- Joined
- Jan 23, 2004
Poor Shoma he looks perplexed
Sometimes he seems like a babe in the woods. Adorable! How can you not love this young man!
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Shona Uno can't hold a baby correctly, lol!
#1! thank you all for the kind words and supportAlso am wondering if you would care to elaborate on whose "Winter" program you think is the best one you have seen so far? The music is so captivating, I can see why it's so popular.
#2.. i am not so sure i wanted to debate whose winter's is the best.... but more about what the poster had said about shoma being the best at musical interpretation....as many others have mentioned, there are other skaters we look at when that label is mentioned... but I do agree that Shoma is getting himself into that category as well. My point was more in the sense of"yes!!! we love him!!! he is fabulous! but give him time to grow.. there is no point making such bold statements about him right now when he is still evolving... and wow!!!! don't we want to know which path he will take?? where he will get?
what an intense weekend !
The lineups for these events are so fantastic, what with everyone wanting to get an early start. Enjoy!Is that Redbull? Ew....Shoma....well, his 'diet' seems to be working so who am I to judge?
Anyway, will Shoma have a new exhibition this season? Or use his old ones? He has so many.![]()
He hasn't used La Vie en Rose much, and I thought Stephane did a great job with that choreo.At this point we cannot be sure. It could be. The question is if and if yes, when he will add it. We know it's his problem jump and we know he worked on it a lot in the last months....and it still remains his nemesis. The question is, will he go for it, if it is not stable? If it might make him fall? Does he need it? I guess we'll find out later. I'm almost sure this is not the final layout though. There is always a plan with Shoma's team.
I have another question. Why does Shoma jump 4T-2T in the FS and not 4T-3T? Or does the point difference not matter much, so it's like not important enough to have such a hard combination in the second half?
He cannot stand still, that's for sure.Finally Shoma – and I'll use same opinion I used already about Carolina's SP. To take such 'big' music, theme and not let is overpower, overshadow you, your performance, choreography, effort, but make the contrary and let is empower you to make you and your skating take the lead and pop out is a rare skill and unique feature, which Shoma did for me by his SP performance. And I won't lie – I was crazy sceptical about this Vivaldi 'Winter' SP, but boy, Shoma did his magic again. The drama, tension building reflected by choreography and his movement ovrall is magnificent, spellbinding. The program just flows freely and is limited only by Shoma himself and his movement – I see even more 'ownership' and control from his this year than previously about whole performance. The musicality is great, both in choreography in general and in Shoma's movement (love particularly those movement by hands, probably hated by majority and as usual – spins and step sequence so in music, reflecting on tempo changes). Aside of any technicalities, point, comparisons etc. - this is totally Shoma program to kill, highlighting his best qualities, musical sensibility and ability to mold music into his very own way of expression. The music is classical, kind of severe, limited, defined, yet Shoma modernizes it for me, adding sensual, emotional touch to it, creating a space inside of it in not forceful, but natural way. Don't know if he deserved on 7, 8 or 9 PCS components – he moved my imagination by his performance and that's what matter to me right now.
And Shoma's FS to finish – while I do see that the program is less busy with 'embellishments' and transitions that 2 seasons ago, I totally see and understand why (at the same me having a right to be disappointed a bit about that and in advance – I know, Shoma also does not owe me ANYTHING for the record). This season is totally different than a previous one with 'Turandot' FS and Shoma is now in different place, with different perspective, drive and purpose and this program, constructed in the way it is, reflects on that. To accommodate 5 quads, other technical elements and still have the performance it takes a lot of thought and effort. With such 'big' music, theme he could just get into fancy costume and focus on those quads, but similarly to his SP I do feel like Shoma let the music carry him and empower the performance he produced instead of being just a known background to feel confident with jumps (I am fully aware that by saying such things, I'm giving his non-enthusiast a weapon to use, but he and I will live with that
). I do think that the program, the performance of it resonated very loudly and was impactful, but in a very different way that e.g. Jason's FS as their way of movement and expressing themselves are different, but equally impressive for me. One based on sublime and delicate cooperation, blending music and movement, another using 'big' music for equally big skating. And speaking of 'big skating' I'll get called on that one for sure) – the thing is for me with Shoma that I value the most, is his power of transformation on ice. He truly can 'magnify' his statue, his presence and impact by is skating, the way her performs. This 'Turandot' FS is for me not the most innovative one, like breaking new grounds in vertical perspective, but it sure is a powerful piece with more of 'horizontal' value as for accommodating Shoma's purposes and desires.
Just came to say how amazing Shoma was in his FS and in the SP earlier. "I have no words" (that's what Brian Orser once said about Hanyu's skating). It was breathtaking (literally). Don't know what to say really. I also observed him from a very close (too close) distance. One morning I had my breakfast and coffee in the buffet, and all of a sudden he appeared in front of me. I almost choked on my breakfast. :shocked: He's so funny. He either tends to do some little physical exercises or fall asleep every time he is not on ice.He cannot stand still, that's for sure.
I remember the first time I saw him up close I wanted to try to say something in Japanese, and nothing at all would come out in any language. I was surprised too to realize that I'm shorter than him. :sad4:...Hope that when you've had a chance to recover you can tell us a little about your experiences.
I would be especially interested to know what the crowd noise was like. Some of us were really disappointed that the audience sound was muted -- couldn't hear crowd noise, clapping, cheering, etc. Occasionally I could faintly hear clapping for Jason, Matteo Rizzo, and Shoma. Did you take any photos?...So glad you enjoyed yourself!Just doing a Fan Fest round post-competition weekend - want to congratulate Shoma on Lombardia win, successful debuting both programs and to thank him for all positive emotions he gave me by his skating. I allowed myself to re-post my opinions on both programs from Lombaria threads. And I want to add my apologies for anyone offended by my whole post in FS Lombardia thread (for those who read it in entirety), it is never my intention to pick up on anyone, to ridicule anyone to make a less on anyone and myself as a superior person. I should know better and not to mesh my review of performances and my observation/opinions on things I see there.
SP
FS
I should have asked the kind poster if I could post his/her quote (see below) from the Lombardia SP thread, so sorry about that. But this comment makes me so happy. I love that a trained musician values his musicality and interpretation...You know how this works.
If Uno does not deserve a 9.25 for interpretation, then who does? He is on equal footing, interpretively, with Patrick and Yuzuru, probably a bit better. As a professional violinist who has performed the Four Seasons more times than I can count, I think Shoma's interpretation of Winter is better than any skater I've ever seen.
That was my quote, and I am flattered that you would share it!
I know several other people shared your thoughts too. Thank you for your kind words about our Winter Prince!So jealous! And glad you made it through the competition with your life! No choking allowed!I remember the first time I saw him up close I wanted to try to say something in Japanese, and nothing at all would come out in any language. I was surprised too to realize that I'm shorter than him. :sad4:...Hope that when you've had a chance to recover you can tell us a little about your experiences.
I would be especially interested to know what the crowd noise was like. Some of us were really disappointed that the audience sound was muted -- couldn't hear crowd noise, clapping, cheering, etc. Occasionally I could faintly hear clapping for Jason, Matteo Rizzo, and Shoma. Did you take any photos?...So glad you enjoyed yourself!
What a shame they did not show the audience. I do remember though that at some point they showed me in Sho's SP, and I was cheering up for Sho, looking way too excited and applauding like crazy. 