Cain-Gribble and LeDuc’s competitive routines build on their strengths: long, well-matched lines, strong individual skating skills and the ability to gracefully execute difficult footwork. They call their free skate, choreographed by Pasquale Camerlengo to the “W.E.” soundtrack, their “Two Pillars of Equality” program, and perform it clad in matching grey unitards.
“We really want to focus on having that equality of skating skills on the ice,” Cain-Gribble said.
“There is nothing inherently wrong with doing a romantic program. … We just want to make space for other stories to be told,” LeDuc said. “Sometimes not relying so much on the standard portrayal of gender roles, in the way women are often portrayed as more fragile, or the men always portrayed to be masculine and strong.”