Archive of newspaper articles | Page 26 | Golden Skate

Archive of newspaper articles

1985
On the Ice — "Stars"

(the article published in russian 'Sovetskiy Sport' on March 26, 1985)

BEIJING. (TASS). Exhibition performances by the world's strongest figure skaters—participants of the recent World Championships in Japan—have taken place in the capital of the People's Republic of China.
Taking part in the two-day performances were 22 figure skaters from the Soviet Union, Canada, Czechoslovakia, the GDR (East Germany), the USA, and the FRG (West Germany). Among them were 1985 world figure skating champions Katarina Witt (GDR), Aleksandr Fadeev, Elena Valova and Oleg Vasiliev, and Natalia Bestemianova and Andrei Bukin (all from the USSR).
For the first time in the history of sports in the PRC, Chinese sports fans had the opportunity to become acquainted with the mastery of the world's best figure skaters, whose performance turned into a grand sports holiday.
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1985
1st All-Union Winter Youth Sports Games
Opinion

Learn to Command Yourself

(the article published in russian 'Sovetskiy Sport' on March 29, 1985)

Marina Sanaya's workday at the figure skaters' tournament is incredibly packed. She is the chief referee of the girls' competition, which means she must attend all morning practices and handle refereeing in the evening. During the day, there is serious analytical work studying protocol data. Additionally, as an All-Union category referee, M. Sanaya, together with senior and experienced referees T. Danilenko and A. Zivert, is tasked with conducting an All-Union seminar for judges.
It is worth noting that 13 years ago, Marina competed in the Sapporo Olympic figure skating tournament. Then came studies at GTSOLIFK [State Central Institute of Physical Culture], graduate school, and the successful defense of her dissertation. Her topic, naturally, relates to figure skating and addresses the psychological problems of athletes competing in singles skating.
"An excellent replenishment for the national team is growing," M. Sanaya, the candidate of pedagogical sciences shares her impressions after the girls' short program performance. The trainers managed relying on the technical equipment of the female athletes, to prepare them psychologically to master the most difficult elements. Today, many of them master three, four and some even five types of triple jumps. This is primarily E. Taranenko, E. Denisenko, N. Skrabnevskaya, and N. Gorbenko. Now it is important to achieve stability in performances and master the ability to psychologically tune oneself for a long, grueling battle. For children, and many participants are exactly at that age, it is difficult to cope with the pressure of nervous tension.
Unfortunately, an athlete who has achieved success in performing 'ultra-c' elements often makes many annoying small mistakes. We, the psychologists, see the reason for this in the lack of self-control skills. In short, learn to command yourself!"​
M. Vinnitsky
CHELYABINSK.
1st All-Union Winter Youth Sports Games
CHELYABINSK, March 27. Figure Skating.
Ice Dance. Masters of Sport. 1. E. Tonkonog – K. Kaplan (Ukraine) — 2.0; 2. Zh. Butorina – V. Sergeev (Gorky region) — 4.0; 3. O. Sharenda – O. Tsedrik (Belarus) — 6.0. Candidates for Master of Sport. 1. S. Serkeli – A. Zharkov (Leningrad) — 2.0; 2. I. Melnichenko – A. Kislitsyn (Ukraine) — 4.0; 3. O. Grishuk – A. Chichkov (Moscow) — 6.0.
Men's Singles. Masters of Sport. 1. Vik. Petrenko (Ukraine) — 2.0; 2. V. Baryshevtsev (both - Ukraine) — 6.0; 3. A. Torosyan (Georgia) — 7.4. Candidates for Master of Sport. 1. Vl. Petrenko — 2.0; 2. Yu. Tsymbalyuk (both - Ukraine) — 4.0; 3. V. Chernousov (Moscow) — 6.0.
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1985
UNDER THE FLAG OF THE NATIONAL TEAM


Alexander FADEEV:
"IN NOTHING DID I MAKE MYSELF CONCESSIONS!"

(the article published in russian 'Sovetskiy Sport' on March 30, 1985)

From the dossier of "Soviet Sport". Alexander Fadeev (CSKA). Honored Master of Sport. Born January 4, 1964. Has been involved in figure skating for 15 years. Champion of Europe of 1984 in single skating. Bronze prize-winner of the world championship of 1984. Champion of the world of 1985. Trains with Honored Coach of the USSR S. Zhuk.
To the international tournament in Tokyo at the end of November last year Fadeev went with a very "modest" task — to beat the Canadian champion Brian Orser.
S. Hamilton, Olympic champion, already left big sport, and therefore the main rival of Fadeev was considered Orser, the silver prize-winner of the Olympics in Sarajevo. The competitions were held in free skating only — the school [compulsory figures] was excluded, and the chances of the Canadian, who not very much loved the compulsory program, were valued higher. But there happened something amazing: Fadeev won on all counts.
Having flown to Moscow and having told Stanislav Zhuk how the struggle proceeded, Fadeev noted: "Orser lost because he was not in best form." To which Zhuk reacted in his own way:
— Video recording showed that you also skated not without mistakes. But now, I think, you understand that to win is possible even against Orser?..
Maximalism in sport — is a necessary thing, for without striving to be first you will not reach a peak.
Alexander Fadeev became a champion early: back in 1980, he won the world junior championship. And although he understood that the first victory was only an advance for the future, he became a little bit proud. All the more so because in the spring of that same year, they took him to Dortmund—already for the senior world championship.
However, Fadeev returned home only fourteenth. And not a trace remained of his optimism. He arrived in Kazan with a very unpleasant feeling: by and large, he didn’t yet know how to perform anything at all on the ice...
And suddenly—an invitation to the CSKA school.
Sasha loved his first coach, Gennady Sergeyevich Tarasov—a kind, soft, and sensitive person. But both clearly understood: only interaction with true virtuosos would allow Sasha to learn how to create and to evaluate his preparation against a high criterion of mastery.
How fascinating the lessons on the ice of the CSKA school were! How many new and unusual elements the figure skaters in this collective came up with! Alongside Sasha trained Elena Vodorezova, Marina Cherkasova and Sergei Shakhrai, Marina Pestova and Stanislav Leonovich, Marina Austriyskaya and Yuri Kvashnin. Sasha was not intimidated by difficulties: even in training, getting fired up, he competed with his school friends. He boldly went for triple jumps. And in the evening, tired, he would sit for a long time on a bench in the quiet arena, looking at the ice, closing his eyes and mentally replaying the flight in an axel and in a jump of 4 rotations.
Yes, the triple axel gave him no peace. A jump of incredible difficulty, requiring enormous technical mastery from the athlete. Fadeev was one of the first to start practicing it. Such is the law of sport: if you want to be the best—be bold, and prove your right to call your program unique.
Fadeev improved year after year; at first, he lost to the leaders of the national team, then he became the understudy to Igor Bobrin, and then he surpassed everyone. His free program was recognized as one of the most difficult in the world as early as the autumn of 1983, when in that same Tokyo he challenged the American Scott Hamilton and received scores for his composition at the level of a world champion—5.8 and 5.9 points.
Fadeev's rapid ascent continued at the 1984 European Championship in Budapest: he won the gold medal.
Fadeev proved his stable class in Ottawa. In the sharpest struggle with J. Sabovčík (CSSR) and R. Cerne (FRG), he won the "bronze" of the world championship.
He is still very young, our new world champion. He is only 21 years old. Sometimes he is excessively hot-headed, which hinders him during the performance of the "school". His trump card is the free program, where impulsiveness, speed, and courage are valued. But when I asked Fadeev how he feels about the compulsory program (which, frankly speaking, many figure skaters dislike), I heard something somewhat unexpected:
— I feel well about it. In my opinion, those who do not love the "school" do not love figure skating either!
Categorical? Well, that is characteristic of youth.
But on the other hand, Fadeev understood the main thing: a great responsibility for the performance of our national team on the international arena lies on his shoulders. And therefore, in every practice, he set increasingly difficult tasks for himself. He himself speaks this way about the preparation for the current season:
— A skater who constantly pities himself cannot achieve high results. I always strived for maximum difficulty in my programs. And for the sake of this, I applied myself with full dedication both on the rink and in the gym. In terms of athletic qualities, I was not inferior to my rivals. Nevertheless, I continued to perfect my speed and increased my endurance and flexibility. I made no concessions for myself in anything, and probably, that was the main secret of my future successes...
Well, these words of the world champion are fair. But we must add that at the foundation of his victories was a firm fighting character. Already two weeks after a serious injury sustained in Dnipropetrovsk in January of this year, Alexander boldly went for the execution of a unique element—the triple axel. And it is no accident that his permanent choreographer, Nina Valentinovna Domanovskaya, says:
— Fadeev is a direct, open person. He never harbors a grudge. If he doesn't like something, he will say so directly. I am especially impressed by his modesty and inner restraint… A real masculine character!
In Tokyo at the World Championship, Fadeev showed a unique result—he was first in all types of the all-around. He turned out to be a record-holder in the execution of elements of the highest difficulty as well. The USSR national team rightfully calls him a leader—a leader both in a sporting sense and in a moral one.​
S. DADYGIN
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1985
USSR CUP

Figure Skating

(the article published in russian 'Sovetskiy Sport' on April 7, 1985)

ALMA-ATA. The absence of the "top seeds" who performed brilliantly at the World Figure Skating Championships in Japan increased the intensity of the competition among young masters for the USSR Cup.
The Cup was won by the young figure skating masters of CSKA. A victory in the free skate ultimately brought Larisa Zamotina from Leningrad to first place in the singles. In ice dance, Inna Bronina and Igor Shpilband took first place.
In men's singles, Leonid Kaznakov proved to be the strongest, and in pair skating, the World Junior Champions Ekaterina Gordeeva and Sergei Grinkov were the winners.
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1985
"Sofia Press" Agency Prize

Figure Skating

(the article published in russian 'Sovetskiy Sport' on April 9, 1985)

SOFIA. Here, in the "Septemvri" Winter Sports Palace, the figure skating competitions for the "Sofia Press" Agency Prize have concluded.
In the men's singles, the victory was won by 16-year-old Viktor Baryshevtsev from Kyiv. Second place went to 15-year-old Vyacheslav Solodilov from Kharkiv.
17-year-old Lyudmila Yashchuk from Kyiv was third in the women's competition, while the first prize here went to Marion Krause (GDR). In the ice dance competition, the strongest were the residents of Odesa, Ilona Melnichenko and Alexei Kislitsyn, and the runners-up were the hosts of the competition, Khristina Boyanova and Yavor Ivanov.
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1985
The Brilliance of Mastery and Depth of Concept

(the article published in russian 'Sovetskiy Sport' on April 17, 1985)

Figure Skating. Great success followed the leaders of our national team at the European Championships in Gothenburg—they earned 7 medals, including 2 gold. Even more impressive were the results at the World Championships in Tokyo—the USSR team collected 6 medals, including 3 gold. Our juniors also brought joy. At the World Junior Championships in Colorado Springs, they won 8 medals, 3 of them gold; and at the "Druzhba" (Friendship) tournament in Berlin, they took 9 medals, again with 3 golds.
One of the primary characteristics of the Soviet figure skating team-85 is a boldness in searching for new technical elements, expressive means, and original musical compositions. It is worth remembering that the free program set to the music of the ballet Shurale, performed by World and European champions Elena Valova and Oleg Vasiliev, was recognized on the Tokyo ice as one of the most original and spectacular. An important step in the development of ice dance was the free program set to the music of the ballet Carmen, performed with great inspiration by World and European champions Natalya Bestemianova and Andrei Bukin.
Our new World Champion in men's singles, Alexander Fadeev, presented a new type of "all-around" performance on the Tokyo ice. There was not a single vulnerable spot in his preparation. He won the compulsory figures tournament with a clear advantage and, in his free program, demonstrated unique jump combinations.
It would be a mistake to think that our skaters achieved all these victories easily. The struggle required great willpower, enormous hard work, and a high sense of responsibility. We must remember that the caliber of foreign competitors—who are already beginning preparations for the 1988 Winter Olympics—is constantly rising. This applies primarily to athletes from Canada (the hosts of the future Olympics), the USA, Czechoslovakia, the GDR, the FRG, France, and Poland. It is all the more important to emphasize that our masters reached new heights of skill across all four disciplines. In Gothenburg, three Soviet pairs swept the entire podium. Our national team holds reliable positions in ice dance, where, in addition to Bestemianova and Bukin, the world and European silver medalists Marina Klimova and Sergei Ponomarenko demonstrate a virtuoso style. In the men's event, Vladimir Kotin established himself as a high-class master, becoming the silver medalist at the European tournament. We should also note the competitive spirit of our Kira Ivanova, who for the first time received silver medals at both the World and European Championships.
Complex combinations, expressiveness, and a soulful execution of programs—these traits of modern style are also inherent in the debutants of our national team: Viktor Petrenko from Odesa, Natalya Lebedeva from Sverdlovsk, and the Moscow ice dancers Natalya Annenko and Genrikh Sretenski. Furthermore, a whole group of juniors from Leningrad, Kyiv, Odesa, Moscow, and Dnipropetrovsk is on the threshold of the national team. Incidentally, they all performed excellently at the recent All-Union Youth Games.
Today, as we sum up the results of the season, we pay tribute to the great and thoughtful work of our mentors—Honored Coaches of the USSR Tamara Moskvina, Tatiana Tarasova, Stanislav Zhuk, Elena Tchaikovskaya, and Igor Moskvin; Honored Coach of the RSFSR Natalya Dubova; and former outstanding athletes Irina Rodnina, Lyudmila Pakhomova, and Vladimir Kovalev.​
A. Shelukhin
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1985
REPORTAGE


Spring Is Coming, But the Ice Is Not Melting...

(the article published in russian 'Sovetskiy Sport' on April 19, 1985)

An experimental youth sports school (DYUSSH) for figure skating has opened at GTSOLIFK.
The address is familiar: Sirenevy Boulevard, Building 2, the "Izmailovo" Palace of Sports. Competitions for the weightlifters of the 1980 Olympics were held here. Now, a skating rink has also appeared in the Palace.
We walk down the corridor. On the left is that same enormous Olympic hall, where the world’s strongest weightlifters once competed. Opposite the hockey department is the ice arena. The institute built it with its own resources.
A bright oval of a hockey rink—in large puddles. Is a warm spring really taking its toll here?
"Maintenance," explains Lyudmila Ivanovna Kubashevskaya, senior coach of the DYUSSH. "Specialists on refrigeration systems promise excellent ice by April 21. A competitive enrollment for our school has already begun. We will accept about 200 children: 5-6 year-olds and older children who already have athletic ranks in figure skating. Well, and we will produce masters of singles and pair skating."
One essential clarification is needed for this short briefing. I will start with the fact that schools like this DYUSSH have never existed in our country and still don't. This is the first one at a physical education institute where leading Soviet figure skaters study (or have studied).
What is the "experimental" nature of the school? They explained to me that the process of educating athletes and teaching students pedagogical skills, as well as the introduction of modern training methods for beginners and masters of this sport, will now be conducted "under one roof," according to a single, clearly planned scientific program.
"We will rely exclusively on objective data," says the director of the DYUSSH, Vladimir Alekseevich Sadikov. "We will accept children whose physical fitness and other data meet special tests. These tests were developed at the Omsk Institute of Physical Culture and at VNIIFK (All-Union Research Institute of Physical Culture). However, this does not mean that those not selected are doomed; they just won't get into the school. No. In the summer, toddlers will gain strength, get tougher, and can sign up for preparatory groups where students of our institute will train the kids. These groups operate on a self-sustaining basis, and we plan to accept 600 children into them."
I should note: students—the future specialists—get the opportunity to work with children not for two months, as before, but year-round. Moreover, each of them will have 5–6 pupils. They will conduct classes with them throughout the entire academic period at the institute, and the results of this continuous practice will be evaluated by the department based on the growth of the young figure skaters' skills.
Preparatory groups, designed for two years of study, are something like a part-time department of the DYUSSH. Well, what awaits the "students"? Classes in choreography, rhythmic gymnastics, aesthetics, and general physical training (OFP). At the school's disposal are practically all the sports facilities of GTSOLIFK: the swimming pool, the "dry" swimming hall, and the large arena. In the autumn, a specialized class for figure skaters will appear in one of the nearby secondary schools of the Pervomaysky district. The experimental DYUSSH at the Institute of Physical Culture will now play the role of a scientific-methodological center. It will fundamentally change the orientation of the figure skating students' training toward scientific research work. In essence, from the first year, students will begin preparing thesis projects on issues that will definitely find application in the practical activities of the DYUSSH.
"A kind of closed-loop chain: DYUSSH — high mastery — institute — DYUSSH coach," says the head of the figure skating department, V. Solovyov, "helps us implement a unified line in the training of high-class masters."
For the 40th Anniversary of Victory sports school coaches want to prepare a grand festive program featuring world and European champions, and Moscow boys and girls who will perform their first steps on the sparkling ice of the institute's rink.​
F. GOGOLEV.
MOSCOW.
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1985
IMPRESSION


"And the Saved World Remembers..."

(the article published in russian 'Sovetskiy Sport' on May 12, 1985)

Іn the final days of April, the premiere of the composition 'And the Saved World Remembers...' was held at the Sports Palace of the Central Lenin Stadium, performed by the 'All Stars' ice ensemble. The performance is dedicated to the 40th anniversary of the Great Victory.
I once had the opportunity to write about this ensemble, which was created by a small group of enthusiasts—famous figure skaters of the recent past—led by Yuri Ovchinnikov. Back then, lingering on the spirited name 'All Stars,' in which one could sense a touch of the bravado typical of youth, I took it literally: yes, there are few of them, but they all certainly consider themselves stars. Even if, at first, they didn't shine very brightly. Now a different thought comes to mind; perhaps a different meaning behind the idea of Ovchinnikov and his 'associates' is emerging.
They proclaimed their fundamental difference from conventional ice ballets. Traditionally, those performances are a lavish spectacle set against a backdrop of a large corps de ballet, brightly dressed but, if one looks closely, not very confident on their skates. In the 'All Stars' ensemble, everyone is required to be a 'star.' A master. To take turns playing both leading and supporting roles. This is a modern, concise principle, characteristic of youth theater and agitprop theater.
The divertissement-style structure of the performance, with its sequence of individual acts, still feels somewhat restrictive for the direction. However, the composition "And the Saved World Remembers..." possesses a clearly defined emotional narrative. It is simple, yet consistently soul-stirring. It is a story of youth at war. First, a happy, unassuming prologue—before the line of fire split their souls in two: a spirited calisthenics march, a serene little waltz... Then, the send-off to the front, the tears of the girls, the solemn faces of the young men... The pathos of war, its sparse lyricism, and the everyday nature of heroism... And finally, the magnificent (without a hint of exaggeration) triumphal spectacle of the Victory celebration. It features the entire troupe, whom it is easy to list: Elena Vasyukova, Inna Volyanskaya, Irina Vorobieva, Natalia Karamysheva, Igor Bobrin, Igor Zavozin, Igor Lisovsky, Yuri Ovchinnikov, Rostislav Sinitsyn, and Valery Spiridonov. I list them alphabetically—intentionally—to emphasize the unity of the ensemble.
But frankly speaking, the premiere was, as they say, "destined for success." Any ice troupe in the world could only dream of having directors like Tatiana Tarasova and Elena Chaikovskaya at the helm, who this time were in complete creative harmony. In short, the performance, among other things, showcased the potential of "All Stars." Under such leadership and with such a cast, they are capable of pathos, lyricism, satire, or even an anti-war or folklore performance (just my imagination)—they are capable of a great deal.​
S. TOKAREV.
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1985
IMPRESSION


"And the Saved World Remembers..."

(the article published in russian 'Sovetskiy Sport' on May 12, 1985)

Іn the final days of April, the premiere of the composition 'And the Saved World Remembers...' was held at the Sports Palace of the Central Lenin Stadium, performed by the 'All Stars' ice ensemble. The performance is dedicated to the 40th anniversary of the Great Victory.
I once had the opportunity to write about this ensemble, which was created by a small group of enthusiasts—famous figure skaters of the recent past—led by Yuri Ovchinnikov. Back then, lingering on the spirited name 'All Stars,' in which one could sense a touch of the bravado typical of youth, I took it literally: yes, there are few of them, but they all certainly consider themselves stars. Even if, at first, they didn't shine very brightly. Now a different thought comes to mind; perhaps a different meaning behind the idea of Ovchinnikov and his 'associates' is emerging.
They proclaimed their fundamental difference from conventional ice ballets. Traditionally, those performances are a lavish spectacle set against a backdrop of a large corps de ballet, brightly dressed but, if one looks closely, not very confident on their skates. In the 'All Stars' ensemble, everyone is required to be a 'star.' A master. To take turns playing both leading and supporting roles. This is a modern, concise principle, characteristic of youth theater and agitprop theater.
The divertissement-style structure of the performance, with its sequence of individual acts, still feels somewhat restrictive for the direction. However, the composition "And the Saved World Remembers..." possesses a clearly defined emotional narrative. It is simple, yet consistently soul-stirring. It is a story of youth at war. First, a happy, unassuming prologue—before the line of fire split their souls in two: a spirited calisthenics march, a serene little waltz... Then, the send-off to the front, the tears of the girls, the solemn faces of the young men... The pathos of war, its sparse lyricism, and the everyday nature of heroism... And finally, the magnificent (without a hint of exaggeration) triumphal spectacle of the Victory celebration. It features the entire troupe, whom it is easy to list: Elena Vasyukova, Inna Volyanskaya, Irina Vorobieva, Natalia Karamysheva, Igor Bobrin, Igor Zavozin, Igor Lisovsky, Yuri Ovchinnikov, Rostislav Sinitsyn, and Valery Spiridonov. I list them alphabetically—intentionally—to emphasize the unity of the ensemble.
But frankly speaking, the premiere was, as they say, "destined for success." Any ice troupe in the world could only dream of having directors like Tatiana Tarasova and Elena Chaikovskaya at the helm, who this time were in complete creative harmony. In short, the performance, among other things, showcased the potential of "All Stars." Under such leadership and with such a cast, they are capable of pathos, lyricism, satire, or even an anti-war or folklore performance (just my imagination)—they are capable of a great deal.​
S. TOKAREV.
View attachment 11294
Interesting and unusual. A "Stars on Ice" type of skating show to celebrate an anniversary of V-E Day.
 
1985
A DEFICIT OF ENTHUSIASM

(the article published in russian 'Sovetskiy Sport' on May 26, 1985)

A conversation about the reserves of winter sports continues
What will please us about our young figure skaters and their mentors?
The 1985 winter season is behind us. For Soviet figure skaters, it was especially memorable: for the first time in many years of world championship performances, our masters achieved outstanding results, winning three gold and three silver medals and scoring 42 points. Note that our main competitors—skaters from the USA—scored 17 points, Canada had 14 points, and the GDR team had 7 points.
I emphasize that the success in the '85 season was a logical outcome. A whole series of leading specialists has mastered a modern system for training "virtuosos of the skate," a system for bringing them to peak athletic form. Today, the work of such specialists as Honored Coaches of the USSR T. Moskvina, T. Tarasova, S. Zhuk, E. Chaikovskaya, I. Moskvin, and N. Dubova clearly shows the overall role of general and special training, the role of artistic components in programs, and the role of choreographers, music editors, and psychologists. They fully utilize "brigade" (team-based) methods of work.
But this system is far from being a mainstay in all our schools and centers. Who earned those 42 points at the World Championships? 25 points were given by skaters from Moscow, 12 points were brought by pairs from Leningrad, and 5 points came from K. Ivanova, representing the Moscow Region. We see a significant disproportion in the training of first-class masters.
Let us turn to the results of our juniors at the World Championships. Here, the students of coaches from Moscow, Ukraine, and Leningrad looked strongest, winning three gold, three silver, and two bronze medals. Skaters from Ukraine and Moscow made a particularly significant contribution to the national team's piggy bank.
Unfortunately, as before, the results of athletes from Union republics such as Kazakhstan, Belarus, Georgia, Latvia, and Lithuania remain more than modest. Many Youth Sports Schools (DYuSSh) in the Russian Federation are also "idling."
Take, for example, the problem of training youth pairs. Moscow brought the lion's share of points and medals through CSKA students E. Gordeeva and S. Grinkov (coach S. Leonovich). They won the Junior World Championships and the first All-Union Winter Youth Games. Two more pairs from the CSKA school, prepared by coach V. Zakharov, performed well at All-Union tournaments.
In my view, the wide use of the brigade method (all coaches in the school are effectively interested in its success) allowed the Army [CSKA] collective to achieve qualitative shifts not only in pair skating but also in singles and ice dance.
But how do things stand with reserves in other centers of figure skating? Leningraders have nothing to boast about in the reserve group — they hold 5th place in the country, and they are even losing to sports duets from Uzbekistan. The output of the Sverdlovsk figure skating center, where ten coaches specialize in pair skating, has noticeably decreased.
Among sports societies, representatives of 'Trud' and 'Spartak' have clearly lost ground, even though a number of Youth Sports Schools (DYuSSh) in these societies employ many experienced specialists — in Moscow, Leningrad, Kazan, Chelyabinsk, and Sverdlovsk. For a long time, we have not heard about performances from the students of such coaches as G. Proskurin, A. Suraikin, A. Vlasov, and A. Morozov.
Coaches often complain that they are not provided with the conditions for full-fledged training on the ice. But in reality, enthusiasm and the creativity of the coaches within the sports school collectives were and remain the most important factors.
Here are a few interesting features of the past season.
Odesa... Few believed that figure skating could be cultivated in this southern city. However, practice has refuted all the arguments of the skeptics. The arrival in Odesa of young, energetic coaches, such as G. Zmievskaya, S. Rubleva, and B. Rublev, allowed them from the very start to direct the training methodology into the right channel. Young skaters were aimed at mastering good, beautiful skating and expressive artistry. This year, 15-year-old Vik. Petrenko made a successful debut at the senior World and European Championships, while his brother, 14-year-old Vlad. Petrenko, won "silver" at the World Junior Championships. The students of G. Zmievskaya, using the methodological recommendations of coach E. Pliner, demonstrated good all-around qualities and complexity in their jumps. Here, the advantages of the 'brigade' method of work were clearly manifested.
The most paradoxical thing is that it is precisely in Odesa that the material facilities for training high-class figure skaters have significantly deteriorated. For a long time now, coaches have not had a choreography room or a room for general physical training (GPT). And we have the right to ask the leaders of the Odessa Regional Sports Committee (Chairman A. Gavenko): when will modern conditions for effective training finally be created for the figure skaters of Odesa?
Let us mention one more new center for training reserves. Since 1980, when the builders handed over the Sports Palace complete with choreography halls and rooms for general physical training, ten coaches and four choreographers were already working at the school.
All reserve training is conducted according to a strictly verified program for a four-year cycle. A video recording operator and a sound engineer are constantly involved in the work, and leading specialists of the country often visit the school. All of this ultimately bore fruit: by 1984, residents of Dnіpropetrovsk made up one-third of the Ukrainian national team.
One can name young the youth school opened at the new ice rink 'Bolshevik' in Leningrad: it has existed for only three years. The establishment of a new school is not a simple process, and yet Leningrad coaches are full of optimism. The coaches M. Belenkaya, A. Piatova, and others have several promising skaters under the age of 14. Let us note that the current junior world champion T. Andreeva (coach T. Mishina) also trained on the 'Bolshevik' ice.
In 1985, the All-Union Winter Youth Games were held in Chelyabinsk. Here is how the teams were represented in the prize-winners list in singles skating: Ukraine (6 skaters), Moscow (2), Leningrad (2), Belarus (1), Georgia (1). In the list of prize-winners in pair skating were athletes from Moscow (3 pairs), Leningrad (1), Ukraine (1), and Uzbekistan (1).
The results of this important tournament lead to sobering reflections. The output of hundreds of our specialists who have been working with junior reserves for decades has noticeably decreased. In the schools of the Russian Federation alone, there are 536 coaches. Figure skating covers about 40 regions and autonomous republics. But we have not received reinforcements for the youth national team from the schools of Chelyabinsk for a long time (despite having two rinks), or from the collectives of Sverdlovsk (despite having two rinks).
Five years ago, specialists spoke of a new center for figure skating in Kazan: after all, our current world champion A. Fadeev started his path there. For the last five years, Fadeev has trained at the CSKA school. What has happened in that time in his hometown? Year after year, the collective has lost its position, deprived of support from the republic's 'Trud' council...
In Kazakhstan, for example, about 120 coaches work. But in the last five years, they have produced only... two Masters of Sport. And this is despite having several artificial ice rinks! In Lithuania, Latvia, figure skating has been cultivated for more than ten years, but in the last Olympic cycle, no one met the Master of Sport standard in either singles or pair skating.
Now, at the beginning of a new Olympic cycle, it is necessary to turn close attention to the advanced experience of working with the reserve, which has been accumulated in our leading DYuSSh. Much and fruitfully, they work with junior pairs at the CSKA, Dynamo, and Zenit schools; ice dancers at the Spartak school in Moscow are progressing, and they are looking for talents in singles skating in the schools of G. Zmievskaya (Odessa), T. Mishina (Leningrad), M. Sokolova (Moscow), L. Maslyukova (Kiev), V. Kudryavtsev (Moscow Region), L. Lyalyakova (Moscow), A. Eremin (Moscow), and V. Kaprov (Kharkiv).
Over the last few years, the USSR Sports Committee has developed and put into practice a comprehensive system for training reserves. It provides for the purposeful development of specific types of figure skating in the largest sports centers, deeper specialization within the DYuSSh, and the wide use of brigade methods involving specialists in music, choreography, and general physical training.
In many ways, the successful upbringing of future masters of figure skating depends on the unceasing improvement of coaching staff qualifications, and a scientific approach to the organization of training.
The core path for raising reserves has been defined. The task of our DYuSSh is to embark on this path as quickly as possible.​

A. GORELIK,
Honored Master of Sport.
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1985
A DEFICIT OF ENTHUSIASM

(the article published in russian 'Sovetskiy Sport' on May 26, 1985)

A conversation about the reserves of winter sports continues
What will please us about our young figure skaters and their mentors?
The 1985 winter season is behind us. For Soviet figure skaters, it was especially memorable: for the first time in many years of world championship performances, our masters achieved outstanding results, winning three gold and three silver medals and scoring 42 points. Note that our main competitors—skaters from the USA—scored 17 points, Canada had 14 points, and the GDR team had 7 points.
I emphasize that the success in the '85 season was a logical outcome. A whole series of leading specialists has mastered a modern system for training "virtuosos of the skate," a system for bringing them to peak athletic form. Today, the work of such specialists as Honored Coaches of the USSR T. Moskvina, T. Tarasova, S. Zhuk, E. Chaikovskaya, I. Moskvin, and N. Dubova clearly shows the overall role of general and special training, the role of artistic components in programs, and the role of choreographers, music editors, and psychologists. They fully utilize "brigade" (team-based) methods of work.
But this system is far from being a mainstay in all our schools and centers. Who earned those 42 points at the World Championships? 25 points were given by skaters from Moscow, 12 points were brought by pairs from Leningrad, and 5 points came from K. Ivanova, representing the Moscow Region. We see a significant disproportion in the training of first-class masters.
Let us turn to the results of our juniors at the World Championships. Here, the students of coaches from Moscow, Ukraine, and Leningrad looked strongest, winning three gold, three silver, and two bronze medals. Skaters from Ukraine and Moscow made a particularly significant contribution to the national team's piggy bank.
Unfortunately, as before, the results of athletes from Union republics such as Kazakhstan, Belarus, Georgia, Latvia, and Lithuania remain more than modest. Many Youth Sports Schools (DYuSSh) in the Russian Federation are also "idling."
Take, for example, the problem of training youth pairs. Moscow brought the lion's share of points and medals through CSKA students E. Gordeeva and S. Grinkov (coach S. Leonovich). They won the Junior World Championships and the first All-Union Winter Youth Games. Two more pairs from the CSKA school, prepared by coach V. Zakharov, performed well at All-Union tournaments.
In my view, the wide use of the brigade method (all coaches in the school are effectively interested in its success) allowed the Army [CSKA] collective to achieve qualitative shifts not only in pair skating but also in singles and ice dance.
But how do things stand with reserves in other centers of figure skating? Leningraders have nothing to boast about in the reserve group — they hold 5th place in the country, and they are even losing to sports duets from Uzbekistan. The output of the Sverdlovsk figure skating center, where ten coaches specialize in pair skating, has noticeably decreased.
Among sports societies, representatives of 'Trud' and 'Spartak' have clearly lost ground, even though a number of Youth Sports Schools (DYuSSh) in these societies employ many experienced specialists — in Moscow, Leningrad, Kazan, Chelyabinsk, and Sverdlovsk. For a long time, we have not heard about performances from the students of such coaches as G. Proskurin, A. Suraikin, A. Vlasov, and A. Morozov.
Coaches often complain that they are not provided with the conditions for full-fledged training on the ice. But in reality, enthusiasm and the creativity of the coaches within the sports school collectives were and remain the most important factors.
Here are a few interesting features of the past season.
Odesa... Few believed that figure skating could be cultivated in this southern city. However, practice has refuted all the arguments of the skeptics. The arrival in Odesa of young, energetic coaches, such as G. Zmievskaya, S. Rubleva, and B. Rublev, allowed them from the very start to direct the training methodology into the right channel. Young skaters were aimed at mastering good, beautiful skating and expressive artistry. This year, 15-year-old Vik. Petrenko made a successful debut at the senior World and European Championships, while his brother, 14-year-old Vlad. Petrenko, won "silver" at the World Junior Championships. The students of G. Zmievskaya, using the methodological recommendations of coach E. Pliner, demonstrated good all-around qualities and complexity in their jumps. Here, the advantages of the 'brigade' method of work were clearly manifested.
The most paradoxical thing is that it is precisely in Odesa that the material facilities for training high-class figure skaters have significantly deteriorated. For a long time now, coaches have not had a choreography room or a room for general physical training (GPT). And we have the right to ask the leaders of the Odessa Regional Sports Committee (Chairman A. Gavenko): when will modern conditions for effective training finally be created for the figure skaters of Odesa?
Let us mention one more new center for training reserves. Since 1980, when the builders handed over the Sports Palace complete with choreography halls and rooms for general physical training, ten coaches and four choreographers were already working at the school.
All reserve training is conducted according to a strictly verified program for a four-year cycle. A video recording operator and a sound engineer are constantly involved in the work, and leading specialists of the country often visit the school. All of this ultimately bore fruit: by 1984, residents of Dnіpropetrovsk made up one-third of the Ukrainian national team.
One can name young the youth school opened at the new ice rink 'Bolshevik' in Leningrad: it has existed for only three years. The establishment of a new school is not a simple process, and yet Leningrad coaches are full of optimism. The coaches M. Belenkaya, A. Piatova, and others have several promising skaters under the age of 14. Let us note that the current junior world champion T. Andreeva (coach T. Mishina) also trained on the 'Bolshevik' ice.
In 1985, the All-Union Winter Youth Games were held in Chelyabinsk. Here is how the teams were represented in the prize-winners list in singles skating: Ukraine (6 skaters), Moscow (2), Leningrad (2), Belarus (1), Georgia (1). In the list of prize-winners in pair skating were athletes from Moscow (3 pairs), Leningrad (1), Ukraine (1), and Uzbekistan (1).
The results of this important tournament lead to sobering reflections. The output of hundreds of our specialists who have been working with junior reserves for decades has noticeably decreased. In the schools of the Russian Federation alone, there are 536 coaches. Figure skating covers about 40 regions and autonomous republics. But we have not received reinforcements for the youth national team from the schools of Chelyabinsk for a long time (despite having two rinks), or from the collectives of Sverdlovsk (despite having two rinks).
Five years ago, specialists spoke of a new center for figure skating in Kazan: after all, our current world champion A. Fadeev started his path there. For the last five years, Fadeev has trained at the CSKA school. What has happened in that time in his hometown? Year after year, the collective has lost its position, deprived of support from the republic's 'Trud' council...
In Kazakhstan, for example, about 120 coaches work. But in the last five years, they have produced only... two Masters of Sport. And this is despite having several artificial ice rinks! In Lithuania, Latvia, figure skating has been cultivated for more than ten years, but in the last Olympic cycle, no one met the Master of Sport standard in either singles or pair skating.
Now, at the beginning of a new Olympic cycle, it is necessary to turn close attention to the advanced experience of working with the reserve, which has been accumulated in our leading DYuSSh. Much and fruitfully, they work with junior pairs at the CSKA, Dynamo, and Zenit schools; ice dancers at the Spartak school in Moscow are progressing, and they are looking for talents in singles skating in the schools of G. Zmievskaya (Odessa), T. Mishina (Leningrad), M. Sokolova (Moscow), L. Maslyukova (Kiev), V. Kudryavtsev (Moscow Region), L. Lyalyakova (Moscow), A. Eremin (Moscow), and V. Kaprov (Kharkiv).
Over the last few years, the USSR Sports Committee has developed and put into practice a comprehensive system for training reserves. It provides for the purposeful development of specific types of figure skating in the largest sports centers, deeper specialization within the DYuSSh, and the wide use of brigade methods involving specialists in music, choreography, and general physical training.
In many ways, the successful upbringing of future masters of figure skating depends on the unceasing improvement of coaching staff qualifications, and a scientific approach to the organization of training.
The core path for raising reserves has been defined. The task of our DYuSSh is to embark on this path as quickly as possible.​

A. GORELIK,
Honored Master of Sport.
View attachment 11315
Interesting look behind the scenes at the Soviet system development. What we on the outside just saw as "the Russians" seems to have been an uneven concentration of skaters from Moscow schools but a decline everywhere else in the USSR. 🤔
 
1985
In Memory of Sonja Henie

(the article published in russian 'Sovetskiy Sport' on June 26, 1985)

In February of next year, it will be fifty years since Sonja Henie’s last performance in international competitions. Her name has long since become a legend: ten times in a row, Henie became the world champion in figure skating and won the championship at the Olympic Games three times.
In 1936, the figure skater left the sport without ever having tasted the bitterness of defeat. During the days of the fiftieth anniversary of this date, an initiative committee created in Norway plans to open a monument to their outstanding compatriot. Sculptor Per Ung took as the basis of his work a photograph of Sonja Henie taken, as is supposed, in 1929 in Budapest, where the athlete became world champion for the third time.
To cover the costs associated with the construction of the monument, the initiative committee has launched a fundraising campaign in the country.
According to Anniken Støa, a well-known former figure skater, the Norwegian authorities should have long ago thought about how to immortalize the memory of Sonja Henie. But since official Norway did not do this, she told a correspondent for the newspaper Aftenposten, the public took matters into its own hands.
Simultaneously with the construction of the monument, the initiative committee plans to establish an international prize in the name of Sonja Henie, which will be awarded to the best figure skater of the year. For this purpose, a small fund is being created.​

V. POLYANSKY
(APN Corr. — for "Soviet Sport").
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1985
ENCOUNTERS WITH THE BEAUTIFUL


A Miracle Ball

(the article published in russian 'Sovetskiy Sport' on July 30, 1985)

One could write about every single act of this vivid, original performance individually—and only in superlatives. For two hours, the "Olimpiyskiy" sports complex hosted the premiere. Participants and guests of the festival watched the "Winter Symphony" ice ball, which featured 700 performers, including our own remarkable masters of figure skating: Yu. Ovchinnikov, I. Bobrin, I. Vorobyeva, I. Lisovsky, and others.
A miracle unfolded before our eyes at the "Olimpiyskiy." The spectators (and the stands were packed to capacity) found themselves transported now to a fairytale snow-covered forest, now to a "school" for Father Frosts; then, the sounds of a waltz would soar under the stadium vaults as couples whirled in an elegant dance—both on the ice and on the stage.
From Europe, we traveled to Asia, and then... How many times have we all seen the magnificent "Cowboy" routine by the superb master I. Bobrin! And we never ceased to admire it. This time, as soon as the first bars of the beloved melody played, the hall erupted in applause.
"Sunny Rhythms of Friendship" was another page of the ice ball. It served as a memory of the festival on the Island of Freedom [Cuba] and, in a way, a passing of the torch to the capital of the XII World Festival—Moscow. A fiery samba, created by Lithuanian ballroom dance masters under the direction of Jūratė and Česlovas Norvaiša along with the figure skaters, was the queen of the carnival. It was followed by "Russian Maslenitsa"—complete with a noisy fair, skomorokhi [clowns], the ringing of bells, troikas, and round dances, where Katyusha was the hostess.
I must also note the work of the Merited Coaches of the USSR, T. Tarasova and E. Chaikovskaya, who staged the ice performance "...And the Saved World Remembers." A fragment of it was included in the "Winter Symphony."
And finally—a word from the spectators.
People's Artist of the RSFSR, A. Pugacheva: "I liked it very much!"
Olympic Champion, N. Linichuk: "I enjoyed it immensely. I’m happy for my fellow figure skaters."
Delegate of the XII World Festival from the GDR, soloist of the 'Friedrichstadt-Palast' ballet, S. Weks: "A wonderful spectacle!"
Delegate of the XII World Festival, K. Kirkwood (Jamaica): "Was all this really happening on ice? Is it really possible to learn to skate like that? We don't have winter or snow back home. But here, I stepped right into a fairy tale."​
S. PALMOVA.
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1985
Mini-Report


Round Dance in Sokolniki

(the article published in russian 'Sovetskiy Sport' on August 4, 1985)

The warmth of friendly smiles warmed the Indian guests on the cold ice.
Everything started with a funny misunderstanding. "And where is the big ice cream here?" asked one of the Indian delegates. "Big ice cream?" the translator asked back, surprised. Finally, they cleared it up. As it turned out, ice cream had nothing to do with it—the guests from India simply really wanted to skate on real, frosty ice.
...The training rink in Sokolniki. Enormous, wall-to-wall windows. Outside, it is summer, but in here... Vikram Kunvar Singh shivered: "It's cold." He looked at the ice with trepidation: "I’ll probably fall. As a child, I loved roller skating, and now I really want to try gliding on ice, too." Arun Kumar proved bolder; he was already putting on skates. Merited Coach of the USSR Natalya Dubova adjusted his laces: "Well, there we go, now you can hit the ice!"
The first timid step. Careful. No, as it turns out, gliding elegantly on ice is not that simple. Our famous ice dancers Marina Klimova, Maya Usova, Sergey Ponomarenko, and Alexander Zhulin took the guests under their wing. Arun and Vikram’s delight knew no bounds. Kumar waved his hand: "Come skate with us, it's wonderful!" I had to put on skates too. And then everyone took each other's hands, and a small round dance was formed. They skated, admittedly, quite slowly—first in one direction, then the other: after all, the guests weren't standing very firmly on their skates yet. Marina and Maya smiled, Sergey and Alexander carefully supported the guests, and the round dance kept spinning to the melody of "Moscow Nights," which Arun Kumar began to hum.
"Was it a bit scary?" I asked the Indian delegates once they had skated to their heart's content.
"Yes, of course, because it was the first time," said Vikram Kunvar Singh. "But only until the moment we felt 'solid ground'—the ice—under our feet. After that, it just became fun!"
"And are you cold now?" was another question for the guests.
"Not at all!" the Indians exclaimed in unison. "How could it be cold among such warm smiles and friendly handshakes! We will certainly tell everyone back home about how we went ice skating in Moscow during the summer festival!"​
E. KASHINA.
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1985
With Great Success

(the article published in russian 'Sovetskiy Sport' on August 13, 1985)

PYONGYANG. (TASS). A group of young Soviet figure skaters has performed with great success in the Democratic People's Republic of Korea. Among them were the winners of the World Junior Championships in ice dance—Elena Krykanova and Evgeni Platov—as well as other members of the national team: Svetlana Liapina and Georgiy Sur, Irina Zhuk and Oleg Petrov, and Alexandr Vaskovsky.
Together with figure skaters from the DPRK, our athletes held a series of exhibition performances. The audience warmly applauded the representatives of Soviet figure skating.
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1985
ALPINE CUP

Figure Skating

(the article published in russian 'Sovetskiy Sport' on August 23, 1985)

SAINT-GERVAIS. Soviet athletes have successfully begun their performances at the traditional international figure skating tournament being held in this French city.
In the pairs competition, Muscovites Lyudmila Koblova and Andrei Kalitin, students of Irina Rodnina, are in the lead after the short program. In the ice dance competition, the three compulsory dances were best performed by fellow Muscovites Maya Usova and Alexander Zhulin, who train under the guidance of Natalia Dubova.
1778160574819.jpeg
 
1985
ALPINE CUP

Figure Skating

(the article published in russian 'Sovetskiy Sport' on August 28, 1985)

PARIS. Moscow figure skaters Maya Usova and Alexander Zhulin have made a successful start to the new season. The students of coach Natalia Dubova won the ice dance competition at an international tournament in the French town of Saint-Gervais—one of the first in a series of competitions preceding the European and World Championships.
Lyudmila Koblova and Andrei Kalitin, who took first place in the short program in the pairs competition, were less successful in the free skate and conceded the top spot to Canadians Christine Hough and Doug Ladret.
In the singles competitions, where Soviet athletes were not represented, the leaders after the compulsory figures and short program are Rosemary Sakic (Canada) for the women and Philippe Roncoli (France) for the men.
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1985
ALPINE CUP

Figure Skating

(the article published in russian 'Sovetskiy Sport' on September 4, 1985)

OBERSTDORF. Moscow figure skaters Lyudmila Koblova and Andrei Kalitin, students of Irina Rodnina, are performing successfully in the "Alpine Cup" competition series.
They finished first in the latest stage of this traditional tournament, ahead of duos from the USA, England, and Canada.
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1985
VIENNA CUP

Figure Skating

(the article published in russian 'Sovetskiy Sport' on September 21, 1985)

VIENNA. 18-year-old Muscovite Marina Tveretinova has successfully begun her performances in the new season. She became the first Soviet female athlete to achieve a victory at the traditional international figure skating tournament for the "Vienna Cup." On the final day of the competition, she performed her free program better than the other participants and overtook the American athlete Sara MacInnes.
17-year-old Andrei Torosyan from Tbilisi, who, like Tveretinova, prepared for the season under the guidance of Eduard Pliner, also managed to shine in the free skate and took second place overall. The winner here was Daniel Doran (USA), and the third-place winner was Thomas Wieser (FRG).​
(TASS).
1778162149547.jpeg
 
1985
Mini-Report


Round Dance in Sokolniki

(the article published in russian 'Sovetskiy Sport' on August 4, 1985)

The warmth of friendly smiles warmed the Indian guests on the cold ice.
Everything started with a funny misunderstanding. "And where is the big ice cream here?" asked one of the Indian delegates. "Big ice cream?" the translator asked back, surprised. Finally, they cleared it up. As it turned out, ice cream had nothing to do with it—the guests from India simply really wanted to skate on real, frosty ice.
...The training rink in Sokolniki. Enormous, wall-to-wall windows. Outside, it is summer, but in here... Vikram Kunvar Singh shivered: "It's cold." He looked at the ice with trepidation: "I’ll probably fall. As a child, I loved roller skating, and now I really want to try gliding on ice, too." Arun Kumar proved bolder; he was already putting on skates. Merited Coach of the USSR Natalya Dubova adjusted his laces: "Well, there we go, now you can hit the ice!"
The first timid step. Careful. No, as it turns out, gliding elegantly on ice is not that simple. Our famous ice dancers Marina Klimova, Maya Usova, Sergey Ponomarenko, and Alexander Zhulin took the guests under their wing. Arun and Vikram’s delight knew no bounds. Kumar waved his hand: "Come skate with us, it's wonderful!" I had to put on skates too. And then everyone took each other's hands, and a small round dance was formed. They skated, admittedly, quite slowly—first in one direction, then the other: after all, the guests weren't standing very firmly on their skates yet. Marina and Maya smiled, Sergey and Alexander carefully supported the guests, and the round dance kept spinning to the melody of "Moscow Nights," which Arun Kumar began to hum.
"Was it a bit scary?" I asked the Indian delegates once they had skated to their heart's content.
"Yes, of course, because it was the first time," said Vikram Kunvar Singh. "But only until the moment we felt 'solid ground'—the ice—under our feet. After that, it just became fun!"
"And are you cold now?" was another question for the guests.
"Not at all!" the Indians exclaimed in unison. "How could it be cold among such warm smiles and friendly handshakes! We will certainly tell everyone back home about how we went ice skating in Moscow during the summer festival!"​
E. KASHINA.
View attachment 11339
:party2::fun::clap:
1985
ALPINE CUP

Figure Skating

(the article published in russian 'Sovetskiy Sport' on August 28, 1985)

PARIS. Moscow figure skaters Maya Usova and Alexander Zhulin have made a successful start to the new season. The students of coach Natalia Dubova won the ice dance competition at an international tournament in the French town of Saint-Gervais—one of the first in a series of competitions preceding the European and World Championships.
Lyudmila Koblova and Andrei Kalitin, who took first place in the short program in the pairs competition, were less successful in the free skate and conceded the top spot to Canadians Christine Hough and Doug Ladret.
In the singles competitions, where Soviet athletes were not represented, the leaders after the compulsory figures and short program are Rosemary Sakic (Canada) for the women and Philippe Roncoli (France) for the men.
View attachment 11368
Trivia: Rosemarie Sakic's two brothers Joe and Brian also figure skated as children and then settled on hockey. Joe briefly considered pairs skating, having the right size and build for it, but became an NHL star with Quebec and Colorado. Brian had a more modest career in Canada. Joe appeared in the movie "Miracle" about the 1980 USA win in Olympics hockey, skating as a player on both the Russian and Czech teams in the game sequences. (The Sakic family are Croatian, and Joe and his siblings didn't speak English until they started school in Canada.)
 
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