I believe that they (USM, the management office of Dai, Shizuka, Kanako and Kana) started working on this project soon after Hyoen 2019 was finished just like they started on Hyoen 2019 as soon as Hyoen 2017 was finished, and booked Yokohama Arena. They might have initially planned a show as complex as Hyoen 2019, but decided to make a less complex revue-type show instead because their production time would be limited with Dai being in Florida with Kana training for ice dance and this COVID-19 pandemic.
I hope there will be a livestream because many people living outside big cities are still reluctant to travel.
] when we competed at the same time, so I'm over Kenji-sensei's age at the time, so there’s a lot of history. I think it's a talk where we could look back. Kenji has skating experience, so he may feel differently about what we say than those who don't [have skating experience], so I think it was a talk where we could exchange a lot. [僕は賢二先生と一緒に現役をやっていて、試合で同じ部屋だったりもしました。僕も34歳になりましたけど、賢二先生が30台とかで僕が10台とかで一緒に試合に出てたので、その当時の賢二先生の年齢を僕は越えていて、本当に歴史って色々あるなと。結構、振り返りができる部屋だなと思います。賢二先生はスケート経験者ですし、経験していない方とは違って、僕たちが言ったことに対しての感じ方が違ったりするときもあるので、そういった意味で気付いたら色々話しちゃうみたいな、そんな部屋になっていると思います。]
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To synes, very sorry for not replying you earlier. Thx as always for your sweet words. 
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], I'll be playing a matador in a scene in Europe, and I'll be dancing with my ice dancing partner, Kana Muramoto, and there will be a wonderful theme song by Ayaka Hirahara and a cool performance by Reon Yuzuki in the skyscraper scene.
) and his skate with Kana to “L' aigle noir" – it's such a gorgeous chanson.
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In the finale he had an entire song to sing this time – "Lay off my hope" – giving it his all and managing really well.
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