euterpe said:
Ave Maria is a PRAYER to the mother of Jesus Christ, regardless of which composer's music it is set to. Because of that, I think it is inappropriate to use religious music for figure skating. I didn't like Sarah Hughes' or Fumie Suguri's 'Ave Maria', and I won't like T/M's 'Ave Maria', either.
I understand this point. I was a little uneasy when Michael Weiss did "The Lord's Prayer" as a tribute to his father a few years ago.
But I'm not sure that this objection for the two Ave Marias is really valid. Neither the Bach music nor the Schubert was originally composed as a setting for the Latin Ave Maria text. Since the skaters use only the music and not the words, I don't have any objection to the use of these beautiful melodies standing alone.
The Bach music is from the Well-tempered Clavier -- an exercise book for keyboard which Bach wrote to prove to everyone that it really was possible to play in all 24 keys on a "tempered" piano, where the difference in tone between each successive note in the chromatic scale was the same, instead of relying on the natural "Pythgorean" spacing based on natural harmonics. (Critics thought that tempering would remove the distinctive color of each musical key and make all music sound alike, no matter what key it was played in.)
150 years later Gounod fit the Ave Maria words to it, with slight emendations.
The Schubert music is really "Ellen's song #3." This was a series of lieder that Schubert wrote whose words are a translation into German of the English poem "The Lady of the Lake." The poem
is about a girl who prays to the Blessed Virgin, but it was not until later that someone tried to fit the Ave Maria to it (with a little awkwardness, BTW). The tune was also used by Verdi in the opera Otello.
So I think that these melodies can stand on their musical merits without saying either that it is sacreligious to use the music in secular public entertainment, or that this is trying to promote a particular relegion in an inappropriate venue.
I thought Sarah's version was very lovely, especially that gorgeous Ina Bauer at the end.
JMO.
Mathman
