Her music is a miserable wail that sounds exactly the same throughout - no ebb, no flow, no rhythm, no crescendo, no power, no dynamism, it makes her skating so flat even when she did some brilliant jumps here with a lot of distance and height. I was registering dissonance - here was a great skate, a great jump, but why did it look so flat? If I were to be brutally honest it's one of the worst "plaintive" singing I ever heard, and I've watched a lot of Asian movies.
In the end, the music that Mao (Madam Butterfly), Yuzu (Seimei) chose all have the qualities that I mentioned. Tan Dun, the composer, has many other pieces to choose from that are rich and complex. People raved after Seimei, I haven't heard any praise for this, except for Chinese fans, and I suspect mostly girls who cried at the story or lyrics but to the rest of us, it didn't make any sense but the wailing sound goes on and on. Unfortunately, the judges are not Chinese girls.
I think if she is serious about winning she has to skate to something that accents her technicals, not deaden them. The judging panel is also international - they might let the music make a stronger impression than it should, and feel for her skate the way the music makes them feel. Everyone thought she was slow and lacked stamina here and needs to skate to a slow music with no rhythm, but it was the music, not Zijun, that was slow and excruciatingly boring. Lori did a great choreography that lets Zijun breathe and accentuates her strengths. She skated really well here with big elements but couldn't beat Courtney Hicks. Just a couple more PCS points would have handed her the bronze...pity. There's no denying she took a huge risk here, but is it paying off or does it have the opposite effect? She should ask some international coaches or judges for their frank opinion.