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you haven't even seen the FP and you already know it's not her strong suit?Kostornaia's SP is a dud. It's a poor vehicle for her skating style. The cuts are terrible and frankly she lacks the interpretation and projection for this type of emotional/dramatic programs. Her 2 previous SP's were homeruns especially that Adios Nonino that catapulted her to elite status. I feel she does best in contemporary/modern classical music unlike Anna who is more old school classical. This year both of her programs are not her strong suit. That's just not good planning.
Regarding the step-out, while I dislike positive GOE for an obvious mistake and don't think Kostornaia should have been given the GOE she got; playing a bit of devil's advocate: Kostornaia covered up her step-out and it didn't seem as disruptive to her program vs. Trusova's.
Based on the clips that have been released of her free, I'd say it's a contemporary/modern style. It suits her. I'd also say her interpretation of the short is good, but people have different opinions, I guess...Kostornaia's SP is a dud. It's a poor vehicle for her skating style. The cuts are terrible and frankly she lacks the interpretation and projection for this type of emotional/dramatic programs. Her 2 previous SP's were homeruns especially that Adios Nonino that catapulted her to elite status. I feel she does best in contemporary/modern classical music unlike Anna who is more old school classical. This year both of her programs are not her strong suit. That's just not good planning.
I think its meant to judge the element as a whole so deffenitely both jumps. But in the criterias a step out gives -3 to -4 So for her to end up on +2 she would need to hit all of the positive bulletsCombo GOE reflects both jumps or only the 1st one?
We mustn't forget that the judges was all over the place with that combo. From -1 to +2.I think its meant to judge the element as a whole so deffenitely both jumps. But in the criterias a step out gives -3 to -4 So for her to end up on +2 she would need to hit all of the positive bullets
- Good height and length (she probably gets this one)
-Good takeoff and landing (a step out automatically fail this one)
-Effortless throughout (Allso and automatic fail for a step out)
- Transitions in and/or out of the jump (I think its fine to give her this despite the exit ones being a bit jumbled due to the step out)
- Good body position from takeoff to landing (This one is difficult. i probably wouldnt give her this due to the lean on the 3T but the 3F deffenetly gets it)
-Elements match the music (This i think she hits this verry well)
So overall I gave her 3 or maybe 4 bullets and then we need to detrac 3 or 4 so ending up on a 0 is to me most resonable. I think you can argue for anything from +1 to -2. But in general one would expect negative GOE on any jump element where there was no landing since the penalty is so severe.
I might be old or old-fashioned, but I just don’t get Billie Eilish musicKostornaia's SP is a dud. It's a poor vehicle for her skating style. The cuts are terrible and frankly she lacks the interpretation and projection for this type of emotional/dramatic programs. Her 2 previous SP's were homeruns especially that Adios Nonino that catapulted her to elite status. I feel she does best in contemporary/modern classical music unlike Anna who is more old school classical. This year both of her programs are not her strong suit. That's just not good planning.
even with Aliona skating to it, and that says a lot! I don’t think anyone can pull it off better, aside from Anna, so this makes me think Billie’s music isn’t a very good skating music.Am I missing something here? People expect her usual PCS with a stepout, a wonky spin, and no 3A?!
The stepout was obvious as was the lean on the 3T and scratchy/shaky edge landing. The positive GOE (esp +2s) was an absolute joke. She also had an issue with her Biellmann. So overall the program didn’t have the impression of a clean program by any means.
I think there is an expectation of a 3A and dumbing down her difficulty might have played against her. After all it is an easier program with a 2A instead of a triple axel. And part of the reason she scored such high PCS at Russian Nats and Euros was because of said 3A.
At the end of the program she clearly looked upset with herself and that also leaves an impression on the judges. I get skaters are human but shaking your head and whatnot doesn’t exactly convince a judge to give you top marks. As they say - sell it from the moment you get on the ice till the moment you get off of it.
I agree with you whole heartedly. I dont like this music and therefore expected to dislike the program but I dont. There where certenly some areas where the choreoraphy could be improved but overall I think it interpreted the music well and shows of Alionas range of movement from the soft and elegant to the more edgy in the end.I really don't understand the outrage with Alena's preference of pop music over classical/lyrical. It's what she likes, why should she skate to something else? How could it possibly be a mismatch if it's her choice and what she enjoys. Everyone has their preferences and when you're training 8 hours a day, you should be enjoying it. It's also clear that she's way more into this program (and Twilight) than any of the classical/lyrical programs she's had before.
The only thing I will say is that many of the movements are similar enough that the program looks like another version of Twilight, but they're from 2 different choreographers so I'd bet that Alena likes that style of choreography. Like it or hate it, but she's not taking requests from the public and she shouldn't have to. The judges clearly like it too.
I agree.Billie’s music isn’t a very good skating music.
honestly it's speculation and looking at past years won't help as there was simply no competition for TT so there was no need to push somebody.You think she deserved higher PCS even with the mistakes?
So, I guess the so called "Eteri bonus" is just a myth.
I expected harsh critics, but not a "political" responseSkating skills are judged, like every other judged element, in a moment of the skating performance. Judges are not judging your inherent skating ability, only what you are able to show in one skating programme. The last ISU seminar about Skating Skills is starting with the quote 'all skaters have some worse and some better days', which means that Skating Skills as a score, like everything else skaters are judged on, can fluctuate from the competition to the competition. Otherwise, there is no point of competitions to exist.
