see it being easily achievable for the majority of skaters, unless they can afford the best of the best.
 
It seems like skaters from smaller federations often don't have money or access to the best choreographers, so I wouldn't like to see that hold them back even more than they already are. And is it the skaters' fault when a choreographer does a poor job putting a program together for them? Even many of the top name choreographers do lousy work sometimes (or are just not a good fit for the skater). In theory, everyone wants better choreography - skaters, judges, fans...but I don't see it being easily achievable for the majority of skaters, unless they can afford the best of the best.

That's the beauty of rewarding choreography. The "best"/i.e. "well known" choreographers usually churn out the most mediocre and unoriginal programs. Skaters from smaller federations can work with small time choreographer and if they are any good, they can add finishing touches to their own programs. Artists aren't hold back by how rich or poor or small countries or big countries, why are skaters and their programs?

Gracie Gold should get like 6/10 for choreography for her best program of the past few years for example. This should force her to create something better.
 
In what way does it pretend that the sport is not judged?

I think it's that hundredth of a point thing that sends up a red flag. If I look at a dog and say he's 18 inches tall, and you say, no, he is 18.369275 inches tall, I think a reasonable person would suppose that I judged the height by eye as best I could, whereas you had some expert and undisclosed means of measuring the height with much greater scientific accuracy -- at least until an even smarter person comes along and says no, it's really 18.36927483.

Ha ha, you can too! Otherwise, what's this Forum for? :laugh2:

:) But I don't know. I just find it harder to work up the ol' righteous indignation any more.

"*incredulous gasp* 182.39 points for that???!!! I wouldn't give that mess any more than 179.46. OK, 180.67, tops. What are the judges smoking???!!! I am so mad I am going to check out the protocols and make darn sure that the computer added up the points correctly, that's what I'm gonna do!!! :bang: "
 
I see pros and cons in both systems. 6.0 had a better risk/reward balance, room for more distinct programs, and LPs that didn't feel like 4-minute obstacle courses that's a chore for both audience and skater to grind through. On the other hand, the programs--while more creative--weren't as complex, and most skaters didn't put much effort into spins.

COP really forced skaters to work on spins (albeit at the cost of aesthetics, in some cases), and placed more emphasis on skating skills and complex choreography. On the other hand, step sequences are completely destroyed (everybody does the same thing, so few even try to make it relate to the music... and those that do aren't always rewarded in GOE). Programs, while complex, can look cookie-cutter. Visible errors aren't punished enough, while nit-picky ones are, well, nit-picked upon.

I do think COP has been making strides in the right direction: the increased -GOE penalties, the choreographic sequence, ect. Skaters, sadly, aren't doing much with the ChSq... probably because they're so darn exhausted at the end of a COP program and hardly have the energy to do anything energetic/creative.

What I do miss about 6.0 was... There was no pretense of objectivity. Mathman put it better than I could:
That is what is wrong with the new system, IMHO. It takes a judged sport and tries to pretend that it is not.

In conclusion, if I could rewind back to SLC, would I wish the controversy had never happened and 6.0 had stuck around? Perhaps... But would I go back to it now? No.

I would say Patrick Chan's success refutes this statement. In fact, I think Kurt Browning would have done much better under IJS. He and Petrenko were viewed as artistic peers under 6.0, yet Browning had much more difficult and interesting choreography that wasn't really rewarded under 6.0.
Browning almost always won against Petrenko unless he messed up really badly (e.g. '92 Olympics). There were times when Petrenko skated well and barely received a single ordinal over a Zayaking Browning ('91 Worlds) or lost to a less-clean Browning ('94 Olympics LP). So while they were seen as artistic equals by the community/commentators (from what I could gather), it seems the judges generally recognized Browning's strengths over Petrenko.

How the audiences suppose to understand that Gracie despite two great programs at SA lost to a skater who fell and had a stumble? Funnily if Gracie had two falls on rotated triples instead of doubling them she would have won. Does it makes sense? not to me..
While I understand the sentiment (visible errors aren't punished enough in COP), I'm not so sure that Gracie would've won under 6.0. Doubling a jump in the SP was a serious deduction--it's unlikely she would've gotten off with second place/so close to Evgenia under 6.0. If she drops to third behind Satoko, then she can still win. However, if she drops to fourth (not impossible--Michelle was placed fourth in the 1997 Worlds SP for a slight stumble in her combination), Evgenia would've still won despite losing the LP.
 
That's because Michelle did not knock it out of the park, had she done so, she would have gotten 6.0.
For example: Shizuka got 6.0 even though she was the first to skate in the ultimate group.
Midair got loads of 6.0 and she wasn't the last few.
Yes, it's harder to get 6.0 in this scenario, but you have to be knocking it out of the park to get those 6.0s.

I think Michelle did knock it out of the park at both 2000 and 2001 Worlds in her long program, but no 6.0. In fact, her marks were quite low considering. The two examples you give are for the first mark. It is easier for judges to say that a program with a 3-3 and 3A like Midori did was going to beat anyone else. Same with Shizuka and her two 3-3s. While Kwan fans think Michelle's presentation score always should have beaten Slute and Bute the judges didn't see it that way.
 
What I do miss about 6.0 was... There was no pretense of objectivity. Mathman put it better than I could:

OK, if that's what Mathman meant, I can understand it better than saying IJS pretends that skating is not a judged sport, or equating "judging" to "ranking."

In conclusion, if I could rewind back to SLC, would I wish the controversy had never happened and 6.0 had stuck around? Perhaps... But would I go back to it now? No.

If we get to rewrite history, I would wish
*No SLC controversy
*No anonymous judging
*Updating the judging system took place slowly with public discussions and test events at several levels using a variety of innovations over several years before adopting a new system for the sport as a whole -- the final result probably being something that looks different from both traditional 6.0 ordinal judging and the IJS as it was first introduced or as it is now practiced
 
The only bad thing about 6.0 is that.. not all 6.0 is the equal and carry the same weight.
The only good thing about 6.0 is that.. it is NOT anonymous judging. So if a judge is being unfair, or inconsistent in judging ... you can see it happening.

I never understand why it is out of 6.0 not 10.0 which is universal and has finer room to account for difference.
 
The only bad thing about 6.0 is that.. not all 6.0 is the equal and carry the same weight.

I don't see why that is a bad thing. Some medals are more to be cherished than others, too.

The only good thing about 6.0 is that.. it is NOT anonymous judging.

Don't forget the Interin Judging System that went into effect immediately after the Salt Lake City thing. 6.0 judging with anonymity.

I never understand why it is out of 6.0 not 10.0 which is universal and has finer room to account for difference.

Historically, I think it has something to do with the scoiring of school figures. A perfect figure was 6.0, or something like that. So they tried to make the scoring of free skating similar. (?)

A better reason, though, is that scientific studies have shown that the unaided human brain can distinguish among 6 or 7 gradations, but no more. So everything should go, "rate this from 0 to 6." :)
 
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