hhh, you make a good point about Scott. I am very grateful to Scott for all he's done for American skating and for his support of Nathan through some difficult times, so I don't want to neglect mentioning that.
SkatingMusic,
Nathan's posture is my #1 gripe about his skating.
I think for Mao's Last Dancer in particular Lori worked long and hard with him on how he's supposed to present himself, based on various articles, and she tried to get him to ingrain that posture. I was thankful his posture in that program was largely good even through Worlds. But attention to posture seems not to apply to Back from the Edge, possibly because nobody has been there saying, you aren't portraying my choreography correctly. (For Steal the show last year, his posture was intermittently bothersome to me, but not to the extent that Back from the Edge bothers me).
I think the many years of playing hockey was detrimental to his posture. Posture can be corrected with dedicated attention, but... I feel ice basketball is also very bad for his posture, because it reinforces the hockey habit of just moving without paying attention to posture, as long as you get there as fast as you need to. So I'm not excited to hear about any more dribbling on ice for a gala program.
Some of those pictures with Ashley made me wince, his shoulder hunching is very noticeable. But I don't think it's solely because he's nervous about having to skate with a partner. it's visible even in photos when he's just standing on the ice. It's so chronic, I wish there was a way for him to remember to pay attention to neck and shoulder posture whenever he's on the ice, or just all the time.
His posture was so good in the Bolero bit from the Legends finale.
It's a shame about his posture, *particularly because the other aspects of his skating are so good*. His line is glorious, his movements are wonderful, but if he's hunched over stiffly in his shoulder and upper back, it spoils the effect. And unlike the camel spin turn out and toe point issue, the posture issue is not a blink-and-it's-over, it continues throughout a program
I'm especially grateful for the programs where his posture is good. The *moments* where his posture is good, rather. I just wish I saw a real HD (smooth, like recorded from a TV broadcast straight to DVR and not recorded over the internet) version of the Bolero finale from the Legend show in Japan, although of course I'm very grateful that aboutNathan and the other youtube uploaders kindly shared their recordings with us.
re: comments from other folks
his posture bothers me in Back from the Edge, because that's a program I would watch many times. The dance with Ashley thing... uh, I feel uncomfortable for his sake and wish he'd look less uncomfortable with it, because I'm sure he takes pride in being able to skate to any music, in any style, but I'm unlikely to watch that dance group number. Don't they say 'fake it til you make it'? maybe with only a few days to learn choreo for a group number, everybody's too relieved not to injure each other to pay attention to how stiffly one manages the choreo. It also doesn't help that they didn't partner him with Karen Chen or someone significantly shorter than him, so a lot of those moves that depend on the man's greater height compared to the woman look especially awkward. But bottom line, I just want him to PAY ATTENTION TO HIS POSTURE, lol. it's possible that if his posture were good in that awkward Ashley thing I would re-watch it... just to see him wearing blue for the first time since 2016 Nationals
Thanks again for all the links. The Don Quixote was especially wonderful, because I always disliked the way Marina Zueva repeated that phrase in Le Corsaire when she cut the music, and this gets rid of it!

I do understand why choreographers do that, because of the specified duration for short and long programs, but it makes me extra grateful when I hear a well-cut piece of music, like Nathan's Chopin, both junior and senior music length, and also Mao's Last Dancer.