I feel so privileged to have been able to see Piper and Paul’s FD live at SC. For me they created one of those special moments emotionally that I will always remember and cherish. I think I could watch this FD a hundred times over and not tire of it. All of their movements flow seamlessly and beautifully with their music. Everything, from their most difficult elements to their facial expressions, is done so naturally that nothing seems rehearsed or forced. And they maintain softness and fluidity throughout while at the same time building intensity and emotion with such subtley and finesse that they swept me along without my realizing it. In a word — brilliant. I can honestly say it is my favorite FD ever, as well as my favorite program so far this season across disciplines.

, thanks a lot for providing some live insights!
As for bolded part - some users in SC FD thread expressed similar sentiment, like after watching this FD they did not want to watch the rest or that they were so impressed, became emotionally invested in this performance they were shocked about it. It really builds a testament of how special the program is, how impactful the performance of it is/was - I already overwrote myself (
again) in SC threads and Edge thread on SC thoughts, but I do think that this performance and program in general have this 'staying power' and will be in people's minds long after the season will be gone. This team may not be super consistent and mistake-free when it comes to competition, but they have a rare ability to produce a performance for years to come in my opinion - I still come back regularly to their SC 2016 FD Tango performance AND still can find something new and valuable in it. For me, it is really not about the perfection in execution of performances like this one and recent FD in Laval - it is more about having a memorable substance, true to themselves, true to the music, authentic in presentation/movement and making it bigger, meaningful beyond just skating it, competing with it.
And adding to the last thought above - although I said already
a lot about this FD (here, in competition threads, in Edge threads), as I re-watch FD performance from Saturday new perspectives come through and inspire/challenge me to think and process it into words. I mentioned this 'bigger than just skate/presentation/competing with a program' effect generated by this performance/program - I think that the immense power, pull of that program is partly about making you travel out of where you are watching, either TV/computer stream or being live in the arena. The performance, movement and story told through it transferred me (and probably a lot of people judging from reactions) to another place, made me feel, connect with them, the picture created on stronger, more intimate level than just pleasant visual of moves to the music. It is a bit 'out-of-body' experience I'd say, to being so taken with performance like Piper and Paul created, this nostalgic aura that was so 'approachable' familiar, had that warmth, tenderness to it, not being cold and distant. You could FEEL it, EXPERIENCE it almost physically, this amount of emotion flowing though even move and connection - it was not a static piece to just look at it, the looing generated emotion and emotion was felt deep; another thing for me was that that the flow of emotion was so dynamic - the story unveiled through movement and expression step by step, adding emotions gradually, not putting everything at once.
Another thing that came yesterday to my mind was how customized the dance is - while watching some other teams I can easily picture their program(s) skated to different music, the Vincent-themed FD of Piper and Paul is truly one of a kind and cannot be put into another 'environment' of music/movement and emotional attachment/engagement. Yes, it is an original idea
per se, the musical arrangement is not an obvious choice (as for using Govardo's cover), but looking at Nebelhorn and SC performances, there is such strong feeling of independence, uniqueness and ownership in terms of revoking the program idea into reality; the subtlety in reference to 'Starry Night' by Piper's costume, swirling-styled movement, using the exact song are for me signs of an incredible thoughtfulness going into creative process of making that FD, that Piper, Paul and their team truly wanted to make it a stand-out, something that won't be mistaken with anything in the field. and yes, the originality and quirk, accommodating it into competitive work were always their kind of signature, but this year I feel it was taken on another level - in the past seasons, there were complaints that their programs were too much of 'quirk' and for particular tastes which added to the feel of exposing more their execution errors than appreciating them as a whole I feel, last season with that FD change showed that they are willing to adapt and adjust their material to more 'streamlined' audience, but still being themselves; this season I think has it all: perfectly tailored material, appealing universally that really comes alive in motion.
Last thing is me thinking today about complexity of their material, FD in particular, this season. It is never for me about the effectiveness, 'wow' factor of separate elements - this FD represents a wholesome, one move/gesture initiates another one, nothing is 'detached'. It is about the unity of the level of storytelling through movement, constant free-flow of energy and keeping the emotion unravelling - then next level is about intricacy of little details, musicality, small gestures (like for example this brief hands' touch in transition after spin)...It was meant to be taken as a whole, and making that strong impression.