Fuji TV's interview with Koshiro at Senior Camp (in July, but the video was released in August)
https://www.youtube.com/watch?v=5h5fxUbTEPc
Q: How's your condition now?
For now, I'm considerably but gradually getting myself into gear, and I've had really good training. Since I'm back in Japan, I also got this great opportunity to train and practice with Japan's great top skaters at this Senior Camp, and I'm very grateful about it.
Q: Your thoughts on joining the Senior Camp?
What I can feel from it is, how should I put it? Everything? It's supportive, it offers both technical and mental sustenance. Especially mentally, when I see others jumping many quads, it motivates me and builds up a sense of rivalry, like, I gotta make it too! And it really... even when I'm exhausted out physically, I find it so fulfilling mentally.
Q: Who in particular are you watching/paying attention to?
Well, it's been such a long time since the last time I practiced together with Yamamoto Sota kun. It's been really long, like since the Youth Olympic days (2016 Lillehammer). We're training together on the same ice for the first time in a long while. His quads, the fluidity of his skating, and such. I'm conscious of those qualities of his, as expected, and it (watching him) helps a lot.
Q: How do you feel about your senior debut?
I'm of course anxious about it and I'm also motivated, but for the moment, I'm fully occupied with day-to-day training/practice. Even before coming back to Japan too, I was pushing myself to the very limit, like doing my Free's run-throughs many times, and the off-ice training I was doing was extremely tough. I have no time to think about anxiety or fun, but just trying to get through each day now.
Q: How about your training during off-season?
I've been really trying to improve my skills to reach senior level. Even after joining this camp, I'm still finding so many things that I lack. So, I'd like to improve them now.
Q: What is your weapon?
Expression is of course one of those that I'd like to develop and keep in my arsenal in my whole skating life. As for jumps, my 3A has gotten stable enough that I can now put one in the second half of the program, and I hope it's going to be a bit of an advantage.
Q: About your new programs
Short is "Stay" by Oliver Tompsett san. It's a very sad song, wishing for hope, and what's more, it's about romantic love, there is some expression of love. It's a very mature music, very suitable for senior. Free is "Artist", I'm using the one Denis Ten san was using.
The choreography for the Short is by a Canadian dancer. As she does not skate, I create some on ice while she creates some on land, and we combine them together on ice to complete this choreo. So, it's quite... well, I haven't managed to perform to bring out the best of it yet, but as I run through the program many more times from now on, I'm sure it'll become a great one.
Q: What's the name of the Canadian dancer?
Um, her name is Sara san,
(either he can't remember her last name well? or can't come up with its Japanese pronunciation/equivalent name? some laughter for not being able to say it) but really, she's connected to Stephane. I/we get to know her through Stephane's 'Art on Ice', the one that Stephane was working on in Switzerland.
Q: Is it Stephane sensei who decided to use this dancer?
We've had her in Switzerland quite often for dance lessons, as part of training. When I couldn't decide whom to ask for the choreo for my Short, I saw Deniss Vasiljevs, my team mate, Deniss-kun, having his program choreographed by her, before I asked her. And I wanted to try the same and I asked Stephane (to ask her).
Q: Do you feel any difference from figure skating choreography?
There are things that you cannot do on ice. It's very difficult to express the things you can do on land but cannot do on ice, and (we) created it while struggling with that. How should I call it, the movements of arms/hands, or as such, are not really something you see in figure skating. You have a bit more freedom when dancing on land, I think, and I've been practicing some eligible forms to utilize such movements on ice.
Q: Free's Choreographer?
I asked Stephane to choreograph my Free. It was just the other day, the first year anniversary of Denis Ten san's death. A year has passed and I'm sure hearing of "Artist" would remind a lot of people of Denis Ten san. I can't wrap up my performance so beautifully as he did yet, but I'm very confident that the choreo is great and it can entertain a viewing audience with its step sequence and chore sequence. I'd like to deliver it to make it the highlights of the program.
Q: What did you learn from Stephane sensei?
There are just too many things to list what changed and what I learned from him, but for me, let's see, perhaps there are considerably more things regarding private life that I learned from him, than skating. Like how to live as an athlete, what to pay attention to, how to build up mind and mentality, and so on. Those things I'm learning from Stephane are great inspirations for me in preparation for senior, I think.
Q: Your goal for the new season?
I'll try to hang on and make a desperate try to keep up with the top senior skaters. I'm really a challenger trying to climb up from the lowest bottom, and there is nothing for me to lose nor to be afraid of. I'd like to go aggressively and challenge myself.