- Joined
- Sep 13, 2020
"The Girl on the Ball" was unique. It was a successful attempt of the choreographer to embody a painting on the ice by means of movements on the background of a matching musical piece. Visual effects were the highlight, and they were perfectly implemented by Kamila. Maybe the success of this unusual attempt made Gleichengauz repeat this approach in "Bolero". He stresses the visual component again, choosing a snake's movements to be depicted on the ice. The music itself is not the main thing, it is a background again.Agreed, her movements look disconnected to the music and artificial, what is a shame if you recall her choreography classes with Zheleznyakov, where she beautifully interpreted the music. "Girl On The Ball" was much better as well, there was less moving and ornaments, so the program had time to 'breathe' and sink in the viewers minds.
But there are some aspects that make "Bolero" less successful for me: 1) the part from Velasquez's soundtrack chosen for Kamila's fabulous SP is matching, it can be interpreted in the way the choreographer did, although the context of the soundtrack is very different, it is tragic death and funeral music. But it doesn't prevent the spectator from understanding the chosen part in a different mood; while Ravel's music is so well known and interpreted so many times in ballet and figure skating that the interpretation suggested might be questionable for the spectator.
2) "The girl on the Ball" is a picture and a story simultaneously. Kamila understands the story and tells it. This "Bolero" is a dynamic picture and not a story. Kamila understands the meaning of the movements, but she can't tell a story. That is why it seems to me, and not only me, that the movements seem sometimes artificial and don't always match the music.
3) As a personal impression, I would probably appreciate this kind of "Bolero" more if it was a short programme, a picture, a sketch, as a long programme it lacks a plot and development.
This is what i said literally: I think that may be 'too avantgarde' for some people who prefer more soft 'old school movements'