Thank you synes for all the FOI content in this thread and in Dai's FF thread, much appreciated!
You're very welcome.

(Btw, can I delete the Poka Poka episode with Kana and Shizuka to free up space on my google drive?)
And thanks to everyone providing the original content!
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I have to agree with those saying that Kana's solo is (one of the) highlight(s) of this year's FOI. It is a very cool concept and thanks to Jeremy's creative choreo with all kinds of intricate movements different from other programs where skaters portray dolls. As Kana said, her doll is rather on the creepy side, which I love! She truly has blossomed into a compelling solo performer/dancer like her idol Shae-Lynn.
[link removed]
The "Love never dies" group number, which was choreographed by Kana, is another standout for sure. Kana and Dai performing part of their 2022-23 PotO step sequence is a particular highlight here. KanaDai and Ikukou performing the "two-feet version" of KanaDai's PotO straightline lift simultaneously was also quite impressive (I just wish the camerawork had been better in this particular moment) - now we know why Ikura and Koshiro practiced this lift in earlier promo material!
Matinee performance:
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Imo Shizuka's quote about Dai's history with PotO and his portrayal of the title character as well as the part about Kana's solo in this Sportiva article hit the nail on the head:
『フレンズ・オン・アイス』レポート後編『フレンズ・オン・アイス』公開リハーサルで『Love Never Dies』を演じる村元哉中と高橋大輔【まさにラスボスの演技】 8月29日、横浜。アイスショー『フレンズ・オン・アイス』の公開リハー…
sportiva.shueisha.co.jp
Daisuke Takahashi's “The Phantom of the Opera” is “truly the final boss”
Kanadai cheers on new couple
Updated 31 August 2025 07:00
Yoshiyuki Komiya●Reporting and text
Sunao Noto●Photography
Friends on Ice Report: Part Two
[Truly a final boss-level performance]
29th August, Yokohama. The public rehearsal for the ice show “Friends on Ice” is underway.
Right at the start of the second half, a climax suddenly arrives. The six skaters Shizuka Arakawa, Rika Hongo, Ikura Kushida, Koshiro Shimada, Kana Muramoto and Daisuke Takahashi appear and dance to “Love Never Dies”, a song from the sequel musical to “The Phantom of the Opera”. Each portrayed the same tragic couple: the Phantom and the beautiful Christine. It was particularly striking to see Arakawa in a tailcoat, performing the male role.
‘Many skaters have portrayed the Phantom of the Opera before, but I particularly love Daisuke's (Takahashi) Phantom. He performed it in singles from a young age, and again at the end of his ice dance career. Having gone through all that, seeing him perform it again this time, with such gravitas, it truly felt like “the final boss has arrived”.’
Arakawa expressed her pride in this Phantom of the Opera collaboration. For Takahashi, it’s a truly fateful program, spanning singles, ice dance, and now this group number.
"I’m thoroughly enjoying it again this year, though I never imagined doing it a third time (laughs). Each skater's individuality really shines through, and I find myself wanting to watch it. I'd like to watch it without being on the ice myself."
Takahashi voiced his honest thoughts. The collective performance deepens the world they create. Each tragic love story was being reborn upon the ice.
One might even fall into the illusion of witnessing the continuation of the story between Muramoto and Takahashi, known as ‘Kanadai’—
【Kanadai gives seal of approval to the promising new couple】
‘All the collaborative numbers this time are captivating, but regarding the sequel to The Phantom of the Opera... particularly...’
Muramoto spoke with evident fervour.
"From the moment I first heard about it from Ms Arakawa, I understood how Love Never Dies would connect in this way. As we developed it, each of us found ways to express the Phantom and Christine's feelings. I'd love to hear what everyone thought! I never imagined I'd wear my active-duty costumes again, so I was worried if it would fit (laughs)."
This group number also provided a ‘debut’ opportunity for the newly paired Kushida Ikura and Shimada Koshiro. It was their first performance as ice dancers, but perhaps Kanadai's presence gave them courage. Their performance was confident, showcasing the dynamic presence of two tall dancers with long limbs.
‘Rather than watching over them, I was simply admiring how wonderful they were. When I started ice dancing, people probably wondered if I'd be alright, but they exude such confidence – I think they're amazing. I found myself feeling rather proud, thinking they'll only get better and better as they perform together.’
Takahashi offered his characteristic words of encouragement to his juniors.
Muramoto added her voice to his.
"The solo number (“Faith”) was also created by Kanadai. When we first ran through it in practice after it was made, I was amazed at how quickly they progressed. There's a lift scene together in “The Phantom of the Opera” too, and Daichan and I were panicking, thinking “Aren't they better than us?” (laughs). Honestly, that's how fast they learn. I think they'll make a wonderful couple. I hope they challenge themselves with all sorts of genres. Ice dancing is profoundly deep; the more you pursue it, the more enjoyable it becomes. I really hope they skate for a long time."
【A Relationship of Mutual Artistic Influence】
Just how much of a driving force Kanadai's presence is for Kushida and Shimada.
‘We're truly honoured by their kind words... We're still new to ice dancing and there's much we can't do yet, but we aspire to master it. Watching Kanadai perform makes us think, “We want to do this too” – the list keeps growing. We aim to become ice dancers capable of achieving many things.’
Shimada expressed his gratitude to Kanadai, then glanced at Kushida and let out a small smile.
Conversely, the skater most influenced by Takahashi's expressive power might be Muramoto, who was once his partner. They have performed together repeatedly in ice shows, mutually influencing each other artistically. It is said Muramoto even advised Takahashi on the choreography for his solo performance this time.
Muramoto's solo performance to “Ramalama” was outstanding. She portrayed a doll coming to life on the ice, yet her movements seemed strangely puppeteered. Dancing to the music, she drew the audience into a world of madness before snapping back to being a doll as if the spell had broken. In just a few minutes, she created a strikingly dramatic narrative.
‘Jeremy (Abbott) composed the program for me. After seeing his program last year, I thought it was unique and asked him – the timing worked out. The theme is a strange puppet dancing, which is the crazy part. The creative process was enjoyable, and the costume design is incredibly intricate, so I hope people notice it.’
Centred around a sequel to The Phantom of the Opera, the lives of each skater intertwine. It is a fantastical yet real world. An ecstatic time to immerse oneself in, at the 19th edition of Friends on Ice.
The performances run until 31st August.