A little more time is what she has. I think she will hit her 3A but if she doesn't I still want to see her skate just the same because Aliona is such a beautiful skater. I feel the same way about Anya. If she never gets her quad's back I still want to see her skate and think she can score 220 or more points with her ultra jumps and it's the same with AK. I'm just frustrated for Aliona because she's not on point with her triple axel at this time and it's frustrating the hell out of her. The good news and she is close. She just needs a breakthrough. That could come at her next event.
I, like you, don't care much if Aliona or Anna won't jump quads or trixel.
Ultra C for them are a wow moment but do not define their skating: they have so much more to give than rotations.
I care for Sasha, 'cause defying gravity is her identity as a skater and as a brave young woman, even tough she seems finally finding her way to communicate on the ice and I love it.
Problem is the score system asks for it and they are competing not just performing.
Carolina struggled even in a sport where 3+3 was the max jump, but she was so beautiful to see.
The dearest memory I had of Fernandez is his ex after his last international competion: it was one of the most moving peace of skating I ever saw.
We will surely watch beautiful skaters with low TES for years, but will it be enough for them to be admired with no chances if not for an occasional podium and even deprived for a chance to perform at the most important events?
Will it be enough to justify the amount of sacrifice the life of a top skaters requires when there is not even good money in the sport?
I hope one day we will have a rich international calendar in which the top 50 skaters in the world can perform often and make a good living out of it.
That way we could have skater staying around instead of moving to TV and exibithion like Alina who's been a tremendous loss for the whole skating movement. The Seoul gold would always be the peak of her career but her best performances on the ice where yet to come.