t is a shame that Marlie will probably retire now, because I don't think they ever reached their full potential and I do think their DWTS experience would have made them even better ice dancers.
Yes, I think that this dance program very obviously showed the reason why D/W never been exciting and hot in the ice more than their great technique and perfectionism. The reason is Charlie. He is the dead fish outf of the 2. I cannot imagine where Meryl would have been gone with f.e. Scott Moir, Andrew Poje or even Poirer. Charlie is VERY good technically but unable to interpret anything else than "The prince in the Swanlake" or a little bit more modern version of it playing some musical role.
The Disneyworld like of style was not the mistake of Meryl or Zueva. That was because of the limits of Charlie.
I hope that this dance show made Charlie to understand and interpret something else, and than they can go to incredible hights.
Meryl's availability is unlimited. She is fantastic. Even ready to do some Bejart program or the most difficult theme of Bartók The Miraculous mandarin. It would be priceless.
Bejart! You are so clever! She suddenly reminded me of Marcia Haydee, a small firecracker of a dancer who partnered with Richard Cragun in the Stuttgart Ballet, I think. (John Cranko was the customary choreographer for them.) Yes, I think Meryl could expand to do stuff in that direction.
Here is a YT video of them. This kind of dancing explains why I am never tired of Romeo and Juliet. The problem is not that the music has been overused in skating. It's that the music has rarely been used to its fullness in skating. This is what it should look like.
http://www.youtube.com/watch?v=_v8Bqu3gjF4