I also don't think that Wakaba can be turned into like Mao or Caro or Yuna.
I don't think Wakaba's style is similar to Mao or Yuna (different body type), but
this performance reminded me a lot of Michelle Kwan (or even Yuna, if you ignore the fact that Wakaba is faster and less willowy).
This one has the spark and intricacy of Akiko's programs.
Caro, ironically enough, wasn't recognized as an artist until fairly late in her career. Up until 2010-11, the forum were full of constant moaning about "that sloppy skater" who constantly gets overscored "just because she skates fast".
gsyzf said:
Most people do not differentiate between programs and performances. For most people, if they like a skater’s performance style, they like any programs that person skate to, even if the choreography is very similar. How much can program choreography change each year given that the layout of the program and the skill set of the skater do not change significantly each year? The most significant change of a program is often the music.
In my experience, programs do matter. And, of course, if the skater has musicality and skills, they can skate programs completely different in style, and still skate them well. Compare Mao's Nocturne, Caprice and Madame Butterfly, or Akiko's Die Fledermaus, Kill Bill and O, or Michelle's Rachmaninov, Romanza and Lyra Angelica, or Yukari's Cappricio Espagnol and Giselle, (etc., etc.).
However, it's not enough for the program to be good, it has to fit the skater's current abilities (and those can be influenced by growth sports, injuries, etc.).
Mao's programs back in 2006-07 can be an example. When the music was announced for the first time, a lot of fans thought that Czardas will fit bubbly Mao to a T, but that Nocturne might turn out to be boring. However, Mao had a huge growth spurt in the off-season, and it affected her skating skills. And it turned out that calm, steady Nocturne was actually a perfect vehicle to highlight her strenghts and hide weakesses, but Czardas (which initially had very bubbly choreo and a lot of hops, claps and toe-work) looked rather horrible in the first outings (Campbells and SA). NHK was her first clean performance of that program, at the cost of removing some fun parts of the choreo and concentrating on the jumps. (The LP was re-choreographed with Lori's help before Worlds, but even then Mao wasn't quite happy with her performance and even thought of keeping it for one more year to give it justice).
I think Wakaba is in a similar situation as Mao was early in that season. Her programs were choreographed to make the best of her abilities at that time, and in the summer shows she could handle them. The problems started after her (reported) back pains and withdrawal from AT. She mostly recovered her jums, but like Mao at NHK 06, she is not yet comfortable enough with them to fully commit herself to choreography.
IMHO the SP is the biggest problem - Mambo should be fun and effervescent, but she's obviously saving all of her energy for the jumps in the second hals, and it spoils the impression of the program. IMHO, it would be good if she changed her SP to Somewhere Only We Know, and jump layout to 2A, 3Lz-3T, 3F in the 2nd half. (But, of course, her team knows the best the place she is right now.

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