- Joined
- Jan 23, 2004
Thank you for the link. What a delightful performance. Mao skating is much more mature and her movements were timed perfectly with the music. Her growth spurt has not hindered her at all. She had me mesmerized..
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But where is the solo 3R?
/QUOTE]
Near the end of her program, a little bit after 3:00.
Anyone else think Mao is going to get rid of her flutz next season? I do!!![]()
iit is not such an obvious flutz as sasha ofen had. Cut the girl some slack. You try doing a triple lutz-3 loop and then say how it should be done!
Mao doesn't seem trying to fix "flutz" seriously. I predict this is a sign of brave 3A attempts in SP. She's already announced including two 3As in FS. Eventually 3Lz is needed only once. In past, her 3Lz in FS have received zero to slightly minus GOE. Even if some "penalities" are imposed (probably -1 maximum), they are easily recovered by the GOE from the improved spirals and spins. When the only 3Lz is used in a 3-2-2 combo (no one else can do), some judges may give her a benefit of doubts. After all, Mao is the de facto standard of the new era. Don't expect too much from the "flutz" issue.
Rutinia, the new rules say that the flutz must be penalized. So if the technical caller says it's a fluz, she gets an automatic deducation. And if Mao gets away with it, there will be huge outcrys.
When the only 3Lz is used in a 3-2-2 combo (no one else can do), some judges may give her a benefit of doubts. After all, Mao is the de facto standard of the new era. Don't expect too much from the "flutz" issue.
I think Mao can afford to go for flutz and some marks downgraded. She will get so many points with 3A and her presentation has improved markedly, so it won't be much of a big deal to lose a fraction of points doing flutz. Funny thing is Yu-na's major advantage over Mao used to be in the presentation. It would be interesting to see how Yu-na can fare in her competition with Mao with less technically difficult jump elements and presentation that is not much better than Mao's.
"I didn't know much about her and thought she looked a bit scary," said Mai. "But as I got to know her, she taught me really well. Her training sessions were really hard, but taught kindly. She told me that I always have to give it my all."
"When I saw her (Tarasova) for the first time, I felt some aura from her," said Mao.
"The music for my short program is totally different from my previous ones, so I want to show how I perform differently from my previous performances," said Mao.
"In my short program (to the music of Tchaikovsky's "Romeo and Juliet" — also choreographed by Tarasova) there are parts I skate with strength, unlike my previous program, so I want to show it," said Mai.