- Joined
- Jun 21, 2014
I think you're spot on about it. That program isn't about jumps falling into the highlight moments of the music, but I find myself sinking deeper and deeper (or the program taking over me bit by bit) (the turns fitting perfectly to the three chords into the 3F, the 4T in the silence between the two pieces of music, etc, etc, etc) into the "atmosphere" as the program goes on. *Shivers* The variations in interpretation is part of the interest too. I liked it when he projected determination, I liked it when he was more gentle. What doesn't change is the unending flow and continual push towards the end.
Agree, especially the text in bold. I think I saw someone, can't remember who, describe it as a "river" and I think it's a perfect description, because it's serene yet tumultuous at times, and flows continuously. Also, considering the costume, and the fact that Yuzuru used 'nature' to describe it in some interview.
Besides the moments you've mentioned, my favorites are:
His arms hitting the notes after the 3A-2T
How he goes into the flying camel is right with the music and he drops his leg after the donut position right at the note at 0:58, which was previously quite an awkward point in other programs but here they made it fit in brilliantly somehow. It's more evident in fancams that are far away.
When he extends his arm mid-sit spin.
When the choreo sequence starts.
The whole step sequence.

And many more.



(he, I just realized that Shoma's outfit for his EX looks exactly the same
).
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