Some things I noticed from Hiroshima show...
With Yuzu, he usually wants to convey every notes possible with his moves. He has a very high musical sensibility, but sometimes it came off as too much. Is it good, or is it bad? It depends, I guess, because there is some movements I wish he keep for his Gate of Living performance.
He made some adjustments already for Echoes. The timing for the waving hands during Utai is different, he seems to ditch the costume grabbing for some parts, there is more finesse for Mass Destruction, also the whole classical medley section is more... flowy, I guess? I feel he is getting more flexible, and the way he uses his hands and fingers...
I am very thankful for TV Asahi's camera crews for always studying the programs and using it to adjust their cameraworks.
With Yuzu, he usually wants to convey every notes possible with his moves. He has a very high musical sensibility, but sometimes it came off as too much. Is it good, or is it bad? It depends, I guess, because there is some movements I wish he keep for his Gate of Living performance.
He made some adjustments already for Echoes. The timing for the waving hands during Utai is different, he seems to ditch the costume grabbing for some parts, there is more finesse for Mass Destruction, also the whole classical medley section is more... flowy, I guess? I feel he is getting more flexible, and the way he uses his hands and fingers...

I am very thankful for TV Asahi's camera crews for always studying the programs and using it to adjust their cameraworks.

Get well soon, Tally!I bought the live and archive together!I should be fine in a day or two.
I should be fine in a day or two.

