100 Greatest Movie Quotes
On Tuesday on either NBC or CBS (not sure) at 8 or 9 pm, they're showing a program called "The 100 Greatest Movie Quotes Ever." They've already chosen the "100 Greatest" but I wanted to know what GSers thought are the best movie quotes.
Here are some of mine:
Milos Foreman's "Hair" though it's a lyric by composer/lyicists Ragni & Rado.
Berger, singing on the table to a bunch of upper class conservatives: "I've got my a$$!"
Allison Ander's/Kurt Voss's "Sugartown."
Liz as she's firing housekeeper/aspiring-singer/extreme-user: "And [when you leave] my diaphragm better still be in its box!"
Young boy: "My name is not Nirvan! It's Nerve!"
Paul Thomas Anderson's "Boogie Nights."
Unnamed actress to director Jack Horner: "Is he gonna f*** me in the a**?"
Jack Horner, dryly: "Do you want him to?"
Actress, dryly: "It would be nice."
Jack Horner to actor Johnny Doe, enthusiastically: "Okay, Jack! Lock and load!"
Scene: Young wife, Linda Partridge (Julianne Moore) of elderly dying man is in pharmacist filling prescriptions for heavy duty morphine and tranquilizers for her husband's pain as well as antidepressants for herself.
Young Pharmacist says: "Strong, strong stuff here. What exactly you have wrong, you need all this stuff?"
Linda Partridge: "Motherf*****..."
Young Pharmacist: What are you talking about?
Linda Partridge: Who the f*** are you, who the f*** do you think you are? I come in here, you don't know me, you don't know who I am, what my life is, you have the ba**s, the indecency to ask me a question about my life?
Old Pharmacist: Please, lady, why don't you calm down?
Linda Partridge: F*** you, too. Don't you call me lady! I come in here, I give these things to you, you check, you make your phone calls, look suspicious, ask questions. I'm sick. I have sickness all around me and you f***ing ask me about my life? "What's wrong?" Have you seen death in your bed? In your house? Where's your f***ing decency? And then I'm asked f***ing questions. What's... wrong? ...Suck my d**k! That's what's wrong. And you! You f***iing call me lady? Shame on you. Shame on you.[/] Shame on both of you."
Chippendale's-type dancer Todd Parker: "Who's [Cor]vette is that out in the driveway?"
Porn actor Reed Rothchild (check out the spelling of "Rothchild," lol]: "DIRK'S!! I'm so jealous."
Todd Parker: "That sh**t's jammin' man."
Todd Parker: "Start down low with a 350 cube, three and a quarter horsepower, 4-speed, 4:10 gears, ten coats of competition orange, hand rubbed laquer with a huplane manifold. Full f***in' race cams. Whoa!"
Stanley Kubrick's "A Clockwork Orange":
[Alex has just struck Dim on the legs]
Dim: What did you do that for?
Alex: For being a bastard with no manners, you haven't a dook of an idea how to comport yourself public-wise, O my brother!
Dim: I don't like you should do what you've done and I'm not your brother no more and wouldn't want to be.
Alex: Watch that, do watch that O Dim, if to continue to be on live thou, dost wist?
Dim: Yarbles! Great bolshy yarblockos to you. I'll meet you with chain or nozh or britva anytime. I'm not having you aiming tolchocks at me reasonless. It stands to reason, I won't have it.
Alex: A nozh scrap anytime you say.
Dim: Doobiedoob, a bit tired maybe, best not to say more. Bedways is rightways now, so best we go homeways and get a bit of spatchka. Right-right?
[Listening to Beethoven's Ninth Symphony]
Alex: "Oh bliss! Bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun heaven metal or like silvery wine flowing in a spaceship, gravity all nonsense now. As I slooshied, I knew such lovely pictures!"
Milos Foreman's "Ragtime":
Rheinlander Waldo: "That library over there is worth millions and people keep telling me you're a piece of slime." Ragtime (1981) to Willie Conklin from Milos Foreman's "Hair."
Jim Jarmusch's "Ghost Dog: The Way of the Samurai:
Ghost Dog (Forrest Whitaker) is a hit-man who works for only one man, known as his "retainer," Louie, an aging mobster who is part of a small aging mob crew, i.e., the youngest guy is maybe 65, if that young. None of the other members of the crew knows that Louie employs Ghost Dog until The Boss wants his nephew "whacked." Louie hires Ghost Dog to do the job but no one knows The Boss's nephew is "doing" The Boss's daughter. The daughter is there when the nephew gets whacked, which sends The Boss into a major attack of revenge--not against Louie, but against Ghost Dog after Louie tells The Boss about him. Ghost Dog lives his life and does his work acccording to the ancient Japanese philosophical book, The Way of the Samurai[/].
Ghost Dog: Everything around us seems to be changing, huh, Louie?
Louie: You can f***ing say that again.
Sonny Valerio: "If a warrior's head were to be suddenly cut off, he should still be able to perform one more action with certainty." What the f*** does that mean?
Ray Vargo [The Boss]: It's poetry. The poetry of war.
Louie: G***amn it. You shot me in the exact same f***ing place as last time!
Ghost Dog: I'm sorry. I mean you no disrespect. You're my retainer. I don't want to put too many holes in you.
Ghost Dog, coming across a two racist hunters: You know, in ancient cultures, bears were considered equal with men.
Hunter: This ain't no ancient culture here, mister.
Ghost Dog: Sometimes it is. [And, blam! blam! Ghost Dog blows both guys away.]
Ghost Dog: Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase, "form is emptiness." That all things are provided for by nothingness is the meaning of the phrase, "Emptiness is form." One should not think that these are two separate things. [From the book, The Way of the Samurai.]
Of course that's just the tip of my iceberg--and no, I don't have any favorite quotes from "Titanic."
Rgirl