Oh, okay, then apparently I misunderstood youOh no, I know Carmen is not a musical, I'm not lacking that much in cultureI meant that I did not really know what Operetta was before hearing it a couple of days ago
So I generalized a bit.
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Oh, okay, then apparently I misunderstood youOh no, I know Carmen is not a musical, I'm not lacking that much in cultureI meant that I did not really know what Operetta was before hearing it a couple of days ago
So I generalized a bit.
Here is an interesting NYT article distinguishing opera from a musical:
https://www.nytimes.com/2011/07/10/theater/musical-or-opera-the-fine-line-that-divides-them.html
In essence (as quoted from the article):
"Here’s the difference: Both genres seek to combine words and music in dynamic, felicitous and, to invoke that all-purpose term, artistic ways. But in opera, music is the driving force; in musical theater, words come first.
This explains why for centuries opera-goers have revered works written in languages they do not speak. Though supertitles have revolutionized the art form, many buffs grew up without this innovation and loved opera anyway. As long as you basically know what is going on and what is more or less being said, you can be swept away by a great opera, not just by music, but by visceral drama.
In contrast, imagine if the exhilarating production of Cole Porter’s “Anything Goes” now on Broadway, starring the amazing triple threat Sutton Foster, were to play in Japan without any kind of titling technology. The wit of the musical is embedded in its lyrics like:
Good authors too who once knew better words
Now only use four-letter words,
Writing prose,
Anything goes.
(And this point leaves aside the whole issue that musicals like this one are also about dance.)"
Gabriella, Guillaume, Vanessa and Morgan will appear in "Quotidien", one of France's best show ! So happy !!
Tonight, 7:20 p.m. French time !
https://twitter.com/Qofficiel/status/978656308688818178
Here is an interesting NYT article distinguishing opera from a musical:
https://www.nytimes.com/2011/07/10/theater/musical-or-opera-the-fine-line-that-divides-them.html
In essence (as quoted from the article):
"Here’s the difference: Both genres seek to combine words and music in dynamic, felicitous and, to invoke that all-purpose term, artistic ways. But in opera, music is the driving force; in musical theater, words come first.
This explains why for centuries opera-goers have revered works written in languages they do not speak. Though supertitles have revolutionized the art form, many buffs grew up without this innovation and loved opera anyway. As long as you basically know what is going on and what is more or less being said, you can be swept away by a great opera, not just by music, but by visceral drama.
In contrast, imagine if the exhilarating production of Cole Porter’s “Anything Goes” now on Broadway, starring the amazing triple threat Sutton Foster, were to play in Japan without any kind of titling technology. The wit of the musical is embedded in its lyrics like:
Good authors too who once knew better words
Now only use four-letter words,
Writing prose,
Anything goes.
(And this point leaves aside the whole issue that musicals like this one are also about dance.)"
A Steffany Hanlen interview:
http://theeverydaymillionaire.ca/episode-31-steffany-hanlen-the-champions-journey/
At about 1:25 she speaks about the Olympics for the French ice dance team (Gabriella Papadakis and Guillaume Cizeron). How their inherent commitment, mental ...
https://www.tf1.fr/tmc/quotidien-av...es-guillaume-cizeron-gabriella-papadakis.html Replay link if anyone needs it! They were great! I love Yann Barthès in general and I remember saying here a while back that I hoped they would appear on Quotidien. They did not disappoint, haha![]()
I saw it but i understand nothingi have to learn french....) did they tell something fun or new;;;
Nothing new really. They were asked if they were couples, and all four said no of course, but that some pairs are. The host asked if some couples hate each other and they said yes, and mentioned that Anissina/Peizerat didn't get along very well. They were asked to describe the difference between pairs and dance and Guillaume was funny saying that they don't jump so they seem less impressive
. They all chose their favorite music to dance to, to make love to and to mope to basically. They talked about how they met and Gabriella and Guillaume said they were kind of like siblings...twins in a way because they do so much together they can finish each other's sentences for example...but they don't go on holidays together. The host asked Gabriella if she was okay with discussing what happened in PyeongChang and she said it was fine since it should not be a taboo topic for the next ten years and the show probably prepared a segment already...but it was a very quick mention really. They also talked about trying to modernize the choice of music for their programs and their costumes. That is all I can remember off the top of my head without watching again...so could have forgotten a few things, haha!
Oh I thought Morgan and Vanessa are a couple.
Thanks for this. I am so happy that someone of the team openly admits that it cost them the gold.A Steffany Hanlen interview:
http://theeverydaymillionaire.ca/episode-31-steffany-hanlen-the-champions-journey/
At about 1:25 she speaks about the Olympics for the French ice dance team (Gabriella Papadakis and Guillaume Cizeron). How their inherent commitment, mental ...