I think she said in an interview that she was taking it a season at a time? Of course, this was a while ago, and her goals may have changed since.
I really don't see her leaving Mishin.
https://www.instagram.com/p/BmGeD9TFVPX/
"I'm so grateful to fate, because it gifted to me Alexei Nikolayevich. My victories and titles are his talent as teacher and coach. He've helped to me battle through everything: tears, desperation, pain, fear, but he always gives me the motivation, inspiration and courage. Everytime when I'm step on ice, I'm smiling, because I know - he believes in me. "
Perhaps she could work with someone during the summer on the areas in which she is weak, here she speaks about her work with Shae-Lynn:
https://fs-gossips.com/elizaveta-tu...kating-its-like-changing-your-whole-wardrobe/
Was this step forward in your choreographic development hard?
– Not easy, let’s say so. Switching from comfortable movements and steps to something completely new and unusual is always difficult. Especially when you have to combine new choreography with complex technical elements, without showing that somewhere it’s uncomfortable or hard for you. Although in general, everything wasn’t so scary. It just took a while.
In the speech of any person there are so-called parasite words. Are there any “parasite” moves in figure skating that have been memorized for years on a subconscious level which a skater can’t get rid of?
– I think yes. I can’t say that some of my motor habits greatly interfered with my work with Shae-Lynn, but from the very beginning I gave myself a task to work exactly as the choreographer tells me, not to allow myself any initiative in the movements. This constant control turned out to be one of the most difficult moments for me. I dis steps, transitions as Shae-Lynn sees them, not allowing either to put the second leg, or to relax my hands. Bourne clearly explains what she wants to see and the work lasts until the result begins to closely correspond to the plan. For the sake of this choreography, I flew to Shae-Lynn in Charleston, and in five days we did the program. Now we continue to skate it, trying keep the original choreo.
Do you need the choreographer to be able to adjust his choreo throughout the season?
– One or another choreographer is always with me, we have our own choreographer Tatiana Nikolaevna Prokofieva who is constantly polishing the program and refreshing it. And Shae-Lynn herself only welcomes when I contact her on Facetime and show how I skate.
Retraining choreographic skills can be compared to how you retrain some technical points?
– I haven’t been doing any retraining of technique for so long that I can hardly answer you this question.
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I also found it encouraging when someone upthread noted that in the Cup of St Petersburg free skate kiss & cry, when Mishin said they should shorten the step sequence, Liza replied that they should not. Liza certainly has her weak areas, but it is not fair to say that she has done "nothing" or "zero" to improve herself. Perhaps what she has done has not been "enough", but that is not the same as "nothing" or "zero".