That's what frustrates me the most. She has great jumping technique, but Mishin (probably not just him) never bother developing the rest of her arsenal. What is with that LAZY choreography? I'm not even talking about those silly blow-kisses... I'm actually fine with those if there's anything else choreographically in the program. All her choreography moves are between elbow and fingernail, with an occasional head tilt.
Whoever said she's like a female Plushenko is spot on. I'm not sure if that's just a by-product of being a student of Mishin. Can't even call him a bad coach, since his 31yo student can land quads with a bad back. But seems like he's all about jumps 90%, and everything else gets 10% of attention and training time. Liza's sit spin isn't as low as it could be, and her Biellmann is very slow. Just like Plush's.
Years ago, I remember watching a fluff piece about the all the extra off-ice training skaters do. Can't remember exactly who the fluff piece is on, probably Sasha Cohen & Naomi Nari Nam. Or maybe it was on Berezhnaya & Sikharulidze. Either way. The piece shows skaters get ballet training, not because they wanted to be change professions, but it's for them to learn/practice lines, carriage, posture etc. Not just arms and feet, but back and even neck too!
If only Liza has someone to work with her on these "other" stuff, give her great choreography to pair with her crazy good jumps... she would stomp the field left, right, and center!