- Joined
- Mar 23, 2010
What a nice surprising thread. I have been a big fan of WKW since the early 90s and considers the secret to his success is actually his Oz Cinematographer Christopher Doyle, and the excellent use of music sound tracks that is certainly character building and quintessential to the overall unique visual experience. WKW is like HK street rat version of Terrence Malick with a wicked eye, better sense of humour and cooler DJ deck & sense of urban rhythm while on ecstasy.
His best work includes Ashes of Time (not appreciated by all, but i totally adored it), Chunking Express (One of the greatest Cult classic of ALL TIME: best in the 4 leads careers, and cemented Brigitte Lin's legendary status) that are appealing because of freshness and fiercely experimental, pure untrying authentic vision. His later works are incoherent self-reverent overflow with gratuitous grandioses they became spoilt (omission of Doyle's contribution is blatant too). A lot of film maker are guilty of this in their later work. His last decent film is probably In the mood for Love, which has one of the great OST of all time.
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While on the subject of Asian film director, I adore Ang Lee's earlier work for the Wedding banquet and of course Eat Drink Man Woman.
His best work includes Ashes of Time (not appreciated by all, but i totally adored it), Chunking Express (One of the greatest Cult classic of ALL TIME: best in the 4 leads careers, and cemented Brigitte Lin's legendary status) that are appealing because of freshness and fiercely experimental, pure untrying authentic vision. His later works are incoherent self-reverent overflow with gratuitous grandioses they became spoilt (omission of Doyle's contribution is blatant too). A lot of film maker are guilty of this in their later work. His last decent film is probably In the mood for Love, which has one of the great OST of all time.
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While on the subject of Asian film director, I adore Ang Lee's earlier work for the Wedding banquet and of course Eat Drink Man Woman.
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