Sota Yamamoto | Page 44 | Golden Skate

Sota Yamamoto

Sota's Dragon at JO: https://www.youtube.com/watch?v=U_vqS1nJpBg
Planned: 4S 4T3T 3A1Eu3F 4T /3A3T 3Lz 3Lo
Executed:4Sso 4Tfall 1A1Eu3S 4Thd /3A 3Lo2T 3Lz!3T
Sota's struggle may be due to fatigue as JO was only one week after Chubu, whilee Lucas withdrew from Kinki Regioals as he is seeded (3rd at 2019 Junior JNats) and therefore was in presumably better form than Sota. I would give Sota a little break here. But Sota really needs to develop jump consistency. It's still early in the season, and let's hope he will catch up with other top skaters.

Sota's photos in Dragon costume: https://www.nikkansports.com/sports/photonews/photonews_nsInc_202010030000683-0.html
 
I agree with both your points. Sota was probably fatigued, but also he needs to work on his consistency. Once again, I wonder if having 3 quads in the FS is a good choice for him... I think if he did only 2 quads, he would avoid REP and would have more stamina for the steps and spins. Besides, his triples are super nice and he can get good GOE for them! Edge call aside, that 3Lz3T he did at the last jump pass was lovely!
 
^ But that's mostly why I am annoyed, because if Sota was tired after regionals, or has a health problem, then Onishi shouldn't have let him go for such a hard layout, with two 3A combos and 3 quads. He might have wanted to test this layout in competition before deciding whether to go for it at West Japan sectionals, but it's a risky strategy, and the Fed might see him as inconsistent even with steps and spins. Anyway, at least Sota didn't look too dejected in the KnC, and his team won. It's a lesson, and I do hope Onishi can improve Sota's consistency by sectionals. But, he looked a bit insecure to me with this FP.
Here's his gala from Carnival On Ice: https://www.youtube.com/watch?v=qlGHVAGYyfg He skated his Dark Eyes SP and performed a very nice quad, which is impressive in the dark. He didn't look too satisfied as he popped the 4S (or maybe he was going for the triple all along), made a mistake on the 3A landing (but kudos to him for trying in the poor light), one of his spins kinda travelled and he couldn't catch up on the music in the second half. But the commentators sounded happy. Right, Rainbow? :)
 
Komichi-san's latest blog has a few JO and CaoI reports by her readers. https://ameblo.jp/kmn-psn/

From Reader A:
"Sota-kun's costume was really glittering and shining bright with stage lighting. Is the color close to chartreuse green? In reference to China, it is like jade, and looks like fresh green too. When he came out, he had the blue team jacket zipped up to the top. He flashed a bit of his costume once. Ah! I thought I could catch a glimpse of his costume. (I bet he did it on purpose)

During the 6-min. warmup, he might have jumped a combination from 4T and 3-jump combo. ... He glided past me so fast as usual. I wanted to see his costume longer [laughter].
The 3A in the latter half of his performance was big and beautiful. It wowed the audience. The step sequence in the second half was captivating. Okajima sensei gave advice to Sota-kun.

At Kiss and Cry, Sota-kun was on the same team as Sato-kun, and the teammates were cozy and friendly to each other (Sota liven up the atmosphere), and he looked relaxed. As expected, he gulped his drink out of bottle (the blue bottle shown at the time of pushups) He chatted with Yuhana-chan and Wakaba-chan. The K&C was far away, so I used opera glasses ... My heart skipped a beat when he looked in my direction. He looked cool when he did laps around the rinks after the awards ceremony, and my heart was pounding again (so close by)

When he skated alongside Lucas and Fey (Ryuju), Sota-kun was the thinnest. Lucas looked well-built. I was surprised that Sota-kun looked skinnier than Fey."
 
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From Reader B:
"He made an appearance in “You’re Beautiful” costume and jumped 4T but fell.
Sota-kun performed in Dark Eyes costume just before the last performer Wakaba-chan. It is blueish-purple and looked more purple in hue than you see in the photo, isn’t it? The embroidered part was beautiful. His encore performance was the second half of the Dragon ("tan tan tan tan taaaan," sorry I cannot put it into words well) in Dark Eyes costume. Again, in front of me he showed a look on his face which was so sexy or intense that I cannot get it out of my head. I feel helpless.

And for the finale he appeared in ANTHEM. I noticed he could still wear it, and his limbs are long and beautiful. His spin rotated until the end. And following Akko-chan he did several laps around the rink. I waved my hands. I'm happy I was able to see him in 4 different costumes in one day.

Hiroaki-kun attempted a 4T, Fey-kun’s program (SP) was good, and Yuhana-chan nailed 3Lz3T. Lucas-kun's 3A was big, and there are many more, but everyone was good. Chukyo students were good. Sorry for my lengthy report."
 
he couldn't catch up on the music in the second half. But the commentators sounded happy. Right, Rainbow?
It's not that Sota dragged behind the music. The audio was out of sync as someone commented on this YT video. I could tell the audio timing was off, because the commentator Yaginuma and the announcer made comments on jumps such as success or failure before he landed the jumps. I adjusted the audio sync issue by delaying the audio by 1.5 seconds. https://drive.google.com/file/d/1oFb0uCTh6-vzWvzKODvDWhzEG2FYRaWZ/view?usp=sharing
I'm not sure 1.5 seconds is the right value as I don't have the perfectly synced original video, but I arrived at this value after trial and error. Yaginuma praised Sota's opening 4T for its height, distance and flows after the jump. In the middle the announcer quoted choreographer Kenji Miyamoto who said Sota could glide effortlessly and became more expressive. After his performance Yaginuma said his opening quad was beautiful and he always had presence on ice and his choreographic moves became more impactful with his body movements including fingertips.
 
Right, I consider myself a super fan of Sota, but I feel the JO report ladies are one whole level above me in this fandom :drama: I freely admit I have never recognized Sota's bottle as one he used to have earlier, actually I have forgotten he had a bottle in his pushup video, and I'd probably never put Sota and 'sexy look' in one sentence :biggrin: I guess I'm the odd one out! :P Anyways, so nice to read Sota was so warmly supported at JO and the gala.
Why wasn't Onishi there, is it because it overlapped with Kinki?
Thank you for fixing the gala music, Rainbow, and my apologies to Sota who wasn't behind the music after all :)
I agree with Mr Yaginuma, Sota on the ice certainly commands people's attention, and I just love his smooth elegant glide.
I have just realized Sota still holds the highest combined regionals score after Kagiyama, doesn't he? Partly due to his own performance, partly due to luck. Who could challenge him yet in the last two regionals? Miura and Koshiro? (sorry if Miura has already skated, I don't recall now)
 
Why wasn't Onishi there, is it because it overlapped with Kinki?
Thank you for fixing the gala music, Rainbow, and my apologies to Sota who wasn't behind the music after all :)
I agree with Mr Yaginuma, Sota on the ice certainly commands people's attention, and I just love his smooth elegant glide.
I have just realized Sota still holds the highest combined regionals score after Kagiyama, doesn't he? Partly due to his own performance, partly due to luck. Who could challenge him yet in the last two regionals? Miura and Koshiro? (sorry if Miura has already skated, I don't recall now)
Yes, Onishi was tied up with Kinki regionals. Ah, Yaginuma is a lady who is a former figure skater turned commentator.
Right - Junko Yaginuma, left - Oomura announcer
Sota scored 220.12 overall at Chubu, but I wouldn't be concerned about skaters' scores very much at the regionals level, as judges scoring varies with regionals, and many skaters are not yet in good form. Kao scored 197.34 at Kanto regionals. He is still a 15-year old junior. Koshiro is on Tokyo regionals (Oct. 8-11) entry list.
 
^ I have actually calmed down somewhat seeing that many other skaters also struggle. So it's not just Sota. Okay, shutting up now about consistency and hoping Onishi will have worked his magic by West Japan. :pray:
Eh, I actually thought the other commentator was Shizuka, lol ^ ^
Ah, thanks for finding the info about the other boys!

And I have to share this tweet, it's so nice and moving someone is celebrating Sota and Mai like this: https://twitter.com/QuadrupleAxels/status/1312721785763160065
:cry::love:
 
Sota's photo with Picachu: https://imgur.com/Es0uj6g

JO group photo: https://www.nikkansports.com/sports/photonews/photonews_nsInc_202010020000173-1.html

Online interview with JO participants: https://www.sponichi.co.jp/sports/news/2020/10/03/kiji/20201003s00079000347000c.html
Translation of Sota part:
--The event is over. What are your thoughts about it?
S: It was great that I was able to perform before live audience. Before skating I wanted to lead the team, but I made some mistakes and I was helped by other team members.
--How did you like skating at the Super Arena?
S: From beginning to end I enjoyed skating here. This is the biggest arena, and I gained a lot from this experience.
--What did you learn from jumping quads this time?
S: I tried the layout of 3 quads, and although I couldn’t land them clean, I think I am beginning to get it. If I can speed up and land them, I hope I will be able to step up a lot.
 
I need the hairpulling icon from the old forum to get over Sota insisting on doing 3 quads in the free... I mean, of course I want him to be competitive with the very top as he yearns to, but at the same time I don't want him to overburden his ankles (and kness... and hips...), and he very much needs to skate clean.

Anyhow, I think I am softening to Sota's Dragon. An article about Bruce Lee popped up at me today on Yahoo, and I clicked it open eventhough I am not interested in action movies at all. I want to learn more about the background for Sota's program. But so far, I have learned that Mr. Lee was wearing a 60's hairstyle with bangs, and had thick eyebrows. ... Well, Sota? I am waiting, I want to see an authentic look :biggrin: Joking aside, I think Sota's old hairstyle with bangs was the one that complimented him the most, and I'd like it if he stopped plucking his eyebrows and parting his hair.
I wonder if Lee had the lotus flowers on his clothes in the movie? I can't see where Sota took inspiration from, but I am still no fan of the flowers being 3D instead of just printed on his costume.
 
Interview with Sota before JO by “4Years,” a college sports news website: (posted on Oct. 2)
“I want to break out of my shell.” Sota Yamamoto of Chukyo University takes a leave of absence from school to focus on figure skating.

There is a skater who attracts people's attention just by stroking lightly at the rink. It is Sota Yamamoto of Chukyo University. His effortless and speedy skating was appealing, and he produced brilliant results such as the 3rd place at the 2015 the World Junior Championships. Later he came back in competition after serious injuries and has been competing among the top skaters in the senior field. A few days ago he won the Chubu regionals and will participate in the Japan Open at Saitama Super Arena. We have asked him how he has been doing in the early season.

Taking a Leave of Absence to Pursue Skating
**Skipping his past skating history and college life**

He is in the third year in college and is on a leave of absence from college and aiming at the Olympics.
“Since a competitive figure skater’s career is short, I decided to take 2 years off from school to pursue figure skating only,” he commented. He returned to his parents’ house and has been training in Osaka at Rinkai Sports Center and Kanku Ice Arena. He is coached by Onishi who used to be his coach when he was a kid. Half a week he also trains at Chukyo University Ice Arena in Aichi prefecture.

Keeping Daily Routine of Jogging During Self-Isolation

In April right after he took time off from college, all rinks closed caused by the coronavirus. During the time he could not practice on ice, besides his daily routine of jogging, he did exercises daily following the online video instructions streamed by ISU and Japan Skating Federation. He did jump rope as well. He jogs for 20 minutes, and when he gets tired towards the end he imagines himself performing in the second half.

After the on ice practice resumed, he started working on the new program. This season’s SP is “Dark Eyes,” and FS is “Dragon: The Bruce Lee Story” which he skated to when he was a novice. Both were choreographed by Kenji Miyamoto. Yamamoto noted, “One theme of this year is gorgeous skating. I asked that the SP music be edited reflecting the gorgeous theme. Miyamoto sensei told me that since I can also express emotions with fingertips, I should extend my fingers to add more impact. I want to pay attention to the way I move and hold my body and bring excitement to the program in the last step sequence.

Yamamoto chose the free program with a view to keeping it for the next year. He said, “I want the viewers to feel the worldview of the story through my skate. Miyamoto sensei told me that I changed a lot. I myself feel my gradual changes, and I want to continue to practice so that many people will notice my transformation.”

Jumping with the Flow of the Music

Last year he could not jump many times in practice because of the injury of his left instep, but it has fully healed and he has more practice time now. Quad toe loop and quad salchow can add big points, and he plans to bring 2 quads into the SP and 3 quads into the FS.

Asked about the areas where he can improve, he said he was trying to jump with the flow of the program. He noted, “It’s not the same as practicing a solo jump. When I jump with the flow of the music I have to pay attention to other things as well, and I’m painfully aware of the difficulty. I want to improve my jumps so that I can execute quads as smoothly as triples, as a part of a high quality package.” He repeats run-throughs in an effort to reach a higher level of completion.

What He should do to Break into the World Top Level

Yamamoto’s results in recent years are 6th for two years in a row at the NHK Trophy and 7th at the Japanese Nationals. He is trying to get closer to the world's top skaters. Since last season he has been aiming high with a motto of breaking out of his shell. And yet there are times that he feels worried that he has not been practicing well enough to reach a top level. “It is important to take time to ponder and debate what to do, but I’d rather spend my time taking actions. This season I want to test my limits without compromising myself. I feel like I am getting closer, but not quite there yet. I would like to be able to go beyond my limits and to come out of my shell,” he said.

His Tenacity is his Strength
** Skipping his injuries and comeback story**

He now has jump layouts competitive with top skaters and has been bringing up the level of completion of his programs. “My goal has always been the Olympics. Last year I was in a phase of cheering myself up, but now with the Olympics on my mind, I think about what to do every day. There are still things I cannot do yet, but I can feel that my behavior, actions and words have been changing. I am gaining confidence in myself in terms of jumps, expressions, and mental strength,” he stated.

Finally the pre Olympics season is starting. Yamamoto is gifted with skating skills. On top of that, he has a tenacity to overcome difficulties one by one. If he keeps making efforts with such conviction, he is likely to reach the goal. Hoping for his better future, I would like to watch over him.
 
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Some more JO and CaoI reports by Komichi's blog readers:
Reader C:
"I saw no posters of the event when I got off at Saitama New Urban Center station and none at the venue either ...I expected too much? The venue had tight safety measures in place to prevent the spread of the virus, and every other seat was kept vacant, so I didn't worry at all. My seat was in the second row of the premium section, and I could often see the skaters jump in front of me,and it was powerful.

After the skaters were introduced, it seems that Sota-kun tried a 4F. Even though it was in practice time, I wonder if his 4F training was doing so well that he wanted to try it before the competition. Sota-kun's jumps were good in 6-min. warmup. Only one failed, and when he smiled wryly, he gave me the butterflies.

I watched the video later, but his costume was really sparkly at the venue. It looked very good on him. Probably because he was tired after the recent competition, he made some jump mistakes and popped a jump, and his spin and step levels were lower. After his performance was over, he leaned forward and cheered on other skaters very hard. Wakaba-chan jumped 3A in front of me, so people around me let out a shout of excitement (of course me too).

I'm glad that the Blue Team won. Sota-kun looked happy and got prize money too. My seat at CaOI is the front row near the center, and I will send the report soon. I will remember forever that I was able to see Sota-kun in front of me. Sorry for rambling because of lack of sleep."
 
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Reader D:
"My memory of JO was that a beautiful sparkling thing was on the ice .... As soon as he took off his jacket, a glowing object appeared on the link side! It was so sparkly.
He was glaring as if covered with glitter, and I got a kick out of him for perfecting sparkliness.

He was incredibly beautiful on the ice. Sota-kun was thin, so he was more like a glowing white snake than a dragon. He looked muscular in the FOD video of Chubu, but he was still ridiculously slim!

I might add that unfortunately the Youtube video doesn’t show it but he was able to jump 3A1Eu3F in 6-min. warmup! It was so beautiful!

According to my friend’s information, the judge's seat side was closer to the link than usual, narrowing the width. It must have been pretty tough to jump towards the judges.

The temperature inside the venue was so high that Sota-kun was drenched in sweat after the performance. It was so warm there was no need for winter clothes, and just a blouse was fine. It may have been hard for Sota-kun who gets hot quickly.

I think he was frustrated with the result of JO. He was super fired up at CaoI from the opening. He seemed to know he was the main guest. (Maybe he was mad at himself for losing to Lucas-kun at JO)

What’s more, at the opening he suddenly started jump entry into the 4T and jumped toward the short side. I wasn't expecting that! Seeing this, I was convinced that he would do 'Dark Eyes.' In other words, he used the opening act as a substitute for 6-min. warmup, right?

Many people have reported how wonderful 'Dark Eyes' was. His 'Dark Eyes' illuminated by the stage lights was even more dramatic, and the blue vest was even more sparkly and beautiful. He stepped out of 3A, but I was happy he jumped it.

Pure and innocent Sota-kun has blossomed in this direction .... (Good, attaboy) I tell you what, Sota-kun is the type completely different from other Japanese boys. Though he is slender, he is impactful for some reason .... I want him to exude an appeal of a grown up guy more from now on.

Sota-kun at the ending was in an Anthem costume! I was so overwhelmed and happy with his fan service. I saw the Anthem costume at PIW, but the light radiating from inside of him was stronger than that time.

All in all, Sota-kun was giving out a strong light from the beginning to the end. After all, he is a star who shines more when he gets in the limelight. I fully realized that he was a person on a different level from ordinary people. He is so exciting that you should be careful not to be addicted to him. Have a nice day!"
 
Excerpts from an interview with Sota by "Figure Skating 2020 Fan Book" available from these sellers:
Amazon Japan
Amazon USA (Kindle edition available)
Note: Interview seemed to have been done in August.

--How did you like skating for the first time in a while?
S: I was so happy before and during skating. I was not supposed to plunge into skating, but I could not control myself and kept skating [laughter]. I glided so fast that people around me said “Is this really your first time after a while?” [laughter]
--Like a fish in water?
S: Yes [laugher]. I was overjoyed and thrilled even before skating. In normal circumstances in the past practice was so tough that there were times that I was fed up with it and wondered why I went through such a grueling training, but when it became impossible for us to skate, I realized again that skating is what I need and love. Usually I don’t give it a thought, but I want to keep it in the back of my head while I practice.
--Did you find your workouts during self-isolation effective?
S: On the day I restarted skating, I could do the jumps up to triple axel. I got steps and spins fine. During self-isolation I could only do land training, so I was worried how it would go, but when I started gliding, it went well and I could push more than before and glide smoothly. I felt that my workouts were not a waste of time and they actually helped skating. So I would like to continue working out.
--Onishi sensei came to the senior camp for you. When did you start getting coached by him?
S: About 1 to 2 weeks before the senior camp. These days he coaches me at Rinkai for 4 days a week and I train at Chukyo University rink for 3 days over the weekend.
--When you practice at Chukyo University rink, who coaches you?
S: I practice by myself over there, but Onishi sensei gives me detailed instructions by LINE such as practice menu and things to be careful of.
--May I ask you what circumstances led you to be coached by Onishi sensei?
S: To go back to the beginning, when I left Howa last year end, Onishi sensei was worried about me and called me. Later, early next year, I got to practice with a great team of skaters at Hyogo Nishinomiya Ice Arena. But things happened one after another, and I slipped in second-worst depression after my injuries. I tried not to let people around me see how I was feeling, but when I thought about my future from there on, I could not get rid of my anxiety. Then I remembered that Onishi sensei had said to me, “If anything happens, call me,” so I called Onishi sensei and asked him to listen to me.
--That’s how it began.
S: After I talked with Onishi sensei I felt motivated again. I trained at Nishinomiya for about one month, but I decided to ask Onishi sensei to be my coach.
--You used to be coached by Onishi sensei when you were a novice skater, and did it play a big part?
S: I think so. Since I was a little kid he had instructed me which was like chasing me yelling “Hey!” [laughter] I am not the type of person who takes action, so I need strict guidance. But because I had been through serious injuries, I rarely had been coached in a strict manner for a few years in the past. After understanding these circumstances, Onishi sensei pushed my back saying “You can do better!” He does not let me settle for less than I can. For example, when I skip one jump in run-through, he says to me “You will lose points!” and “Do at least a triple jump!” [laughter] He always gives me his instructions in clear words, so I feel that my practice has been fulfilling and going well each time. When it comes to my mindset, finally I’ve come to focus on skating without worrying about anything.

.... to be continued
 
Thank you so much! What a delightful read this is. As more often than not, my instinct was correct and Sota himself admits he needs strictness. I had a feeling he might be difficult to manage, though he seems to be always polite to his coaches. But stubborn as well ^ ^
I had no idea how deep Sota's depression was when Hayashi was arrested and the covid outbreak happened. Poor boy, he must have felt like the stars aligned against him. I'm happy that his distress is over and he is content now. The mental image of Onishi chasing after little racsal Sota makes me smile.

Radio silence as usual re. anything spoken in the Sota/Yuhana talkshow, I suppose? :wink:

I see I didn't comment on the Yahoo article. I am glad to hear the reporter praises Sota for his smooth skating. It's deserved. And he really did his homework on more arm/hand movement and expression. The smile in Dark Eyes still looks a bit bashful, but he'll get better with practice; same goes for arms hanging loosely when he's heavily focusing on quad/3A takeoffs.

I am not sure how I feel about Dragon being an Olympic program though. It could be impactful and appreciated in China, but I still don't like the dulled music part after the opening. It does nothing for me so far, and to be honest I am a bit bored by it because it feels so long and nothing much is happening. Only skaters with extremely strong presence and expression can sell such extended introspection, and there lies my doubt. Maybe Sota will fill that part in later on. But for now, I am not yet convinced.
 
Radio silence as usual re. anything spoken in the Sota/Yuhana talkshow, I suppose?
There was no screen capture time, so no photos by viewers are available. I suppose snippets of the talkshow will appear on the net sooner or later.

An article on Sota by "Number Web" posted on Oct. 3: https://number.bunshun.jp/articles/-/845282
It is basically the same old story, but there is one part in which Sota revealed his emotional state at one time after injuries.

“For the first time in my life my heart broke off. I didn’t even feel frustrated. When I watched figure skaters compete, they seemed so far removed from me that I watched competitions feeling like cheering them on just as one of the fans.”
 
Part 2

--Since he gives importance to skating skills, I hope he has a positive effect on you.
S: He gives me compulsory figures drills and skating skills lessons, which I suppose has helped me jump bigger and with a flow these days. I feel that my jump quality is better than before. Onishi sensei especially values a flow after landing a jump, so he calls me out on it almost every day [laughter]. I repeat the same thing over and over, but I feel challenged and motivated [laughter].
--How are the success rates of quad toe loop and quad salchow these days?
S: Last year I injured my left foot a little, so my toe loop was worse than the salchow. But I am naturally better at the toe loop, and now the quad toe loop has a better success rate. The salchow is not stable yet, and I am trying to adjust the angle of jump setup.
--How is your quad flip training going?
S: After the sell-isolation period was over, I haven’t had enough time to work on it. I am still trying to figure out which way to stroke to set up the jump and the best way to complete the jump. But I’d rather build my strongpoint first at the moment.
--What is your weapon?
S: I don’t think I can call my jump a weapon until I become able to consistently land it in competition whether it’s the quad toe loop or quad salchow. That’s why I need to work hard so that I can think of the jump as my strength. I might add that (after the first jump in a 3-jump combination) the Euler - triple flip has become very stable, and I am planning to add it in my free program.
--What type of jump is the first one before the Euler - flip?
S: Triple axel.
--Last season your first jump (in combination) was the triple lutz or triple flip or triple loop. Also, you jumped the triple salchow after Euler, so you raised the base value this season which should give you a competitive edge.
S: If I can pull it off it will be my strength. I am not good at triple axel yet, but I think I will make fewer mistakes if I set my mind to connect it to Euler - flip. Keeping that in mind, I am working on it.
--Your jump layout this year is a little different.
S: That’s right. About quads, one salchow and one toe loop will be in the short program. One salchow and two toe loops will be in the free.

…to be continued
 
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