- Joined
- Feb 5, 2004
About men versus ladies, I might be wrong about this, but here is my opinion anyway.Certainly there are many ladies of present and past that could take off from the correct edge and do a lovely double or triple Lutz jump.
However (reserving the right to be wrong), it seems to me that they tend to come in on a straighter line than men typically do, especially at the end of the approach, which somewhat mitigates the effect, even when they manage a secure outside edge all the way to take-off.
When the top men do it, to me it seems like they have a tighter clockwise arc and a more pronounced lean right up to the second of launch, so that they seem to explode into the air in a way that violates the laws of physics (conservation of angular momentum, for instance, LOL).
If you blink it looks like a miracle that one instant they are gliding backwards on a clockwise circular arc without a care in the world, then suddenly, with a pick of the toe and a swing of the arms they are hurtling through the air spinning like a top in the other direction.
(The only thing better is Ilia Kulik doing a triple Axel.)
I'm not so sure about the men usually approaching from the sweeping BO edge. Since the early to mid 90s the triple lutz has been the staple jump from footwork for any leading contender (from the staple 3A/3 (or 2)T, 3Lz, 2A jump layout before quads were allowed in the SP) right through to the mandatory axel becoming an optional double or triple, the most difficult triple after the axel being the lutz has usually meant a high number of them from steps in the SP. That being the case it was always straight line steps into the 3Lz which usually means some form of mohawk or turn with a cross in front for a short edge take off on the lutz to not lose marks for leaving too much space between the steps and take off of the jump. I always thought most men also used their steps in to triple lutz in the LP (off the top of my head Yags and Plush usually did). The man who i always think of doing a very strong outside edge into his lutz was Todd Eldredge - now that was a very pronounced BO edge with a very high pop up into the jump.
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