I think we're arguing different things. Drama doesn't necessarily mean being emotionally invested. I don't particularly care for drama in a program, so much as a skater's ability to be in tune with the music in timing and tone. Again, a program that's all about sophistication, elegance, and softness - like P/C's Moonlight Sonata this year - is perfectly fine without having drama. Same goes for Takahashi's cool Blues for Klooks, for instance.
It's true that Higuchi's Bond program has more room for dramatic expression, though I would also contend that Zagitova's music does have an emotional range as well, with the more somber section in the second footwork sequence. I think that Zagitova is very much in tune with music in the first minute or so, then it drops while she's doing all the jumps, and then she gets it back right near the end. Her expression was just one-dimensional to me compared to Wakaba.
This. Higuchi completely inhibited and owned that FS.