Thanks. I don't know why I thought Aliona already had 3A before last seasonAnyway... Seems like Rozanov's contribution was to help Aliona get the confidence to try the jump. The mental part is half of the battle.
It is artistic disintegrity. It is anarchy. It is variety. Which is artistic in its own wayIt would be amazing if he went for a fully backloaded Don Quixote againthey can just say "well, we are not going for the bonus, so CLEARLY we are doing this for artistic integrity". What can anyone say then?
As a result of it, ISU should make more different type of bonuses to help figure skating be even more diversive, instead to make all programmes look the same.
Thanks. I don't know why I thought Aliona already had 3A before last season
It is artistic disintegrity. It is anarchy. It is variety. Which is artistic in its own way
She did have triple axel in early 2018. Her first junior season was in 2017-2018 and Worlds - in 2018. Rozanov taught her. This is written in the excerpt.Thanks. I don't know why I thought Aliona already had 3A before last season
Eteri makes skaters she doesn't take made skaters the way orser Raff and Plushy do.
Yes you would let Sasha Veronika and aliona into your academy. I personally appreciate the fact that you g does not take made skaters.
Eteri also obtains, did not give birth to her skaters. Lambiel also trains some big names now who were "ready-made". What is the different?
Rather making fun of you and other people obsessed by his alleged perfection and complete malevolence of his former team mates, because such "black-and-whiteness" is funny. As for Rozanov himself, maybe there were compliments before towards him as a coach, though definitely not as frequent as compliments to his hotness (I mean from those three people who knew him that time, I myself explained here about three times who he even is). He became the edge genius only in the moment he left TT, not before. Before we could read for instance how Kamila is loosing edges (when she was a novice and definitely coached also by Rozanov) and other usual stuff people write about Eteri's team. This double standard reminds me christian writer Lactantius who on one hand mindlessly criticized construction activities of the emperor Diocletian but on the other one praised Constantine the Great for the same when he transfered his residence to Constantinople, which was surrounded by the lagerst construction activities of that time. Of course the problem wasn't the construction activity but that Diocletian was an evil pagan while "the Great" accepted christianity. And that's the same partiality that exists here, incl. the one you personally show.
See above, the narrative it's Rozanov who is responsible for the good technique and the others responsible for the bad one is unfounded from the very beginning, created only by cherrypicking the fragments that suit particular narratives. Which doesn't mean I say he is a bad coach, I've never said anything like that, that's just for the frequent (in fact the only one) counter I've met. It's just that it's not like you imagine it those skaters I like their technique were surely coached exclusively by Rozanov and the others I don't like (and "I'm a fan but" is an invalid argument as was explained many times before) weren't. As for Aliona, she was trained by the whole team and once again it can be hardly said the correction of her Lutz edge (which happened since she joined TT) can be hardly credited exclusively to Rozanov just like you can't seriously claim that "Sofia Akatieva prerotatres/has bad edges" or whatever "because Rozanov didn't work with her" is wrong, becuse he worked with her as well.
P. S. Just like I didn't say Rozanov is a bad coach I also didn't blame anyone of betrayal
You do know that Daria performed Ne Me Quitte Pas first right?
That being said, these three pieces (Samson and Delilah, NMQP, R&J), are all warhorses, and neither Eteri or Plushenko were the first to use them. Plushenko himself skated to Don Quixote, Carmen, Je Suis Malade, Moulin Rouge, Bolero, and Introduction and Rondo Cappricioso, all of which Eteri has used. Does that mean she was copying him also?
You do know that Daria performed Ne Me Quitte Pas first right?
That being said, these three pieces (Samson and Delilah, NMQP, R&J), are all warhorses, and neither Eteri or Plushenko were the first to use them. Plushenko himself skated to Don Quixote, Carmen, Je Suis Malade, Moulin Rouge, Bolero, and Introduction and Rondo Cappricioso, all of which Eteri has used. Does that mean she was copying him also?
