And if you ever become an actual Moderator around here, then you can do just that. However you aren't and therefore instead of the constant lectures, use the report button. That's what it's for and won't clog up the board during it's busiest time of the year either.
If you are so bothered by my lectures, as you call it, there is an ignore button.

Just because I'm not a moderator, I don't think it's unreasonable to say, "Hey let's be cool, guys." That's all I intended to do.
I think those lectures made up 3-4 posts of 457 posts here. Hardly call that clogging up the board.
And if you're so inclined — you also can report me. I understand. As you say, that's what it's there for...
Not aimed at me, but obviously using my post? Okay...

Where on earth did I say they were doomed? I don't believe I did. In danger of not even coming close to their potenial because of skating programs that don't suit them that much and in turn, not growing to the levels I and many others would love to see them reach, I *did* mean that.
Your post got me thinking somethings beyond what you actually said. That happens sometimes. Stream of consciousnesses. Again, not aimed at you, just got me thinking. Really, I shouldn't have quoted you really. But in the interest of discussion, I wanted to acknowledge that i read your post and what thoughts came out of it.
That's great if you loved it. I'm happy you did. However, considering they still let their speed turn into frantic and jerky movements, which *did* happen this time in sections, how did that fit w/the music and/or theme? It's certainly not what I expect to see from a waltz. A waltz should be soft and smooth, not frantic and jerky no matter if it's supposed to be jovial or dead serious. I've seen both kinds of interpretations over the years, enjoy both, but none of them were as jerky or frantic as Meryl and Charlie were in their performance.
Well OK, it didn't meet your expectations and you didn't enjoy it. But there are plenty of people besides me that did. And if you look at the scores, the judges didn't seem to have huge problems given that they were tied with V/M in performance and was given several 10s there.
Ultimately, Davis/White lost mostly because of a step sequence. As I've pointed out in numerous points, the step sequence (1.5 base value + .28 in +GOE) made up 66 percent of V/M's lead in the FD. And as I pointed out earlier D/W has not scored a level 4 in that element all season long and V/M have.
Taking that out of the picture, the gap is .92, spread out numerous +GOE and 4 PCS elements. When you split it like that, it was really really close. But perhaps those details you mention did make the difference.
You obviously didn't read my post all that closely if you think I don't enjoy Meryl and Charlie at all. When they have the right package for how they skate, I love it. S&D, the Indian OD and last year's SD are prime examples of that. However, that seems to happen far less w/them than it does w/other teams and I don't only mean Tessa and Scott. As I said, they just don't pull off soft romantic styles at all well and that's not just me who has picked up on that. At this stage of the game, that should be realized and they be given something that not only works to their strengths but also allows that power, rawness and speed to shine as it should. It's the best part of their skating, yet it just never seems to be allowed to be showcased properly the majority of the time IMO.
Sorry, I didn't mean to direct that comment at you....but again because I quoted your post, I understand why you thought so. (Note to self: Don't do that!)
That said, some would argue that this FD really did capture their strength and power. And I would too. A waltz can be powerful and fast too. I did not see DF as a soft and romantic piece. Obviously you see it differently, and I'm OK with that.