Honestly, I was surprised by his music choices. I thought he would choose something modern for at least one of his programs but he unexpectedly ended up with such original musics. I'm even more surprised it's what he likes and always wanted to skate to. Personally I'm totally fine with it, it's not exactly to my taste though. Program wise, It's different from his usual style, the music is dramatic and dynamic and I have no doubt of Bourne's choreography. I totally can see judges would like it.
After watching some small footages of his practice, I have to say his free skate has great potentials to become another masterpiece if he skates it clean in competitions and I'm sure with his superior quality of jumps and skating, it won't overshadowed by Plushenko's program.
To someone who has followed Hanyu a bit like me, it's not surprising because he has always been fanboying Plushenko and Weir, since his youngest years. Weir influence is quite evident but he wouldn't have become Plushenko's fan if he hadn't liked his programs. Nijinsky is is possibly the most memorable program of Plushenko's, it must have etched itself in young Hanyu's mind just like in ours.
So now when he's in a position to do whatever he wants, well, he does.I think Hanyu has become quite cerebral regarding his skating. It's not "awesome music, I wanna skate to that!" with him anymore. It's all about the message right now and his current music choices reflect that. If he just wanted to do Nijinsky because he loves the music and watching Plushenko do it in a show for a hundreth time made him do it, he wouldn't have chosen Otonal as his SP. He has already done a full-on tribute to Weir with his Swan ex, and Otonal sounds very much like his comfort zone. It sounds like the program choices are a result of quite a bit of soul-searching, and the result is, aptly named, origins.
Anyway, I'm hoping he will be able to include the trademark Nijinsky steps somehow!


B.ESP uncles dito.
hwell: