When I discovered the FD in August in Montréal, I thought the music choice would be for sure questionable. I really wondered what was the aim to select a piano music combining long silences and hard chords w/o any clear chorus. When I asked Guillaume about it, I understood it was a choice from the coaches but it seems I misunderstood him as Cocotaffy found an interview explaining this music was pushed by Guillaume himself! (BTW, Cocotaffy, could you post the link to this interview?). One thing is clear, both Gabriella and Guillaume told me they wanted to meet new challenges and passing on emotions and feelings to the audience while dancing on such atypical style of music was among these challenges. Well, why not? Now, there are so many quirky music styles so why choosing this one? What’s the message? What’s the story? It would be so great if their coaches could give some hints about their new programs. Marie-France recorded a brilliant interview in Bordeaux last year. I wish she will reiterate in Paris.
I also wonder up to which point the question of the music should be part of the challenge.
Let me explain a bit...
When Gabriella and Guillaume became World champions in Shanghai, some people claimed they won "because they danced on a Mozart masterpiece". Of course we know it does not make sense at all. Alisa Agafonova & Alper Uçar chose the same Piano Concerto from Mozart in 2015 and ended up at the ... 16th place! Second, the judges are focused on the technical and artistic elements, transitions, connection between the skaters, the quality of the skating, and so on. I guess they expect to see a choreography and a performance which fits with the music but they don't give marks to the music choice itself.
In Bratislava, while being interviewed by France Television after they won, Gabriella said something a bit strange: "We have demonstrated that our victory last year was deserved and not due to the fact we danced on a Mozart piece". Honestly, my first reaction was "Again? the Mozart story?" I clearly understood Gabriella wanted somehow to reply to these people who tried to play down P/C performance in Shanghai. Guillaume actually sighed deeply when Gabriella said those words. Was it a way to say “We just don’t care of these comments”? yeah, probably. I guess so. But still, is there any connection between the : "Mozart story" and this eccentric piano music choice? I don’t know but I wonder.