2026 Olympic Season | Music Suggestions | Page 4 | Golden Skate

2026 Olympic Season | Music Suggestions

Hi everyone!

As we know, less than a year from now it will start the much awaited Olympic competitions. The 2024-2025 is going to come to an end, and the following period will be marked by a constant research from coaches, choreographers and skaters as well, of the perfect music to build refined and detailed program with, a music able to express skaters' own skills and artistic quality at their best for the Olympic competitions. In a few words, they will try to build the perfect "Olympic program".

I thought that maybe we can post here our personal suggestions, and we may add music in our post whenever we want keeping them always updated if we may find other music! Let's suggest music for all disciplines creating a music source for every skater and coach! What do you think?

What music would you skate to for the 2026 Olympics? What music would you choose to perform your Olympic programs? Let's talk about it here, proposing a lot of music! I hope you will enjoy it and that maybe it will be useful too!:)

Although relatively unknown. many great figure skaters have used music created by USA pianist/composer Jennifer Thomas. including at major ISU events and the Olympic Games. IMO as an independent she deserves far more recognition in the music world.
This is one of her works performed by the delightful Rika Kihara.
 
Last edited:
I just remembered another idea I had recently. Since we've heard a lot of ill-advised riffs/remixes on Moonlight Sonata etc, I suggest skaters check out Jon Batiste's album "Beethoven Blues" which is in a whole other league from stuff like "random vocals/electric violin randomly added in."
 
I want this one for exhibition https://www.youtube.com/watch?v=JRZfsD29Jlk
(truly deeply sorry, I can't hear music very well)
Looks like a broken link to me.
This link seems fine though, at least for now:


ETA: The full album (it consists of 4 songs) also includes metal versions of I. Don Quixote, The Impossible Dream, and My Way. What is it with this Sir and skating program warhorses? :scratch2:
 
Last edited:
My ideas:

Ilia skating to “The Light Behind Your Eyes” by My Chemical Romance covered by Gregory Crimson for a FP.

Isabeau Levito skating to “On Your Side” by Wet for a FP.

I would love for a pairs team to skate to “I Want Something Just Like This” by the Chainsmokers ft. Coldplay.
 
... still waiting for someone to skate to Stan Getz' "Apasionado". An extremely varied and dynamic composition.
Different passages that blend over suberbly, some slow, some fast and dynamic, some explosive and energetic, same calm and meloncholic. Passionate.

 
Or how about "Goblin" from Opeth:

Very energetic, fast and explosive; I can already see in front of my inner eye where to do the triples and quads .
 
"Take off" [the name is the programme ...] from Barbara Dennerlein:

Super cool Jazz
 
"Yellow dream" (passport):
Spheric, futuristic, sophisticated groove, some hardrock type guitar interludes
 
"Blue Sky" (Passport): synth heavy, driving beat, raising cadences (don't know how to better describe this ... no native English speaker ... ).
Nothing to fall asleep to when skating! ;-)
 
... still waiting for someone to skate to Stan Getz' "Apasionado". An extremely varied and dynamic composition.
Different passages that blend over suberbly, some slow, some fast and dynamic, some explosive and energetic, same calm and meloncholic. Passionate.

Wonderful.

Getz died the next year. :(
 
Last edited:
Pines of Rome by Respighi (there are a lot of good parts... this is just one excerpt)

Might not be tuneful enough for Olympic audiences, but it brings back a fond memory for me. One time the Detroit Symphony put on an outdoor concert, featuring this music. A little bird was perched in a nearby tree and started singing along with the orchestra. He out-sang the entire 100-piece ensemble. :)
 
Last edited:
Might not be tuneful enough for Olympic audiences, but it brings back a fond memory tforme. One time the Detroit Symphony put on an outdoor concert, featuring this music. A little bird was perched in a nearby tree and started singing along with the orchestra. He out-sang the entire 100-piece ensemble. :)
If they presented it outdoors, it is because it is suitable for the big crowds
 
I would tell skaters one thing - choose what you like but not a snooze please!
I have been re-watching the Worlds last few days because I did not have time to watch early groups before. And last night by the time the second group of women SP was finishing I was literally BEGGING for Carmen, POTO, Chicago or any warhorse (all the mentioned I hate normally) which would bring a bit of life. A program after program was skated to a one-level, nondescript pop with no tempo change, no rise or fall, nothing. I just can't help wondering why the skaters go for such a music? Do they think it would help them focus on the elements? Judging by what I'd seen so far - it does NOT. It brings them no PCS favours from the judges nor clapping from the crowd...So why?! How a judge can decide on music interpretation - if there is literally nothing to interpret, no musical accent to hit? Well, they must have their reasons I guess...
 
I would tell skaters one thing - choose what you like but not a snooze please!
I have been re-watching the Worlds last few days because I did not have time to watch early groups before. And last night by the time the second group of women SP was finishing I was literally BEGGING for Carmen, POTO, Chicago or any warhorse (all the mentioned I hate normally) which would bring a bit of life. A program after program was skated to a one-level, nondescript pop with no tempo change, no rise or fall, nothing. I just can't help wondering why the skaters go for such a music? Do they think it would help them focus on the elements? Judging by what I'd seen so far - it does NOT. It brings them no PCS favours from the judges nor clapping from the crowd...So why?! How a judge can decide on music interpretation - if there is literally nothing to interpret, no musical accent to hit? Well, they must have their reasons I guess...

... This is something I am also often wondering about.
When watching Olympic skaters they really manage the most technically advanced things.

However their choreo (at least in my eyes) often does not seem to be in sync with the music they skate to. It often seems to me they are "just" reeling off their program (which is admittedly difficult enough ...) and the music is just there as a "backdrop".

I am myself still quite a beginners skater but when I sit in my car commuting to work, listning to some favourite music I immediately see in front of my inner eye which kind of moves, jumps etc I would do that are beat-wise and otherwise in sync with the song (and its tempo changes, rises, falls, drum or other solos,...) I happen to listen to. However I am unfortunately completely lacking the technical skills to put my "imagined choreo" into practice. So I wonder why skaters that DO possess the technical skills are not more in sync with their music or even choose music which does not lend itself as accompaniment to their superb skating.
 
Last edited:
I would tell skaters one thing - choose what you like but not a snooze please!
I have been re-watching the Worlds last few days because I did not have time to watch early groups before. And last night by the time the second group of women SP was finishing I was literally BEGGING for Carmen, POTO, Chicago or any warhorse (all the mentioned I hate normally) which would bring a bit of life. A program after program was skated to a one-level, nondescript pop with no tempo change, no rise or fall, nothing. I just can't help wondering why the skaters go for such a music? Do they think it would help them focus on the elements? Judging by what I'd seen so far - it does NOT. It brings them no PCS favours from the judges nor clapping from the crowd...So why?! How a judge can decide on music interpretation - if there is literally nothing to interpret, no musical accent to hit? Well, they must have their reasons I guess...
Do they still call it "elevator music"? :bed: (As in, meaningless background music no one really listens to, it's just there to avoid silence.)
 
Back
Top