Speaking of GOE, a bit from ESP ITA commentary from today (during Han Yan FP Skate to Romeo&Juliet Soundtrack, MA = Max Ambesi, AD = Angelo Dolfini)
(Sorry, video quality is quite low & video is longer than necessary)
[First they speak about Han Yan difficulties in last year or so, then at around 1:05, mandatory "revival" moment]
AD: "On men's field, this soundtrack is linked to unforgettable memories"
MA: "The most beautiful memory from Nice 2012 World Championship"
AD: "Hanyu's free... a very young Hanyu..."
[Then, the GOEs part, while waiting the scores they speak about Han Yan jumps and their quality and how a skater with a great 3A has a good advantage because a 3A+GOE is worth like a so-and-so quad, around 2:00]
MA:" As Hanyu - the one who skated on this music, charming everybody in 2011/12 - has been saying since forever: with my two triple axels in second half, I've got two quads more."
AD: "Elements for him that are worth +2/+3, he is right."
MA: "But lately on evaluation for that element (3A) something inconsistent has been happenning: if someone put a spread-eagle before that, it's automatically +3 because that spread-eagle. If someone put [note: actual word is stronger: "si inventa", it does give more the sense of pulling a magic trick) an outside back-counter, it's +1."
AD: "These things happening are not right."
MA: "What's the most difficult thing? Explain it."
AD: "Without doubt doing it from a back-counter."
MA: "But why is it not appreciated?"
AD: "It's harder to understand [its difficulty]"
MA: "But judges should be prepared to recognize such things..."
AD: "I do agree."
https://vimeo.com/192273788